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Scenes from the plays and portraits of leading actors accompany a statistical record of the current season
(Theatre World). Celebrating its 64th year, Theatre World remains the definitive annual record of the American theatre season the most complete record of the Broadway, Off-Broadway, Off-Off-Broadway, and regional theatre season. Volume 64 features Harvey Fierstein's A Catered Affair , starring Faith Prince, and Tracy Lett's moving August: Osage County , the latter part of a strong season for original dramas on Broadway. It was a season also rife with stellar revivals, including Sunday in the Park with George ; South Pacific ; Come Back ; Little Sheba with S. Epatha Merkerson; Cat on a Hot Tin Roof with James Earl Jones; and The Country Girl , directed by Mike Nichols and starring Morgan Freeman and Frances McDormand. Off Broadway, both Passing Strange and In the Heights were a sensation and moved to Broadway. Mask , at the Pasadena Playhouse, and True Life Tales , based on an Internet blog and produced by Balliwick Repertory in Chicago, made splashes on the regional scene. As always, Theatre World 's outstanding features include: * An expanded section of professional regional productions from across the U.S. * An expanded listing of all the major theatrical awards * The longest running shows on and off Broadway * Full coverage of the Theatre World Awards for Broadway and Off-Broadway debuts * Expanded obituaries and a comprehensive index
An overview of the 2009-2010 theatre season includes photos, a complete cast listing, producers, directors, authors, composers, opening and closing dates, song titles and plot synopses for more than 1,000 Broadway, off-Broadway, off-off-Broadway and regional shows, as well as the past year's obituaries, a listing of all award nominees and winners and an index.
This collection of essays, published in honour of Professor Georgia Xanthakis-Karamanos, addresses topics which lie at the forefront of current research on the fields of Greek drama and classical reception studies. It brings together internationally distinguished scholars who provide fresh insights into issues pertaining to the origins of Greek tragedy and comedy, their generic identity, the structure, the morality or the divine and human characters emerging from individual plays, the presence of Greek drama outside Athens in post-classical times, the associations between drama and genres such as epic and oratory or even the reception of Greek drama in operatic works such as Wagner’s Tristan und Isolde. Related art forms, such as music, receive particular attention. Focusing on either broader topics or specific texts, the essays of this volume provide a wide range of theoretical perspectives often combining modern critical trends such as reception studies, narratology or cultural studies with close and acute readings of individual passages. The volume is of particular interest to scholars and students of Greek drama and its reception as well as to anyone interested in Greek culture and its various manifestations.
"Here in this 86th edition of The Best Plays Theater Yearbook are all of the many features that have long distinguished this indispensable reference work on the American theater. What makes the series unique is its unequaled depth and breadth of information on the season under review and its record of the key achievements in theater over a multitude of earlier seasons: detailed listings of all plays produced on and Off Broadway, and hundreds Off Off Broadway, between June 2004 and May 2005; essays by distinguished theater critics and commentators on all 10 of the chosen plays; listings of the longest-running plays and of the winners of the notable theater awards, in many cases ever since those awards were established; and the full membership of the Theater Hall of Fame." "But the scope of this book extends far beyond New York, recognizing as it does the vitality and the innovative contributions of resident theaters throughout the country. The invaluable survey of the season around the United States includes the American Theatre Critics Association's Steinberg New Play Award and Citations, plus a directory of more than 300 new play productions and readings at resident theaters everywhere." "As always this compendious book is illustrated with scores of photographs of productions in New York and around the United States." --Book Jacket.
This fully illustrated volume contains national articles, written by noted theatre journalists or critics.
I see you in the morning, on the first morning I stayed over at your house. Waking up. Watching you lying asleep next to me. You looked, you looked. It was like. I think about that more than you probably think I do. Stockport 1988-2002. Racheal Keats is growing up in a town she doesn't like with a family in tatters and a future she cannot picture. As those she loves begin to let her down or leave her behind, can Rachel find the strength to make her own way in the world? Port premiered at the Royal Exchange Theatre, Manchester, in November 2002. It was later staged in the Lyttelton at the National Theatre, opening in January 2013. Both productions were by Marianne Elliott.
This book investigates Ireland’s translation of interculturalism as social policy into aesthetic practice and situates the wider implications of this ‘new interculturalism’ for theatre and performance studies at large. Offering the first full-length, post-1990s study of the effect of large-scale immigration and interculturalism as social policy on Irish theatre and performance, McIvor argues that inward-migration changes most of what can be assumed about Irish theatre and performance and its relationship to national identity. By using case studies that include theatre, dance, photography, and activist actions, this book works through major debates over aesthetic interculturalism in theatre and performance studies post-1970s and analyses Irish social interculturalism in a contemporary European social and cultural policy context. Drawing together the work of professional and community practitioners who frequently identify as both artists and activists, Migration and Performance in Contemporary Ireland proposes a new paradigm for the study of Irish theatre and performance while contributing to the wider investigation of migration and performance.
In the first conceptual overview of current practices and debates in theatre education, Helen Nicholson explores the contribution that professional theatre practitioners make to the education of young people. She maps the environments in which theatre and learning meet, and looks at how the educational concerns and artistic inventiveness of people living in different times and places have inflected theatre and changed education. This inspiring book tells the story of ground-breaking developments of twentieth century theatre education, and explores the ways in which current theatre practitioners have upheld these radical traditions. Helen Nicholson investigates the effects on theatre education of a newly globalised economy, and asks pertinent questions such as: how can theatre education continue to encourage debates about social justice in the political landscape of the twenty-first century? How do the practices, policies and principles of theatre speak to different generations? Offering diverse illustrations of practice from around the world, Helen Nicholson draws on much personal experience and expert knowledge to demonstrate how cutting edge performance practices continue to engage young people today.