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Theo-Logic is the third and crowning part of the great trilogy of the masterwork of theologian Hans Urs von Balthasar, following his first two parts, The Glory of the Lord and Theo-Drama. This is the third volume of Theo-Logic. Theo-Logic is a variation of theology, it being about not so much what man says about God, but what God speaks about himself. Balthasar does not address the truth about God until he first reflects on the beauty of God (The Glory of the Lord). Then he follows with his reflections on the great drama of our salvation and the goodness and mercy of the God who saves us (Theo-Drama). Now, in this work, he is ready to reflect on the truth that God reveals about himself, which is not something abstract or theoretical, but rather the concrete and mysterious richness of God's being as a personal and loving God.
Theo-Logic is the third and crowning part of the great trilogy of the masterwork of theologian Hans Urs von Balthasar, following his first two parts, The Glory of the Lord and Theo-Drama. This is the third volume of Theo-Logic. Theo-Logic is a variation of theology, it being about not so much what man says about God, but what God speaks about himself. Balthasar does not address the truth about God until he first reflects on the beauty of God (The Glory of the Lord). Then he follows with his reflections on the great drama of our salvation and the goodness and mercy of the God who saves us (Theo-Drama). Now, in this work, he is ready to reflect on the truth that God reveals about himself, which is not something abstract or theoretical, but rather the concrete and mysterious richness of God's being as a personal and loving God.
The first of four volumes of von Balthasar's many essays and conferences. Each focuses on a specific aspect of theology or spirituality and presents it with all the richness which comes from his immense erudition, but in a style that is directed and intelligible since few of these essays were intended for scholarly audiences. These volumes present a rare opportunity to experience Balthasar's synthetic and comprehensive treatment of major themes in theology without having to make one's way through much more extensive works which cover a much wider scope. These volumes will provide an excellent introduction to the thought of von Balthasar for those unfamiliar with him, and their chapters will focus on specific themes treated throughout his works for those who are familiar with him. An excellent overview of the writings and thought of one of the outstanding theologians of this century.
The first volume of this series surveyed the great world dramatists to gather concepts and ideas to apply to the real stage, which is the universe God has made and centered into himself as an actor. This volume describes the actors, the dramatis personae. This is his theological anthropology concerning man, his freedom and destiny in the light of biblical revelation. Von Balthasar is concerned here with the dramatic character of existence as a whole, approaching the topic through a consideration of the various conditions and situations of mankind as a drama that involves both the Creator and his creatures.
This is the final volume of this series on "theological dramatic theory" by the great 20th century theologian Balthasar. This series is the second part of Balthasar's trilogy on the good, the beautiful and the true which is his major work. The first series in the trilogy is The Glory of the Lord, and following this Theo-Drama series will be Theo-Logic. In this series "the good" has been the focus. Balthasar maintains that it is in the theater that man attempts a kind of transcendence to observe and to judge his own truth about himself. He sees the phenomenon of theater as a source of fruitfulness for theological reflection on the cosmic drama that involves earth and heaven. This fifth volume is trinitarian, focusing on the mystery of God. He draws heavily on Scripture and many passages from the works of the mystic Adrienne von Spyer. Some of the topics covered include "A Christian Eschotology," "The World is from the Trinity," "Earth moves Heavenward," "The Final Act: A Trinitarian Drama."
This collection of essays, gathered under the auspices of Communio editors, represents the most wide-ranging study of the life and work of Balthasar. The twenty contributors include highly respected theologians, philosophers and bishops from around the world such as Henri Cardinal de Lubac, S.J., Walter Kasper, Louis Dupre, Joseph Cardinal Ratzinger (now Pope Benedict XVI), and Pope John Paul II. "...meeting Balthasar was for me the beginning of a lifelong friendship I can only be thankful for. Never again have I found anyone with such a comprehensive theological and humanistic education as Balthasar and de Lubac, and I cannot even begin to say how much I owe to my encounter with them." - Joseph Ratzinger (Pope Benedict XVI)
In this fourth volume of his magnnum opus, von Balthasar considers the metaphysical tradition of the contemplation of Being. He provides major studies of Homer, the Greek Tragedians, Plato and Plotinus and the development of this tradition in the Middle Ages. He then explores the analogy between the metaphysical vision of the Being and the Christian vision of the divine glory of the Trinity. The book is a remarkable attempt to rediscover the ancient vision of Being in all its awesomeness as the context within which the specifically Christian vision, rooted in God's gracious self-revelation, took form and was expressed.
The great trilogy of theology by Hans Urs von Balthasar includes The Glory of the Lord, Theo-Drama, and Theo-Logic. His Epilogue, a single volume, is the closing of his masterwork, giving final details and overview to the prior volumes in the trilogy.
Publisher's description: Hans Urs von Balthasar (1905-1988) is one of the most prolific, creative and wide-ranging theologians of the twentieth century who is just now coming to prominence. But because of his own daring speculations about the meaning of Christ's descent into hell after the crucifixion, about the uniqueness of Christ as savior of a pluralistic world, and because he draws so many of his resources for his theology from literature, drama, and philosophy, Balthasar has never been an easily-categorized theologian. He is neither liberal nor conservative, neither Thomist nor modernist and he seems to elude all attempts to capture the exact way he creatively reinterprets the tradition of Christian thought. For that reason, this Companion is singularly welcome bringing together a wide range of theologians both to outline and to assess the work of someone whom history will surely rank someday with Origen, John Calvin, and Karl Barth.
Hans Urs von Balthasar made detailed statements about his work on five occasions, mostly on the birthdays that marked the end of a decade of his life: as a young author in his "desire to lift out of the jumble of history the four or five figures which represent for me the constellation of my idea and my mission;" as publisher and writer, "out of concern for the reader" and in order to equip this reader with a guide to his own books. Then, in the midst of the transformations connected with the Council, he wrote an "Account" for himself and his readers, about what had been done, and what was still required. Finally, in a kind of pause, as one already looking toward the close of his life, he gave once again an account of what had been achieved and what could no longer be achieved, in a clear shift of emphasis away from his "authorship" in favor of the pastoral work in the communities which he had founded. This present volume is a helpful guide to his many-sided work.