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This catalogue features the work of a number of notable contemporary artists, and offers a series of imaginative responses to the English romantic poet, William Wordsworth.
'Color Influencing Form' offers a compact, comprehensive and inexpensive coursebook for the study of color in art and design. In 35,000 words it methodically covers all basic color theory for visual artists and designers, including relationships between light sources, surfaces and vision, visual illusions, and symbolic and functional aspects of color. It further proposes how color can be examined creatively in relation to the perception of form, including figure-ground division, contour, tone and texture, opacity and transparency, spatial ambiguity, and perspective of color, detail, size, and shape. Roy Osborne is an artist and author of books on color. He has lectured at over 200 colleges worldwide. In 2003 he received the Turner Medal of the Colour Group (Great Britain), and in 2019 received the Colour in Art, Design and Environment Medal of the International Colour Association.
This book details, succinctly, the visual and physiological characteristics of some 300 trees. Trees being the dominant feature in most landscapes, the landscape architect needs to select them with particular care. In this unique book all this information and more is presented in clear, easy-to-use tables.
A stimulating and inspiring exploration of creative approaches to visual expression: a sourcebook of ideas and images.
Mark Eli Kalderon presents an original study in the philosophy of perception written in the medium of historiography. He considers the phenomenology and metaphysics of sensory presentation through the examination of an ancient aporia. Specifically, he argues that a puzzle about perception at a distance is behind Empedocles' theory of vision. Empedocles conceives of perception as a mode of material assimilation, but this raises a puzzle about color vision, since color vision seems to present colors that inhere in distant objects. But if the colors inhere in distant objects how can they be taken in by the organ of sight and so be palpable to sense? Aristotle purports to resolve this puzzle in his definition of perception as the assimilation of sensible form without the matter of the perceived particular. Aristotle explicitly criticizes Empedocles, though he is keen to retain the idea that perception is a mode of assimilation, if not a material mode. Aristotle's notorious definition has long puzzled commentators. Kalderon shows how, read in light of Empedoclean puzzlement about the sensory presentation of remote objects, Aristotle's definition of perception can be better understood. Moreover, when so read, the resulting conception of perception is both attractive and defensible.
Design students today are more visually literate than ever before, and their learning style naturally favors the visual over the textual. So why should they learn art and design theory from a traditional textbook? The only guide of its kind, Line Color Form offers a thorough introduction to design theory and terminology in a visually appealing and accessible format. With hundreds of illustrations and minimal text, this primer was created with visual learners in mind, making it ideal for art students as well as those for whom English is a second language. Each chapter focuses on a single aspect of visual composition, such as line, color, or material. After an illustrated discussion of fundamental vocabulary, the chapters move on to applications of the concepts covered. These applications are again demonstrated through images, including photographs, color wheels, significant works of art, and other visual aids. Each image is accompanied by a descriptive paragraph offering an example of how the vocabulary can be applied in visual analysis. The book culminates with a section on formal analysis, aimed at teaching readers how to express their observations in formal writing and critical discourse. With its emphasis on the visual, this unique guide is a highly effective learning tool, allowing readers to gain an ownership and mastery of terms that will benefit them academically and professionally. Whether you are a design educator, student, or professional, native or non-native English speaker, this bright and concise reference is a must.
Starting from psychophysics, over the last 50 years, most progress in unravelling the mechanisms of color vision has been made through the study of single cell responses, mainly in LGN and striate cortex. A similar development in the study of form perception may seem to be underway, centred on the study of temporal cortex. However, because of the combinatorial characteristics of form perception, we are also observing the opposite tendency: from single-cell activity to population coding, and from static receptive field structures to system dynamics and integration and, ultimately, a synthetic form of psychophysics of color and form perception. From single cells to system integration: it is this development the present Research Topic wishes to highlight and promote. How does this development affect our views on the various attributes of perception? In particular, we are interested in to what extent evolving knowledge in the field of color perception is relevant within a developing integrative framework of form perception. The goal of this Research Topic is to bring together experimental research encompassing both color and form perception. For this volume, we planned a broad scope of topics – on color in complex scenes, color and form, as well as dynamic aspects of form perception. We expect that the Research Topic will be attractive to the community of researchers whose work straddles the boundary between the two visual perception fields, as well as to the wider community interested in integrative/systems neuroscience.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.