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For amateurs and the accomplished, even devout aficionados, "Zine Scene" offers an insider's account of the blood, sweat, and determination it takes to envision, create, and maintain a do-it-yourself publication. Illustrations.
During the political and cultural upheaval of the 1960s, even the sleepy southern town of Richmond was not immune to the emergence of radical counterculturalism. A change in the traditional ideas of objective journalism spurred an underground movement in the press. The" "Sunflower," Richmond's first underground newspaper, appeared in 1967 and set the stage for a host of alternative Richmond media lasting into the 1990s and beyond. Publications such as the" Richmond Chronicle," the "Richmond Mercury" and the "Commonwealth Times," as well as those covering the African American community, such as "Afro," have served the citizens of Richmond searching for a change in the status quo. Join author and former "ThroTTle" editor Dale Brumfield as he explores a forgotten history of a cultural revolution in the River City."
For amateurs and the accomplished, even devout aficionados, "Zine Scene" offers an insider's account of the blood, sweat, and determination it takes to envision, create, and maintain a do-it-yourself publication. Illustrations.
An acclaimed local author recounts the evolution of Richmond’s alternative newspapers, comics, and small presses beginning in the Civil Rights Era. As the political and social upheaval of the 1960s took hold across the United States, even the sleepy town of Richmond, Virginia, experienced a countercultural shift. New attitudes about the value of journalism spurred an underground movement in the press. “The Sunflower,” Richmond’s first underground newspaper, appeared in 1967 and set the stage for a host of alternative local media lasting into the 1990s and beyond. Publications such as the “Richmond Chronicle,” “Richmond Mercury,” and “Commonwealth Times,” as well as numerous minority-focused presses such as “Richmond Afro-American,” served the progressive-minded citizens of the River City. In Richmond Independent Press, the historian, activist and former “ThroTTle” editor Dale Brumfield reveals the untold story of this cultural revolution in the River City.
"Along with its long-lasting influence on music, art, fashion and culture, the punk explosion in the late 1970s also fuelled a thriving underground press. A physical representation of punk's DIY attitude, fanzines rebelled against establish forms of expression surviving outside of the mainstream media and providing a voice for a generation. Punkzines features interviews with leading figures from the scene, including fanzine editors, bands, DJs, promoters and journalists, to provide exclusive anecdotes from this momentous period."--From back cover.
Slug & Lettuce, Pathetic Life, I Hate Brenda, Dishwasher, Punk and Destroy, Sweet Jesus, Scrambled Eggs, Maximunrocknroll—these are among the thousands of publications which circulate in a subterranean world rarely illuminated by the searchlights of mainstream media commentary. In this multifarious underground, Pynchonesque misfits rant and rave, fans eulogize, hobbyists obsess. Together they form a low-tech publishing network of extraordinary richness and variety. Welcome to the realm of zines. In this, the first comprehensive study of zine publishing, Stephen Duncombe describes their origins in early-twentieth-century science fiction cults, their more proximate roots in 60s counter-culture and their rapid proliferation in the wake of punk rock. While Notes from Underground pays full due to the political importance of zines as a vital web of popular culture, it also notes the shortcomings of their utopian and escapist outlook in achieving fundamental social change. Duncombe's book raises the larger questionof whether it is possible to rebel culturally within a consumer society that eats up cultural rebellion. Packed with extracts and illustrations from a wide array of publications, past and present, Notes from Underground is the first book to explore the full range of zine culture and provides a definitive portrait of the contemporary underground in all its splendor and misery.
Libraries eager to serve the underserved teen-to-twenty-year-old market can make the library a cool place to hang out. All it takes are zines, according to the author, young adult librarian Julie Bartel. Zines and alternative press materials provide a unique bridge to appeal to disenfranchised youth, alienated by current collections. For librarians unfamiliar with the territory, or anxious to broaden their collection, veteran zinester Bartel establishes the context, history, and philosophy of zines, then ushers readers through an easy, do-it-yourself guide to creating a zine collection, including both print and electronic zines. While zines have their unique culture, they are also important within broader discussions of intellectual freedom and the Library Bill of Rights. Teen and young adult librarians, high school media specialists, and academic, reference, and adult services librarians will uncover answers to questions aboutthis new and growing literary genre: What is a zine and how does a library zine collection work? What are the pros and cons of having a zine collection in the library? When promoting zines, what appeals to patrons and non-library users alike? What is the best way to catalog and display? Where can libraries get zines and how much do they cost? Bartel shares these lessons and more from a major urban library zine collection, as well as a comprehensive directory of zine resources in this one-stop, one-of-a-kind guide.
In Microcosm’s DIY guide to zine-making, editors Bill Brent, Joe Biel, and a cast of contributors take you from the dreaming and scheming stages onto printing, publication and beyond! Covering all the bases for beginners, Make a Zine! hits on more advanced topics like Creative Commons licenses, legality, and sustainability. Says Feminist Review, “Make a Zine! is an inspiring, easy, and digestible read for anyone, whether you’re already immersed in a cut-and-paste world, a graphic designer with a penchant for radical thought, or a newbie trying to find the best way to make yourself and your ideas known.” Illustrated by an army of notable and soon-to-be-notable artists and cartoonists, Make a Zine! also takes a look at the burgeoning indie comix scene, with a solid and comprehensive chapter by punk illustrator Fly (Slug and Lettuce, Peops). Part history lesson, part how-to guide, Make a Zine! is a call to arms, an ecstatic, positive rally cry in the face of TV show book clubs and bestsellers by celebrity chefs. As says Biel in the book’s intro, “Let’s go!”
24 years after the fall of the Berlin Wall, Europe is as divided as ever. The passengers of the low-budget airlines go east for stag parties, and they go West for work; but the East stays East, and West stays West. Caricatures abound - the Polish plumber in the tabloids, the New Cold War in the broadsheets and the endless search for 'the new Berlin' for hipsters. Against the stereotypes, Agata Pyzik peers behind the curtain to take a look at the secret histories of Eastern Europe (and its tortured relations with the 'West'). Neoliberalism and mass migration, post-punk and the Bowiephile obsession with the Eastern Bloc, Orientalism and 'self-colonization', the emancipatory potentials of Socialist Realism, the possibility of a non-Western idea of modernity and futurism, and the place of Eastern Europe in any current revival of 'the idea of communism' – all are much more complex and surprising than they appear. Poor But Sexy refuses both a dewy-eyed Ostalgia for the 'good old days' and the equally desperate desire to become a 'normal part of Europe', reclaiming instead the idea an Other Europe. , ,