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The Zuni Mountains have over 360,000 acres of pristine wilderness. The volcanic area of the El Malpais National Monument is riddled with great, black lava flows, caves, and lava tubes. The El Morro National Monument has writings from ancient peoples flowing backward into time, early Spanish explorers, and later American explorers near a precious pool of deep water hidden beneath towering cliffs. Throughout Plateaus, mesas. cliffs, canyons, and small mountain peaks is the pygmy forest of piñon and juniper trees interspersed with pines and towering Ponderosa pines with their red bark and straight trunks. The continental divide rises and falls as it winds its way north to the great Rocky Mountains. A polygot of peoples, Zuni, Pueblo, Navajo, Spanish, and the various ethnicities of Anglos make the Zuni Mountains home. Not all of the poems in this anthology are about the Zuni Mountains. The poets come from different places and different cultures, but the Zuni Mountains are in all the poems in this volume. Some of the poems capture the beauty of New Mexico sunlight that enlightens the human spirit in a way that sunlight in other places does not. Some are caught up by the mourning, laughter, sadness, comedy, tragedy, and endless stories that arise out of individuals living individual lives. Zuni Mountain country is not always an easy country. The trails through ancient volcanic flows frozen into black stone can challenge the most experienced hiker. You can be walking along a ridge and suddenly become aware that a mountain lion is watching you from a sandstone outcropping above your head. But it is a beautiful, wild place where horses can still find grass in green summer meadows and elk and antelope grace Mother Earth with the fluidity of movement and magnificence of the elk's rack of horns. The poetry in this volume arises from the Zuni Mountains, and, as such, is as dynamic, interesting, and beautiful as the country from which it comes.
Ask the Mad Poet: Observations from My Homeland in a Time of Convoluted Realities begins with the title poem, an invitation to “Ask the Mad Poet” (what better commentator on a mad world?), and ends with “I Ask a Few Questions,” a long, surreal overview of the poet’s generation based on a dream. In between, the fifty-four other poems, written from 2007 through 2014, include history, social commentary, celebrations, and, in “Mater Dei, Mater Gaia,” advocacy for Mother Earth. These are the poems of an aging man, lived beyond his three score ten, much of it working with the dispossessed, who feels a call to witness truth to power on behalf of the earth, the least among us, and the way things really are: a cry for balance in a world where the kings are in the counting house, the peasants fight for crumbs, and Mother Gaia burns.
Fourteen-year-old Zoon Razdan is witty, intelligent and deeply perceptive. She also has a deep connection with magic. She was born into it. The house that she lives in is fantastical—life thrums through its wooden walls—and she can talk to everything in it, from the armchair and the fireplace to the books, pipes and portraits! But Zoon doesn’t know that her beloved house once contained a terrible force of darkness that was accidentally let out by one of its previous owners. And when the darkness returns, more powerful and malevolent than ever, it is up to her to take her rightful place as the Guardian of the house, and subsequently, Kashmir.
A collection of poems from sixteen Native American poets, reflecting the attitudes, values and memories of a shared cultrual heritage.
This portrait of Sandia, the mountain backdrop that dwarfs Albuquerque's sprawl, offers a sense of place through the eyes of a photographer and the words of a writer. Fascinated by Sandia, by the light of its dawns and sunsets, by its seasons, by the power of its altitude, photographer David Muench shows us a brilliant autumn, the sparkle of snow, an April explosion of cactus blooms, a summer summit garden of wildflowers, the marvel of the mountain's rock forms.
This eloquent new anthology gives a vivid insight into the world of Native Americans. The chants, prayers, and songs in these pages vibrate with wisdom, joy, and terrible sadness. Underlying everything is a sense of the sacred - the wish, as one Yokuts poet says, to be "one with the world". The sixty poems in this collection are accompanied by over forty unforgettable duotone photographs by Edward S. Curtis. This stunning combination of word and image brings us closer than ever before to the heart of Native American traditions. The poems come from the woodlands, the plains, the deserts, and the pueblos. They speak of love, of war, of the known and the unknowable. Today's flowering of new writing by Native Americans has revived interest in the song traditions that underlie their work. This anthology aims to give a representative selection of the best of those traditions, from Maine to California.
Resource. THE DIRECTORY OF AMERICAN POETS & FICTION WRITERS is a required resource for any arts or presenting organization looking for literary readers, as well as for all publishers seeking to solicit work from the best American writers. In additon, writers can use the book to find the right writing mentor and connect with other writers. "When I directed my first arts program, [the Directory] delivered the addresses and phone numbers of writers I loved, but couldn't find. How many writers and audiences are robbed without the information between these covers?"--Cornelius Eady, co-founder and co-director, Cave Canem and author of Brutal Imagination.