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In this lucid and entertaining book, Max Harris offers both a lively introduction to the theater and a sustained meditation on the theatricality of the Incarnation. Arguing that both biblical and dramatic texts should be approached with a theatrical rather than a literary imagination, he offers fresh and scholarly insights into plays as diverse as the medieval "Ordinalia" and Edmond Rostandbs romantic masterpiece "Cyrano de Bergerac," while also probing theatrical theory from Aristotle to Grotowski. At the same time, he renders vividly the comic potential of the gospel narratives and the affirmation of humanity entailed in the Christian doctrine of the Incarnation. "Theater and Incarnation" moves provocatively and mischievously between the flesh and blood world of the theater and the Word become flesh in Jesus of Nazareth.
A theologian and a theatre artist examine both the nature of theatrical performance within contemporary culture and its relationship to Christian life, faith, and worship.
In this interdisciplinary study of drama, arts, and spirituality, Gail Gibson provides a provocative reappraisal of fifteenth-century English theater through a detailed portrait of the flourishing cultures of Suffolk and Norfolk. By emphasizing the importance of the Incarnation of Christ as a model and justification for late medieval drama and art, Gibson challenges currently held views of the secularization of late medieval culture.
"Originally published in Great Britain in 2014 by Doubleday."
Theology is inherently theatrical, rooted in God's performance on the world stage and oriented toward faith seeking performative understanding in the theatre of everyday life. Following Hans Urs von Balthasar's magisterial, five-volume Theo-Drama, a growing number of theologians and pastors have been engaging more widely with theatre and drama, producing what has been recognized as a "theatrical turn" in theology. This volume includes thirteen essays from theologians and pastors who have contributed in distinct ways to this theatrical turn and who desire to deepen interdisciplinary dialogue between theology and theatre. The result is an unprecedented collection of essays that embodies and advances theatrical theology for the purpose of enriching theological reflection and edifying the church.
Theology is inherently theatrical, rooted in God's performance on the world stage and oriented toward faith seeking performative understanding in the theatre of everyday life. Following Hans Urs von Balthasar's magisterial, five-volume 'Theo-Drama', a growing number of theologians and pastors have been engaging more widely with theatre and drama, producing what has been recognized as a