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Includes its Report, 1896-19 .
This is the first book to deal with Glaspell and Treadwell’s plays from a theatrical perspective, and presents a comprehensive overview, from lesser known plays to seminal productions of Trifles and Machinal.
More than fifty specialists have contributed to this new edition of volume 4 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Personal recollections recreate experiences of two Dust Bowl communities
"After their sequestering on reservations across the West, American Indians suffered from appalling rates of disease and morbidity. While the United States Indian Service (Bureau of Indian Affairs) provided some services prior to 1908, it was not until then that the Indian Medical Service was established for the purpose of providing services to American Indians. Born in an era of assimilation and myths of vanishing Indians, the Indian Medical Service provided emergency and curative care with little forethought of preventive medicine. If You Knew the Conditions argues that the U.S. Congress provided little more than basic, curative treatment, and that this Congressional parsimony is reflected in the services (or lack thereof) provided by the Indian Medical Service." "David H. DeJong considers the mediocre results of the Indian Medical Service from a cultural perspective. He argues that, rather than considering a social conservation model of medicine, the Indian Service focused on curative medicine from a strictly Western perspective. This failure to appreciate the unique American Indian cultural norms and values associated with health and well-being led to a resistance from American Indians which seemingly justified parsimonious Congressional appropriations and initiated a cycle of benign neglect. If You Knew the Conditions examines the impact of the long-standing Congressional mandate of cultural assimilation, combined with the Congressional desire to abolish the Indian Service, on the degree and extent of disease in Indian Country."--BOOK JACKET.
On October 30, 1947, the House Committee on Un-American Activities concluded the first round of hearings on the alleged Communist infiltration of the motion picture industry. Hollywood was ordered to "clean its own house," and ten witnesses who had refused to answer questions about their membership in the Screen Writers Guild and the Communist party eventually received contempt citations. By 1950, the Hollywood Ten (as they quickly became known), which included writers, directors, and a producer, were serving prison sentences ranging from six months to one year. Since that time, the members of the Hollywood Ten have been either dismissed as industry hacks or eulogized as Cold War martyrs, but never have they been discussed in terms of their professions. Radical Innocence: A Critical Study of the Hollywood Ten is the first study to focus on the work of the Ten: their short stories, plays, novels, criticisms, poems, memoirs, and, of course, their films. Drawing on myriad sources, including archival materials, unpublished manuscripts, black market scripts, screenplay drafts, letters, and personal interviews, Bernard F. Dick describes the Ten's survival tactics during the blacklisting and analyzes the contributions of these ten individuals not only to film but also to the arts. Radical Innocence captures the personality of each of the Ten, including the arrogant Herbert J. Biberman, the witty Ring Lardner Jr., the patriarchal Samuel Ornitz, the compassionate Adrian Scott, and the feisty Dalton Trumbo.
The Ballets Russes in Australia and Beyond draws together essays by leading international and national scholars, who explore the rich legacy of the Ballets Russes. A dazzling array of pictures brings to life the sheer vitality of the companies in a way that makes the volume indispensable to balletomanes, scholars, and those fascinated by the synergies between the creative arts in general.
(Applause Books). PUBLISHED ON THE 65TH ANNIVERSARY OF THE RELEASE OF THE FILM: AUGUST 15, 2004! The Wizard of Oz is one of the most popular and beloved motion pictures of all time. Seen by over one billion people worldwide since its 1939 premiere, Oz is an indelible part of our national consciousness and our earliest childhood memories. Why does this movie endure despite modern advances in film make-up and special effects? This lavishly illustrated book explores the construction of Oz at the height of Hollywood's golden age and under the auspices of filmdom's greatest studio. Details about Oz's make-up, costumes and special effects are revealed, accompanied by rare stills, Technicolor test frames, and blueprints over 300 color and B&W illustrations, many published for the first time! Actual costumes and props now priceless treasures are presented from the archives of memorabilia collectors, supplemented by never-before-conducted interviews with Oz's cast and crew. Written by the nation's leading Oz authorities, and with a foreword by the Cowardly Lion's make-up man, The Wizardry of Oz is a fascinating trip over the rainbow, from concept to realization. This book is an absolute must for Oz fans, film scholars, devotees of Judy Garland and Hollywood's golden era, or anyone who's ever wondered, "How'd they do that?" while watching this classic.