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Every generation experiences its own excitement on discovering the great era of European Romanticism. Few have enjoyed as fine an account of one of its defining moments as Linda Kelly’s The Young Romantics. First published in 1976, it was instantly acclaimed as a small classic. In the best tradition of belle-lettres, it managed to evoke a sweep of literary history without the tax on time or eye-sight required by the door-stopper biographies of following decades. As Graham Greene wrote to the author: ‘I have been reading with delight The Young Romantics – I admire it for its brevity and the narrative skill which keeps so many characters moving on their parallel or intersecting lines year by year.’ To have written about one of the great figures of the French Romantic revolution with such novella-like compactness would have been a feat. To have embraced all of them in this way was prodigious. Richard Holmes, doyen of Romantic biographers, noted in a review: ‘To recapitulate the celebrated affairs between Vigny and Marie Dorval, Marie Dorval and George Sand, George Sand and Alfred de Musset, Hugo and Juliette Drouet, Madame Hugo and Sainte-Beuve, Sainte-Beuve and Hugo, requires more dexterity than I possess. Suffice it to say that Linda Kelly manages skilfully and not unkindly and that though the “romantic triangle” is much in evidence, geometry has yet to invent the polygon to which these emotional intricacies of domestic Parisian life under Louis-Philippe’s reign conform.’
From the New York Times–bestselling author of The House Girl comes a novel about our most precious and dangerous attachment: family In the spring of 1981, the young Skinner siblings—fierce Renee, dreamy Caroline, golden boy Joe and watchful Fiona—lose their father to a heart attack and their mother to a paralyzing depression, events that thrust them into a period they will later call “the Pause.” Caught between the predictable life they once led and an uncertain future that stretches before them, the siblings navigate the dangers and resentments of the Pause to emerge fiercely loyal and deeply connected. Two decades later, the Skinners find themselves again confronted with a family crisis that tests the strength of these bonds and forces them to question the life choices they’ve made and what, exactly, they will do for love. Narrated nearly a century later by the youngest sibling, the renowned poet Fiona Skinner, The Last Romantics spans a lifetime. It’s a story of sex and affection, sacrifice and selfishness, deeply held principles and dashed expectations, a lost engagement ring, a squandered baseball scholarship, unsupervised summers at the neighbourhood pond and an iconic book of love poems. But most of all it is the story of Renee, Caroline, Joe and Fiona: the ways they support each other, the ways they betray each other and the ways they knit back together bonds they have fractured. In the vein of Commonwealth, Little Fires Everywhere and The Nest, this is a panoramic, tenderly insightful novel about one devoted, imperfect family. The Last Romantics is an unforgettable exploration of the responsibilities we bear both gracefully and unwillingly, and the all-important, ever-complex definition of love.
Meet the rebellious young poets who brought about a literary revolution Rock stars may think they invented sex, drugs, and rock and roll, but the Romantic poets truly created the mold. In the early 1800s, poetry could land a person in jail. Those who tried to change the world through their poems risked notoriety—or courted it. Among the most subversive were a group of young writers known as the Romantics: Lord Byron, Percy Bysshe Shelley, Samuel Taylor Cole-ridge, William Wordsworth, and John Keats. These rebels believed poetry should express strong feelings in ordinary language, and their words changed literature forever. Wildly Romantic is a smart, sexy, and fascinating look at these original bad boys—and girls.
The Informant is Mark Whitacre, a senior executive with America's most powerful food giant, who put his career and his family's safety at risk to become a confidential government witness. Using Whitacre's secret recordings and a team of agents, the FBI uncovered the corporation's scheme to steal millions of dollars from its own customers. But as the FBI closed in on their target, they suddenly realized that Whitacre wasn't quite playing the game they'd thought ... This is the gripping account of how a corporate golden boy became an FBI mole and went on to double-cross both the authorities and his employers in one of the most extraordinary cases of global corporate corruption of the last thirty years.
Their Bohemian lifestyle and intertwined love affairs shockingly broke 19th Century class barriers and bent the rules that governed the roles of the sexes. They became defined by love triangles, played out against the austere moral climate of Victorian England; they outraged their contemporaries with their loves, jealousies and betrayals, and they stunned society when their complex moral choices led to madness and suicide, or when their permissive experiments ended in addiction and death. The characters are huge and vivid and remain as compelling today as they were in their own time. The influential critic, writer and artist John Ruskin was their father figure and his apostles included the painter Dante Gabriel Rossetti and the designer William Morris. They drew extraordinary women into their circle. In a move intended to raise eyebrows for its social audacity, they recruited the most ravishing models they could find from the gutters of Victorian slums. The saga is brought to life through the vivid letters and diaries kept by the group and the accounts written by their contemporaries. These real-lie stories shed new light on the greatest nineteenth-century British art.
This book explores how the Romantic poetry of Byron, Shelley, and Keats engages with tales and themes of the Orient.
The Romanticism that emerged after the American and French revolutions of 1776 and 1789 represented a new flowering of the imagination and the spirit, and a celebration of the soul of humanity with its capacity for love. This extraordinary collection sets the acknowledged genius of poems such as Blake's 'Tyger', Coleridge's 'Khubla Khan' and Shelley's 'Ozymandias' alongside verse from less familiar figures and women poets such as Charlotte Smith and Mary Robinson. We also see familiar poets in an unaccustomed light, as Blake, Wordsworth and Shelley demonstrate their comic skills, while Coleridge, Keats and Clare explore the Gothic and surreal.
Perfect for fans of Lauren Myracle and Rainbow Rowell, The Romantics will charm readers of all ages. Gael Brennan is about to have his heart broken when his first big relationship crumbles on the heels of his parents’ painful separation. Love intervenes with the intention of setting things right—but she doesn’t anticipate the intrusion of her dreaded nemesis: the Rebound. Love’s plans for Gael are sidetracked by Cara, Gael’s hot-sauce-wielding “dream girl.” The more Love meddles, the further Gael drifts from the one girl who can help him mend his heart. Soon Love starts breaking all her own rules—and in order to set Gael’s fate back on course, she has to make some tough decisions about what it means to truly care.
A New York Times Notable Book of 2022! The New York Times Bestseller and Good Morning America Book Club Pick! "I LOVED this book! ...Funny, breathtaking, hopeful, and dreamy.”—Ali Hazelwood, New York Times bestselling author of The Love Hypothesis A disillusioned millennial ghostwriter who, quite literally, has some ghosts of her own, has to find her way back home in this sparkling adult debut from national bestselling author Ashley Poston. Florence Day is the ghostwriter for one of the most prolific romance authors in the industry, and she has a problem—after a terrible breakup, she no longer believes in love. It’s as good as dead. When her new editor, a too-handsome mountain of a man, won't give her an extension on her book deadline, Florence prepares to kiss her career goodbye. But then she gets a phone call she never wanted to receive, and she must return home for the first time in a decade to help her family bury her beloved father. For ten years, she's run from the town that never understood her, and even though she misses the sound of a warm Southern night and her eccentric, loving family and their funeral parlor, she can’t bring herself to stay. Even with her father gone, it feels like nothing in this town has changed. And she hates it. Until she finds a ghost standing at the funeral parlor’s front door, just as broad and infuriatingly handsome as ever, and he’s just as confused about why he’s there as she is. Romance is most certainly dead . . . but so is her new editor, and his unfinished business will have her second-guessing everything she’s ever known about love stories. "One of the Summer's Hottest Reads"—Entertainment Weekly
A NEW YORKER ESSENTIAL READ • From the best-selling author of The Invention of Nature comes an exhilarating story about a remarkable group of young rebels—poets, novelists, philosophers—who, through their epic quarrels, passionate love stories, heartbreaking grief, and radical ideas launched Romanticism onto the world stage, inspiring some of the greatest thinkers of the time. A BEST BOOK OF THE YEAR: The New York Times • The Washington Post "Make[s] the reader feel as if they were in the room with the great personalities of the age, bearing witness to their insights and their vanities and rages.” —Lauren Groff, New York Times best-selling author of Matrix When did we begin to be as self-centered as we are today? At what point did we expect to have the right to determine our own lives? When did we first ask the question, How can I be free? It all began in a quiet university town in Germany in the 1790s, when a group of playwrights, poets, and writers put the self at center stage in their thinking, their writing, and their lives. This brilliant circle included the famous poets Goethe, Schiller, and Novalis; the visionary philosophers Fichte, Schelling, and Hegel; the contentious Schlegel brothers; and, in a wonderful cameo, Alexander von Humboldt. And at the heart of this group was the formidable Caroline Schlegel, who sparked their dazzling conversations about the self, nature, identity, and freedom. The French revolutionaries may have changed the political landscape of Europe, but the young Romantics incited a revolution of the mind that transformed our world forever. We are still empowered by their daring leap into the self, and by their radical notions of the creative potential of the individual, the highest aspirations of art and science, the unity of nature, and the true meaning of freedom. We also still walk the same tightrope between meaningful self-fulfillment and destructive narcissism, between the rights of the individual and our responsibilities toward our community and future generations. At the heart of this inspiring book is the extremely modern tension between the dangers of selfishness and the thrilling possibilities of free will.