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Samantha goes to New Orleans in order to try to fulfill the wishes of her late, much older husband. She is strongly attracted to Louis, a restaurant owner she meets there, and they spend the night together. She just lost her husband, so she thinks, "What in the world am I doing?" But Louis is who she's been looking for—he's her husband's illegitimate son! Stepson or not, it's wrong to have a romantic relationship with him. Samantha is torn between love and logic. There are people hungry for the next scandal waiting for her back in New York who will be suspicious of their love!
Miss Julia Smith peddles flowers for her daily bread, but lands in the Duchess of Arlington's household when selling blooms becomes unexpectedly hazardous. To Julia's surprise, Her Grace offers not only safety, but also a chance at a new, fancier life-a life Julia isn't sure she wants. Harris Clarendale, Marquess of Ruthven, has seen his dear godmother taken in by one charlatan after another as Her Grace has searched in vain for a missing niece. Harris determines to charm his way past Julia's defenses, and expose her for the schemer she is. Instead, he finds a woman of wit, honor, and integrity, and more than a little passion, and Julia learns that a fancy lord can also be a decent man with a loyal heart. When secrets are revealed, will love be enough for Julia and Harris to forge a future together?
“Why is there so much violence in our midst?” René Girard asks. “No question is more debated today. And none produces more disappointing answers.” In Girard’s mimetic theory it is the imitation of someone else’s desire that gives rise to conflict whenever the desired object cannot be shared. This mimetic rivalry, Girard argues, is responsible for the frequency and escalating intensity of human conflict. For Girard, human conflict comes not from the loss of reciprocity between humans but from the transition, imperceptible at first but then ever more rapid, from good to bad reciprocity. In this landmark text, Girard continues his study of violence in light of geopolitical competition, focusing on the roots and outcomes of violence across societies latent in the process of globalization. The volume concludes in a wide-ranging interview with the Sicilian cultural theorist Maria Stella Barberi, where Girard’s twenty-first century emphases on the continuity of all religions, global conflict, and the necessity of apocalyptic thinking emerge.
A sharp-witted widow and her handsome rival go from sparring partners to scandalous lovers in this historical romance of eighteenth century England. London, 1794. Since discovering Raphael Lefevre, Marquis of Montpellier, danced with her to win a wager, cool beauty Lady Serena has openly criticized the rogue’s behavior. But their rivalry takes a shocking turn when the Marquis rescues Serena from a blackmailer?and kisses her! Now Serena’s forced to pretend they’re conducting a scandalous affair. But amidst the parties and balls Serena realizes that Raphael is not the dissolute rake he’d have society believe he is . . . and she’s in danger of falling for her enemy!
Beatriz Leone has always been the quiet one, waiting in the shadows while her brothers and sisters pursue their ambitious goals. Suddenly her twin brother is king and she’s still on the sidelines. Always suspicious of men—do they want her for the title or for the money?—she has even more reason to be wary of the handsome and charming son of the family’s bitterest rivals. Lorenzo Aldobrando enjoys a challenge. His ancestor lost a prime piece of property to the Leone family, and he’s determined to get it back. When his efforts to buy it are rebuffed, he decides he’ll try another tactic—seducing the bookish princess who inherited it from her grandmother. Their initial flirtation raises eyebrows. Beatriz is wary but soon finds herself confiding her hopes and dreams to the dashing family enemy…and meeting him in secret. When Lorenzo helps Beatriz take practical steps toward a life goal that no one else has ever supported, she starts to fall in love—hard. Will she find herself betrayed and alone? Or can the most outrageous dreams really come true?
From the moment Daphne, Lady Pomeroy, meets the mysterious Marquess of Hartwell at a masquerade ball, she's determined to seduce him. The handsome, charming man cannot possibly be the cold, calculating lord who Society calls "Black Hart." Risking everything, the lonely widow invites the elusive Hartwell to her dinner party…for two. Hartwell's arrogant reputation is built on a lie. For he has a shameful secret that keeps him in the shadows: a stutter—his downfall since childhood. He'd rather keep his mouth shut than look the fool. But he's shocked to discover that in Daphne's company—and in her bed—his stutter vanishes. After one wanton evening together, Daphne is hurt when the lord lives up to his Black Hart name. Yet his reasons for leaving surprise even him. Now he must confess everything or risk losing Daphne forever… 22,000 words
A high-speed, high-stakes thriller from Ken Follett, the grand master of international action and suspense. A fabulous "lost masterpiece" becomes the ultimate prize—for an art historian whose ambition consumes everyone around her, an angry young painter with a plan for revenge on the art establishment, and a desperate gallery owner who may have double-crossed his own life away. Behind the elegance and glamour of the art world, anything goes—theft, forgery, betrayal, and maybe even murder. . . .
A spy for the crown meets his match when he crosses paths with a beautiful pickpocket in this “racy and romantic” Regency series (Anna Campbell, author of Captive of Sin). For ten years, Anthony Westfield, Viscount Somerton, hasn't been able to forget the scandalous night of passion he shared with a beautiful, mysterious woman. When their paths cross again, he's shocked to discover Victoria Seaton is an accomplished pickpocket. But Somerton leads a double life of his own. Working undercover for the Queen, he makes Victoria a proposition: pretend to be his mistress or risk ruin. Victoria can't believe the man who almost destroyed her life a decade ago is now threatening to unravel her secrets. But posing as his mistress at a holiday country party is a game she can play well. For just one look into Somerton's eyes still weakens her with lust. And with Christmas fast approaching, every kiss they share under the mistletoe only makes them fall more deeply in love . . .
“The articles and columns in The Scandal of the Century demonstrate that his forthright, lightly ironical voice just seemed to be there, right from the start . . . He’s among those rare great fiction writers whose ancillary work is almost always worth finding . . . He had a way of connecting the souls in all his writing, fiction and nonfiction, to the melancholy static of the universe.” --Dwight Garner, The New York Times From one of the titans of twentieth-century literature, collected here for the first time: a selection of his journalism from the late 1940s to the mid-1980s--work that he considered even more important to his legacy than his universally acclaimed works of fiction. "I don't want to be remembered for One Hundred Years of Solitude or for the Nobel Prize but rather for my journalism," Gabriel García Márquez said in the final years of his life. And while some of his journalistic writings have been made available over the years, this is the first volume to gather a representative selection from across the first four decades of his career--years during which he worked as a full-time, often muckraking, and controversial journalist, even as he penned the fiction that would bring him the Nobel Prize in 1982. Here are the first pieces he wrote while working for newspapers in the coastal Colombian cities of Cartagena and Barranquilla . . . his longer, more fictionlike reportage from Paris and Rome . . . his monthly columns for Spain's El País. And while all the work points in style, wit, depth, and passion to his fiction, these fifty pieces are, more than anything, a revelation of the writer working at the profession he believed to be "the best in the world."
An NPR Best Book of 2017 Heiress to the nearly forty-billion-dollar L’Oréal fortune, Liliane Bettencourt was the world’s richest woman and the fourteenth wealthiest person. But her gilded life took a dark yet fascinating turn in the past decade. At ninety-four, she was embroiled in what has been called the Bettencourt Affair, a scandal that dominated the headlines in France. Why? It’s a tangled web of hidden secrets, divided loyalties, frayed relationships, and fractured families, set in the most romantic city—and involving the most glamorous industry—in the world. The Bettencourt Affair started as a family drama but quickly became a massive scandal, uncovering L’Oréal’s shadowy corporate history and buried World War II secrets. From the Right Bank mansions to the Left Bank artist havens; and from the Bettencourts’ servant quarters to the office of President Nicolas Sarkozy; all of Paris was shaken by the blockbuster case, the shocking reversals, and the surprising final victim. It all began when Liliane met François-Marie Banier, an artist and photographer who was, in his youth, the toast of Paris and a protégé of Salvador Dalí. Over the next two decades, Banier was given hundreds of millions of dollars in gifts, cash, and insurance policies by Liliane. What, exactly, was their relationship? It wasn’t clear, least of all to Liliane’s daughter and only child, Françoise, who became suspicious of Banier’s motives and filed a lawsuit against him. But Banier has a far different story to tell... The Bettencourt Affair is part courtroom drama; part upstairs-downstairs tale; and part characterdriven story of a complex, fascinating family and the intruder who nearly tore it apart.