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The vademecum to the legendary Zamorano 80goal of many bibliophiles of the Golden State. A great reference and a sirens call to the world of bibliomania. W. Michael Mathes, Professor Emeritus, University of San Francisco, Holder of the Orden Mexicana del guila Azteca, author of numerous books in Spanish and English.
Chronicling the rise of Los Angeles through shifting ideas of race and ethnicity, William Deverell offers a unique perspective on how the city grew and changed. Whitewashed Adobe considers six different developments in the history of the city—including the cementing of the Los Angeles River, the outbreak of bubonic plague in 1924, and the evolution of America's largest brickyard in the 1920s. In an absorbing narrative supported by a number of previously unpublished period photographs, Deverell shows how a city that was once part of Mexico itself came of age through appropriating—and even obliterating—the region's connections to Mexican places and people. Deverell portrays Los Angeles during the 1850s as a city seething with racial enmity due to the recent war with Mexico. He explains how, within a generation, the city's business interests, looking for a commercially viable way to establish urban identity, borrowed Mexican cultural traditions and put on a carnival called La Fiesta de Los Angeles. He analyzes the subtle ways in which ethnicity came to bear on efforts to corral the unpredictable Los Angeles River and shows how the resident Mexican population was put to work fashioning the modern metropolis. He discusses how Los Angeles responded to the nation's last major outbreak of bubonic plague and concludes by considering the Mission Play, a famed drama tied to regional assumptions about history, progress, and ethnicity. Taking all of these elements into consideration, Whitewashed Adobe uncovers an urban identity—and the power structure that fostered it—with far-reaching implications for contemporary Los Angeles.
My essays and escapades span over thirty years of rare book hunting--an exciting journey that is ongoing. Many of my friends are rare book people, and much of my free time revolves around bookish pursuits. I can't recall a day without thinking about a book and seldom without handling one. I write regularly on my blog about rare books I've found and their history. Recently, my wife and I began plans to expand our library space by converting the attic above the garage, so it seems inevitable that the book you hold in your hand would come to fruition. If you're already a rare book hunter no further prelude is needed. If you have found this book through curiosity or happenstance, and it creates a spark within, I strongly encourage you to follow your own book hunting path. The rewards are great and the space concerns never-ending. Kurt Zimmerman is a highly regarded book collector and author. He has been collecting for over thirty years in two areas: association items related to book collecting history (currently 7,000+ items) and first editions of Latin American literature (over 2,000 items). He received his Master's in Library and Information Science degree from UT-Austin while completing a three year internship at the Harry Ransom Humanities Research Center. There he learned bibliography and rare books from the best in the field. He worked in the rare book trade and as director of the rare books & maps department at Butterfield & Butterfield auction house (now Bonham's) in San Francisco. Zimmerman is a co-founder of the Book Hunters Club of Houston. His established is popular blog bookcollectinghistory.com in 2011. The author can be reached directly at [email protected].
This comprehensive manual remains the central book in bibliographical work, and an essential tool for researchers and students in all fields.
In this brilliant saga—the final volume of The Berrybender Narratives and an epic in its own right—Larry McMurtry lives up to his reputation for delivering novels with “wit, grace, and more than a hint of what might be called muscular nostalgia, fit together to create a panoramic portrait of the American West” (The New York Times Book Review). As this finale opens, Tasmin and her family are under irksome, though comfortable, arrest in Mexican Santa Fe. Her father, the eccentric Lord Berrybender, is planning to head for Texas with his whole family and his retainers, English, American, and Native American. Tasmin, who would once have followed her husband, Jim Snow, anywhere, is no longer even sure she likes him, or knows where to go to next. Neither does anyone else—even Captain Clark, of Lewis and Clark fame, is puzzled by the great changes sweeping over the West, replacing Native Americans and buffalo with towns and farms. In the meantime, Jim Snow, accompanied by Kit Carson, journeys to New Orleans, where he meets up with a muscular giant named Juppy, who turns out to be one of Lord Berrybender’s many illegitimate offspring, and in whose company they make their way back to Santa Fe. But even they are unable to prevent the Mexicans from carrying the Berrybender family on a long and terrible journey across the desert to Vera Cruz. Starving, dying of thirst, and in constant, bloody battle with slavers pursuing them, the Berrybenders finally make their way to civilization—if New Orleans of the time can be called that—where Jim Snow has to choose between Tasmin and the great American plains, on which he has lived all his life in freedom, and where, after all her adventures, Tasmin must finally decide where her future lies. With a cast of characters that includes almost every major real-life figure of the West, Folly and Glory is a novel that represents the culmination of a great and unique four-volume saga of the early days of the West; it is one of Larry McMurtry’s finest achievements.