Download Free Thelma The Woman The Myth The Legend Book in PDF and EPUB Free Download. You can read online Thelma The Woman The Myth The Legend and write the review.

Every good hero needs a villain! Explore the hidden world of magnetic and mysterious villains, often cast aside and misunderstood in tales of mythology and folklore. Through the pages of Queer Villains of Myth and Legend, discover a diverse community of fascinating characters, ranging from seductive and cunning to powerful and awe-inspiring. Experience the dark allure of Circe and Medusa through to David Bowie's Jareth in Labyrinth and delve into their complex and multifaceted personalities and motivations. Take a deep dive into the intersection of queerness and villainy, re-examine some of our favourite characters, and discover why so many 'bad' characters are queer-coded. From ancient mythology to contemporary pop culture, Queer Villains of Myth and Legend celebrates the fascinating stories of these often-overlooked characters. Join Dan Jones on a journey of discovery, as he explores the hidden depths of queer villainy and sheds light on the queer identities of these compelling figures. It's a powerful celebration of queerness through the ages in all its legendary complexity.
The spiritual dimensions in the fantastic works of both firmly established and newer writers--including such talents as Marion Zimmer Bradley, Alice Walker, Patricia Kennealy, Octavia Butler, Toni Morrison and Ntozake Shange--are examined in this book. The author links their fantastic novels to actual currents within the feminist spirituality movement, addressing the genre's use of goddess worship, psychic phenomena, and reverence for the earth. Special emphasis is given to both the struggle to provide an alternative to men-centered experience and to the need to articulate ways in which feminists can achieve personal and social power.
The rich storytelling traditions of Salish-speaking peoples in the Pacific Northwest of North America are showcased in this anthology of story, legend, song, and oratory. From the Bitterroot Mountains to the Pacific Ocean, Salish-speaking communities such as the Bella Coola, Shuswap, Tillamook, Quinault, Colville-Okanagan, Coeur d'Alene, and Flathead have always been guided and inspired by the stories of previous generations. Many of the most influential and powerful of those tales appear in this volume.øSalish Myths and Legends features an array of Trickster stories centered on Coyote, Mink, and other memorable characters, as well as stories of the frightening Basket Ogress, accounts of otherworldly journeys, classic epic cycles such as South Wind?s Journeys and the Bluejay Cycle, tales of such legendary animals as Beaver and Lady Louse from the beginning of time, and stories that explain why things are the way they are. The anthology also includes humorous traditional tales, speeches, and fascinating stories of encounters with whites, including ?Circling Raven and the Jesuits.?øøTranslated by leading scholars working in close collaboration with Salish storytellers, these stories are certain to entertain and provoke, vividly testifying to the enduring power of storytelling in Native communities.
Thelma & Louise, the 1991 film directed by Ridley Scott and starring Susan Sarandon and Geena Davis, has been described as a road movie, a buddy movie, a feminist parable, and only incidentally as a Western. An Oscar winner for first-time screenwriter Callie Khouri, Thelma & Louise catalyzed a national conversation about women, violence, and self-determination in a Hollywood still shrugging off the West of John Wayne and in an America that still viewed women as accessories to the national mythology. In this latest volume in the Reel West series, Susan Kollin recreates this watershed moment for women’s movies in general and women’s Westerns in particular.
Examines the film industry's fascination with bondage and captivity.
Fairies have been revered and feared, sometimes simultaneously, throughout recorded history. This encyclopedia of concise entries, from the A-senee-ki-waku of northeastern North America to the Zips of Central America and Mexico, includes more than 2,500 individual beings and species of fairy and nature spirits from a wide range of mythologies and religions from all over the globe.
Gillian Alban meticulously pursues the Fairy Melusine snake-woman image through the plot and the poetry of A. S. Byatt's novel Possession, into medieval legend, and beyond into her antecedents in ancient myth. The book describes the erotically inspiring force of Melusine's love story and draws parallels with goddesses such as Lamia, Ishtar or Inanna, Isis, and Asherah. Mother, creator, and leader, the figure of Melusine was ultimately vilified and tellingly converted into the demon of patriarchal accounts, as seen in the examples of Lilith, Medusa, Scylla, and the serpent in the Garden. Alban deconstructs part of Genesis, including the roles of Adam and Eve and Cain's crime, and illuminates the Old Testament worship of the goddess Asherah alongside the male Yahweh. A forceful exploration of literature, history, and myth, this study sweeps away limiting assumptions about the female sex. Melusine the Serpent Goddess restores the dignity acknowledged to women of old, making a forceful statement about the power and creativity of women.
Gotlieb is a writer central to the Canadian science fiction canon. Though she has been called the queen of Canadian SF by Robert J. Sawyer, and though David Ketterer has suggested that she is Canadian SF, Gotlieb has been largely overlooked by SF studies. This book delves deeply into her body of work and traces her career in detail. Offering close readings of Gotlieb's novels, short stories (including ones not reprinted since their initial appearances), and SF-related poetry, this study explores Gotlieb's development as a writer and her characteristic themes. The book also references her manuscripts when the differences between them and the published stories provide insights into her working methods. The book enumerates and analyzes Gotlieb's innovative explorations of common SF tropes such as the superhuman, human-alien interaction, and the galactic empire, her prevalent thematic concerns (e.g., reproduction, colonization, the mind-body relationship, the essence of "humanity") as well as her stylistically dense and literary approach to the genre.
Originally published: Amazon Publishing, 2016.
How do women writers use science fiction to challenge assumptions about the genre and its representations of women? To what extent is the increasing number of women writing science fiction reformulating the expectations of readers and critics? What has been the effect of this phenomenon upon the academic establishment and the publishing industry? These are just some of the questions addressed by this collection of original essays by women writers, readers and critics of the genre. But the undoubted existence of a recent surge of women’s interest in science fiction is by no means the full story. From Mary Shelley onwards, women writers have played a central role in the shaping and reshaping of this genre, irrespective of its undeniably patriarchal image. Through a combination of essays on the work of writers such as Doris Lessing and Ursula Le Guin, with others on still-neglected writers such as Katherine Burdekin and C. L. Moore and a wealth of contemporaries including Suzette Elgin, Gwyneth Jones, Maureen Duffy and Josephine Saxton, this anthology takes a step towards redressing the balance. Perhaps, above all, what this collection demonstrates is that science fiction remains as particularly well-suited to the exploration of woman as ‘alien’ or ‘other’ in our culture today, as it was with the publication of Frankenstein in 1818.