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This enthralling collection of weird and wonderful tales from the world of theatre includes such unusual stories as the legendary ghost of Drury Lane, how an actor can exorcise the curse of Macbeth, and the well-known theatre manager who fried bacon and eggs in the Royal Box to feed her starving cast at the interval. If you have ever wondered whether what happens in the stalls is actually more dramatic than what happens on stage, which shows were so bad that they closed during the interval on the first night, or how the ‘green room’ was named, then 'Theatre’s Strangest Acts' is the book for you.
How can an understanding of theatre in the city help us make sense of urban social experience? Theatre& the City explores how relationships between theatre, performance and the city affect social power dynamics, ideologies and people's sense of identity. The book evaluates both material conditions (such as architecture) and performative practices (such as urban activism) to argue that both these categories contribute to the complex economies and ecologies of theatre and performance in an increasingly urbanised world. Foreword by Tim Etchells.
This monograph centres on the history of musical theatre in a space of cultural significance for British identity, namely the Theatre Royal, Drury Lane, which housed many prominent American productions from 1924-1970. It argues that during this period Drury Lane was the site of cultural exchanges between Britain and the United States that were a direct result of global engagement in two world wars and the evolution of both countries as imperial powers. The critical and public response to works of musical theatre during this period, particularly the American musical, demonstrates the shifting response by the public to global conflict, the rise of an American Empire in the eyes of the British government, and the ongoing cultural debates about the role of Americans in British public life. By considering the status of Drury Lane as a key site of cultural and political exchanges between the United States and Britain, this study allows us to gain a more complete portrait of the musical’s cultural significance in Britain.
How did Leonardo DiCaprio become a hero on The Beach? Why would the Droids lode control in Star Wars? What persuaded Mad Max to become Hamlet? Who made Long John Silver's parrot dread Treasure Island? When was there a curse on The Exorcist? Where did Harrison Ford's quick-thinking profit Raiders Of The Lost Ark? From the earliest black-and-white flickers to the most recent big-screen blockbusters, the history of filmmaking is littered with remarkable but true tales of the unexpected. Behind the scenes on more then three hundred films, this entertaining survey covers over a hundred years of cinema history. It's a story of disastrous stunts, star temperaments, eccentric animals, Hollywood rivalries, unexplained deaths, casting coups and bizarre locations. Spanning the silents through the Golden Age to today's effects-packed films, Quentin Falk, film critic of the Sunday Mirror and editor of the BAFTA magazine, Academy, revels an astonishing collection of strange-but-true stories.
To every explorer with his map upside down, to every air-traffic controller suddenly receiving Magic FM through his headphones, to every astronomer whose new planet turns out to be a bit of bran-flake on the eyepiece of his telescope, Sod's Law says: you are not alone. Sam Leith tells the hilarious—and painful—stories of the unsinkable boat that sunk, the unbeatable horse that lost, and the fireproof theater that burned to the ground. Sod's Law demonstrates that the entire universe is actually set up to ensure that your toast always lands butter side down and, what's more, that it lands precisely where the cat has shed hair all over the carpet. In this age of doubt, fewer and fewer of us are able to believe that a higher power takes an interest in our fate. This book reassures us that indeed it does—and that that higher power is hell bent on buggering things up. Only by laughing heartlessly at the misfortunes of others can we make ourselves feel better. Sod's Law enables us to do just that.
The visitor’s companion to the places associated with William Shakespeare. Follow in his footsteps from Stratford-upon-Avon to London and theatreland
AUSTRALIAN THEATRE in the 1990s is a vigorous enterprise displaying the energies and contradictions of a multicultural society. This collection of essays by leading scholars of Australian theatre and drama surveys the emergence and directions of the new theatrical energies which have challenged or redefined the Australian 'mainstream': Aboriginal, multicultural, Asian-Australian, women's, gay and lesbian, community and young people's theatre; and charts the exciting growth of physical theatre. The contributors assess the impact of evolving funding and industrial priorities, and examine the theoretical and cultural debates surrounding Australian playwriting and theatre-making from the 1970s Vietnam dramas to the postmodern present.
Was performance important to Deleuze? Is Deleuze important to performance; to its practical, as well as theoretical, research? What are the implications of Deleuze's philosophy of difference, process and becoming, for Performance Studies, a field in which many continue to privilege the notion of performance as representation, as anchored by its imitation of an identity: 'the world', 'the play', 'the self'?Deleuze and Performance is a collection of new essays dedicated to Deleuze's writing on theatre and to the productivity of his philosophy for (re)thinking performance. This book provides rigorous analyses of Deleuze's writings on theatre practitioners such as Artaud, Beckett and Carmelo Bene, as well as offering innovative readings of historical and contemporary performance including performance art, dance, new media performance, theatre and opera, which use Deleuze's concepts in exciting new ways. Can philosophy follow Deleuze in overcoming the antitheatrical tradition embedded in its history, perhaps even reconsidering what it means to think in the light of the embodied insights of performance's practitioners? Experts from the fields of Performance Studies and Deleuze Studies come together in this volume and strive to examine these and other issues in a manner that will be challenging, yet accessible to students and established scholars alike.
A study into the relationships between performance, theatre and environmental ecology.