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"A memoir of outtakes moving backwards and forwards in space and time. Alexa moves us through a world of global performance traversing culture during the peak and crisis of a consumer age, interweaving performance, love, art, culture, gender and politics"--Unnumbered preliminary page.
Life under the sea gets exciting when the famous explorer Jacques Cousteau comes to visit.
All life — whether on land or in the sea — depends on the oceans for two things: • Oxygen. Most of Earth’s oxygen is produced by phytoplankton in the sea. These humble, one-celled organisms, rather than the spectacular rain forests, are the true lungs of the planet. • Climate control. Our climate is regulated by the ocean’s currents, winds, and water-cycle activity. Sea Sick is the first book to examine the current state of the world’s oceans — the great unexamined ecological crisis of the planet — and the fact that we are altering everything about them; temperature, salinity, acidity, ice cover, volume, circulation, and, of course, the life within them. Alanna Mitchell joins the crews of leading scientists in nine of the global ocean’s hotspots to see firsthand what is really happening around the world. Whether it’s the impact of coral reef bleaching, the puzzle of the oxygen-less dead zones such as the one in the Gulf of Mexico, or the shocking implications of the changing Ph balance of the sea, Mitchell explains the science behind the story to create an engaging, accessible yet authoritative account.
Theatre Across Oceans: Mediators Of Transatlantic Exchange allows the reader to enter and understand the infrastructural 'backstage area' of global cultural mobility during the years between 1890 and 1925. Located within the research fields of global history and theory, the geographical focus of the book is a transatlantic one, based on the active exchange in this phase between North and South America and Europe. Emanating from a rich body of archival material, the study argues that this exchange was essentially facilitated and controlled by professional theatrical mediators (agents, brokers), who have not been sufficiently researched within theatre or historical studies. The low visibility of mediators in the scientific research is in diametrical contrast to the enormous power that they possessed in the period dealt with in this book.
Presents a landmark study combining key specialists around the region with well-established international scholars, from a wide range of disciplines.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The ninth play of Wilson's 10-play masterwork
A message in a bottle holds the promise of surprise and wonder, as told in this enthralling picture book by Caldecott Medalist Erin E. Stead The Uncorker of Ocean Bottles, who lives alone atop a hill, has a job of the utmost importance. It is his task to open any bottles found at sea and make sure that the messages are delivered. He loves his job, though he has always wished that, someday, one of the letters would be addressed to him. One day he opens a party invitation—but there’s no name attached. As he devotes himself to the mystery of the intended recipient, he ends up finding something even more special: the possibility of new friends.
"More than a mystery, this fascinating novel is an investigation into loss, loyalty, and the lies people tell each other and themselves." — Publishers Weekly ​(starred review) Marcus Murray was only 17 when his best friend Melanie vanished from his hometown in oceanside Kent. Afterward, she seemed like a figment of his imagination — she became a story, a myth, a series of actions and consequences incorporated into his own history. Working as a journalist years later, Marcus is flush with success at having uncovered a corrupt alliance between a U.K. bank, the arms trade, and the government. So he's a bit disconcerted when sent from London back to Kent to report on the finding of a corpse during a railway excavation. Worse yet, his moral and professional triumph is called into question by charges of fabrication. While Marcus chafes at his exile and fears for his reputation, the hometown atmosphere evokes thoughts of the long-lost Melanie and her mysterious disappearance. Recounted in chapters that alternate between events from 1989 to the present, So the Doves poses thought-provoking questions about identity, offering a poignant meditation on memory and loss. "So the Doves is an unforgettable crime novel. James writes lyrical prose, combining a compelling plot with a portrait of a man forced to question the entire basis of his life." —The Sunday Times (U.K.) Crime Book of the Month "A twisty, paranoid cat-and-mouse thriller with moving undertones about friendship, youth, memory, desire and the unfinished business of the past, So the Doves kept me up at night frantically turning pages until the very end. It'll do the same for you." — Tim Murphy, author of Christodora and Correspondents