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THE STORY: SEE WHAT I WANNA SEE, a musical about lust, greed, murder, faith and redemption, was named by New York Magazine as one of the Best Musicals of 2005 and nominated for nine Drama Desk Awards, including Best Musical. It is based on t
(Vocal Collection). A delightful collection of musical theatre songs that kids love to perform, from a variety of shows. Using original scores, the songs have been selected and adapted with the ranges and skills of young singers in mind. Included in this collection are short summaries for each of the musicals, a dramatic and character set-up for each song, audition tips, 16-bar cut suggestions, and audio tracks of piano accompaniments. Songs include: All I Do is Dream of You (from Singin' in the Rain ) * Alone in the Universe (Seussical: The Musical) * Be Kind to Your Parents (Fanny) * Big Blue World (Finding Nemo: The Musical) * Consider Yourself (Oliver) * Different (Honk!) * Doll on a Music Box/Truly Scrumptious (Chitty Chitty Bang Bang) * The Girl I Mean to Be (The Secret Garden) * Good Morning (Singin' in the Rain) * Green Eggs and Ham (Seussical: The Musical) * Heart (Damn Yankees) * I Gotta Crow (Peter Pan) * I Just Can't Wait to Be King (The Lion King) * I Want It Now (Willy Wonka and the Chocolate Factory) * It's Possible (Seussical: The Musical) * Johnny One Note (Babes in Arms) * Part of Your World (The Little Mermaid) * Pure Imagination ( Willy Wonka and the Chocolate Factory) * Shy (Once Upon a Mattress) * Supercalifragilisticexpialidocious (Mary Poppins: The New Musical) * When I Get My Name in Lights (The Boy From Oz) * Wouldn't It Be Loverly (My Fair Lady) . Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK+, a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right.
“One of the best literary works of this year” (Miami Herald-Tribune): The true story of a theatrical dream—or nightmare—come true…the making of the Spider-Man musical. As you might imagine, writing a Broadway musical has its challenges. But it turns out there are challenges one can’t begin to imagine when collaborating with two rock legends and a superstar director to stage the biggest, most expensive production in theater history. Renowned director Julie Taymor picked playwright Glen Berger to cowrite the book for a $25 million Spider-Man musical. Together—along with U2’s Bono and Edge—they would shape a work that was technically daring and emotionally profound, with a story fueled by the hero’s quest for love…and the villains’ quest for revenge. Or at least, that’s what they’d hoped for. But when charismatic producer Tony Adams died suddenly, the show began to lose its footing. Soon the budget was ballooning, financing was evaporating, and producers were jumping ship or getting demoted. And then came the injuries. And then came word-of-mouth about the show itself. What followed was a pageant of foul-ups, falling-outs, ever-more harrowing mishaps, and a whole lot of malfunctioning spider legs. This “circus-rock-and-roll-drama,” with its $65 million price tag, had become more of a spectacle than its creators ever wished for. During the show’s unprecedented seven months of previews, the company’s struggles to reach opening night inspired breathless tabloid coverage and garnered international notoriety. Through it all, Berger observed the chaos with his signature mix of big ambition and self-deprecating humor.
The Taxi Cabaret follows six people in their twenties during their first year in New York City. Scott, an aspiring novelist, discovers that you do not have to suffer to write. Mark and Sara test their relationship when they move in together. Zach lives an E-ZPass lifestyle, staying safely in the closet, while the eternally unlucky but relentlessly optimistic Karen falls for him, only to have her heart broken. C.C. is an actress/temp who longs for something in her life that will last more than sixteen bars.
(Vocal Collection). An expansive selection of songs from new musicals that opened in 2010-2019, representing hits like The Band's Visit , Dear Evan Hansen , A Gentleman's Guide to Love & Murder , and Tootsie . Contents: ALADDIN: Proud of Your Boy * ANASTASIA: Still * THE BAND'S VISIT: Answer Me * Haled's Song About Love * BE MORE CHILL: Loser Geek Whatever * Michael in the Bathroom * BIG FISH: Fight the Dragons * THE BOOK OF MORMON: I Believe * THE BRIDGES OF MADISON COUNTY: It All Fades Away * CATCH ME IF YOU CAN: Goodbye * DEAR EVAN HANSEN: For Forever * Waving Through a Window * EVER AFTER: Right Before My Eyes * FINDING NEVERLAND: If the World Turned Upside Down * FROZEN: THE BROADWAY MUSICAL: In Summer * A GENTLEMAN'S GUIDE TO LOVE & MURDER: I Don't Understand the Poor * Stop! Wait! What?! * HAMILTON: You'll Be Back * HONEYMOON IN VEGAS: I Love Betsy * Out of the Sun * THE HUNCHBACK OF NOTRE DAME: Made of Stone * IF/THEN: You Don't Need to Love Me * You Never Know * KINKY BOOTS: Step One * THE LIGHTNING THIEF: Good Kid * The Tree on the Hill * NATASHA, PIERRE & THE GREAT COMET OF 1812: Dust and Ashes * ONCE: Leave * Say it to Me Now * PRETTY WOMAN: Freedom * Something About Her * THE PROM: Barry Is Going to Prom * SCHOOL OF ROCK: Stick It to the Man * SOMETHING ROTTEN!: Hard to Be the Bard * TOOTSIE: Jeff Sums It Up * Whaddya Do
With guts, love, and her finger on the pulse, rock musical audition coach Sheri Sanders shares the essential tools artists need to interpret rock material with openness, sensitivity, creativity, and authenticity so they may succeed in the audition room and on stage. It includes tips from interviews with industry insiders and innovators.
The Good Audition Guides: Helping you select and perform the audition piece that is best suited to your performing skills.