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This unforgettable father and son story confronts the legacy of the Vietnam War across two generations: “an important book that should be read by every American” (Ron Kovic, Vietnam Veteran and author of Born on the Fourth of July). Craig McNamara came of age in the political tumult and upheaval of the late 60s. While Craig McNamara would grow up to take part in anti-war demonstrations, his father, Robert McNamara, served as John F. Kennedy's Secretary of Defense and the architect of the Vietnam War. This searching and revealing memoir offers an intimate picture of one father and son at pivotal periods in American history. Because Our Fathers Lied is more than a family story—it is a story about America. Before Robert McNamara joined Kennedy's cabinet, he was an executive who helped turn around Ford Motor Company. Known for his tremendous competence and professionalism, McNamara came to symbolize "the best and the brightest." Craig, his youngest child and only son, struggled in his father's shadow. When he ultimately fails his draft board physical, Craig decides to travel by motorcycle across Central and South America, learning more about the art of agriculture and making what he defines as an honest living. By the book's conclusion, Craig McNamara is farming walnuts in Northern California and coming to terms with his father's legacy. Because Our Fathers Lied tells the story of the war from the perspective of a single, unforgettable American family.
A selection of poetry written during World War I. In the introduction Jon Silkin traces the changing mood of the poets - from patriotism through anger and compassion to an active desire for social change. The book includes work by Sassoon, Owen, Blunden, Rosenberg, Hardy and Lawrence.
This unforgettable father and son story confronts the legacy of the Vietnam War across two generations: “an important book that should be read by every American” (Ron Kovic, Vietnam Veteran and author of Born on the Fourth of July). Craig McNamara came of age in the political tumult and upheaval of the late 60s. While Craig McNamara would grow up to take part in anti-war demonstrations, his father, Robert McNamara, served as John F. Kennedy's Secretary of Defense and the architect of the Vietnam War. This searching and revealing memoir offers an intimate picture of one father and son at pivotal periods in American history. Because Our Fathers Lied is more than a family story—it is a story about America. Before Robert McNamara joined Kennedy's cabinet, he was an executive who helped turn around Ford Motor Company. Known for his tremendous competence and professionalism, McNamara came to symbolize "the best and the brightest." Craig, his youngest child and only son, struggled in his father's shadow. When he ultimately fails his draft board physical, Craig decides to travel by motorcycle across Central and South America, learning more about the art of agriculture and making what he defines as an honest living. By the book's conclusion, Craig McNamara is farming walnuts in Northern California and coming to terms with his father's legacy. Because Our Fathers Lied tells the story of the war from the perspective of a single, unforgettable American family.
Robert S. McNamara was the official face of Vietnam, the technocrat with steel-rimmed glasses and an ironclad faith in numbers who kept insisting that the war was winnable long after he had ceased to believe it was. In his insightful, morally devastating book, The Living and the Dead, Paul Hendrickson juxtaposes Robert S. McNamara's story with those of a wounded Marine, an Army nurse, a Vietnamese refugee, a Quaker who burned himself to death to protest the war, and an enraged artist who tried to kill the man he saw as the war's architect. This is the brilliant, emotional coda where, in meticulous yet compassionate prose, Hendrickson captures his chase after the story of the man and the haunted years of McNamara’s life after Vietnam. A Vintage Shorts Vietnam Selection. An ebook short.
This young adult thriller takes place in twenty-four hours and explores how people as well as the media can exploit a situation with devastating results, especially when innocent children are involved. Jack Fountain knows that what’s happened to his family sounds like the most horrible soap opera anyone could ever write. But it’s all true. It happened—to his parents; to his sisters, Smithy and Madison. And to his baby brother, Tris. What made it worse was that the media wanted to know every detail. Now it's almost Tris’s third birthday, and everything’s starting again. Aunt Cheryl, who’s living with the Fountain children, has decided that they will heal only if they work through their pain—on camera. It will be a field day for the media, and no one, except Cheryl, wants that. Jack and his sisters gear up to keep Tris’s adorable face off-screen, but they quickly realize that there is more at stake than their privacy. The very identities they’ve created for themselves are called into question. What really happened the day of their father’s accident? The Fountain siblings have less than twenty-four hours to change their fate. Together, they will ask questions no one asked at the time of the tragedy. And together, they vow that this time, they will not be exploited.
Now available in paperback, this moving historical novel examines the lost days of Rudyard Kipling's son, John who was killed in his first battle of World War I.
A psychoanalytic biography which examines the lives of Charles Ives and his father, George. It shows how a knowledge of their relationship as father and son, teacher and pupil is central to understanding Ives' work. Charles' music is shown as an unconscious collaboration between father and son.
Rudyard Kipling (1865-1936) is often regarded as the unofficial Laureate of the British Empire. Yet his writing reveals a ferociously independent figure at times violently opposed to the dominant political and literary tendencies of his age. Arranged in chronological order, this diverse selection of his poetry shows the development of Kipling's talent, his deepening maturity and the growing sombreness of his poetic vision. Ranging from early, exhilarating celebrations of British expansion overseas, including 'Mandalay' and 'Gunga Din', to the dignified and inspirational 'If -' and the later, deeply moving 'Epitaphs of the War' - inspired by the death of Kipling's only son - it clearly illustrates the scope and originality of his work. It also offers a compelling insight into the Empire both at its peak and during its decline in the early years of the twentieth century.