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As a result of the impact of grief and loss due to the "COVID-19 pandemic" and the financial crisis, many individuals and communities are struggling to find acceptance and closure. The most obvious loss is the loss of loved ones. As a result of the "crisis", how people transition has changed, and family members are not allowed to take part in the transition process. This has created a level of grief that makes closure challenging. However, many are also suffering the loss of careers, retirement options, not to mention incomes and wealth. The purpose of this training is to train providers to incorporate this proven brief treatment model for grief/loss recovery. The "ZOLA Experience" Provider will then be equipped to utilize this intervention in a variety of settings from community to formal treatment settings; individual or group settings. The goal is to have a community of facilitators trained in "The ZOLA Experience" available to be able to work with a great variety of individuals and families in support of their recovery process from loss.
It is the evening of 18 July 1898 and the world-renowned novelist Émile Zola is on the run. His crime? Taking on the highest powers in the land with his open letter 'J'accuse' and losing. Forced to leave Paris, with nothing but the clothes he is standing in and a nightshirt wrapped in newspaper, Zola flees to England with no idea when he will return.This is the little-known story of his time in exile. Rosen has traced Zola's footsteps from the Gare du Nord to London, examining the significance of this year. The Disappearance of Zola offers an intriguing insight into the mind, the loves, the politics and the work of the great writer.
The Belly of Paris (Le Ventre de Paris) is the third novel in Émile Zola's twenty-volume series Les Rougon-Macquart, first published in 1873. It is a novel of the teeming life which surrounds the great central markets of Paris. The book was originally translated into English by Henry Vizetelly and published in 1888 under the title Fat and Thin. After Vizetelly's imprisonment for obscene libel the novel was one of those revised and expurgated by his son, Ernest Alfred Vizetelly. The heroine is Lisa Quenu, a daughter of Antoine Macquart. She has become prosperous, and with prosperity her selfishness has increased. Her brother-in-law Florent had escaped from penal servitude in Cayenne and lived for a short time in her house, but she became tired of his presence and ultimately denounced him to the police. Émile Zola (1840 – 1902) was a French writer, the most important exemplar of the literary school of naturalism and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France.
The personal odyssey of a man with a disability, this passionate book tries to tell as well as analyze what it is like to have a disability in a world that values vigor and health. Zola writes, "Missing Pieces is an unraveling of a social problem in the manner of Black Like Me. Like its author, I, too, am a trained social observer, but for me 'passing' was not an issue. For I already have the stigmata of the disabled—the braces, the limp, the cane—though I have spent much of my life denying their existence." The author started out in the role of a social scientist on a seven-day excursion to acquaint himself with an extraordinary experiment in living—Het Dorp, one of the few places in the world designed to promote "the optimum happiness" of those with severe physical disabilities. Neither a medial center nor a nursing home, Het Dorp is a village in the western-most part of the Netherlands. What began as a sociological attempt to describe this unusual setting became, through the author's growing awareness, what can only be called a socio-autobiography. Resuming his prior dependence on a wheelchair, the author experienced his own transformation from someone who is "normal" and "valid" to someone who is "invalid." The routine of Het Dorp became his: he lived in an architecturally modified home, visited the workshops, and shared meals, social events, conversation, and perceptions with the remarkably diverse residents. The author confronts some rarely discussed issues—the self-image of a person with a chronic disability, how one fills one's time, how one deals with authority and dependence, and love and sex. Missing Pieces offers striking insights into an aspect of the human condition shared by nearly 30 million Americans. It is must-read for the general reader, as well as for the rehabilitation counselor, social worker, or social scientist.
A little girl hesitates to initiate a friendship with her new neighbor Zola because she imagines Zola is busy with another friend--an elephant.
Emile Zola's reputation as a landmark European novelist is undisputed. His monumental achievement, the novel cycle Les Rougon-Macquart: Histoire sociale et naturelle d'une famille sous le Second Empire (1871-1893), fixed his status as a major writer in the naturalist tradition. Is there any more to be said? Susan Harrow answers boldly in the affirmative, challenging the commonplace view that Zola's writing is predictable, prolix and transparent (what Barthes called 'readerly', for which read 'tedious'). Harrow exposes the modernist and postmodernist strategies which surface in the Rougon-Macquart novels, and reveals Zola's innovatory representation of the body captured here at work, at war, at play, at rest, and in arresting abstraction. Informed by critical thought from Barthes and Deleuze to Michel de Certeau and Anthony Giddens, Zola, the Body Modern offers a model for how we can revitalize our understanding of the canonical nineteenth-century European novel, and learn to travel more flexibly between parameters of century, style and aesthetics.
�mile Zola was the leader of the literary movement known as 'naturalism' and is one of the great figures of the novel. In his monumental Les Rougon-Macquart (1871-93), he explored the social and cultural landscape of the late nineteenth century in ways that scandalized bourgeois society. Zola opened the novel up to a new realm of subjects, including the realities of working-class life, class relations, and questions of gender and sexuality, and his writing embodied a new freedom of expression, with his bold, outspoken voice often inviting controversy. In this Very Short Introduction, Brian Nelson examines Zola's major themes and narrative art. He illuminates the social and political contexts of Zola's work, and provides readings of five individual novels (The Belly of Paris, L'Assommoir, The Ladies' Paradise, Germinal, and Earth). Zola's naturalist theories, which attempted to align literature with science, helped to generate the stereotypical notion that his fiction was somehow nonfictional. Nelson, however, reveals how the most distinctive elements of Zola's writing go far beyond his theoretical naturalism, giving his novels their unique force. Throughout, he sets Zola's work in context, considering his relations with contemporary painters, his role in the Dreyfus Affair, and his eventual murder. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
La Debacle is the penultimate novel in Zola's great Rougon-Macquart cycle. A stirring account of profound friendship between two soldiers from opposite ends of the class divide during the Franco-Prussian War and the Commune of 1870-1.