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An anthology of classic poems by twenty-seven New Zealand poets, accompanied by two CDs on which the poets themselves read the poems. The recordings have been selected from the Waiata Recordings Archive (collected in 1974) and the Aotearoa New Zealand Poetry Sound Archive (completed in 2004).
The breath held or expelled in wonder, frustration or delight energises Emma Neale's writing. Poems in The Truth Garden take risks because they need to; in the clamour of family life they have required attention, collected thought and a spirited attitude. How else to "stockpile time, how hoard its shine," except in poems drawn from relationships, home and garden and cast in words that "spill like incandescence around your hands." - Cilla McQueen, 2011 Kathleen Grattan Award judge *** The Truth Garden is a beautifully produced collection of poetry that won the Kathleen Grattan Award for Poetry 2011. The award was established with a bequest by Jocelyn Grattan, in memory of her mother, who was a poet, journalist, and editor. The Truth Garden is produced with attention to the traditional qualities of fine book production, in typography, illustration, design, paper, and binding. Additionally, the book is illustrated by Kathryn Madill and designed by Fiona Moffat.
A full chronological record of the poems of Robin Hyde, a New Zealand journalist, novelist, dramatist, and poet active in the 1930s, is presented in this book. The 300 poems chosen show Hyde's growth as a poet and her response to the painful events of her personal life and to the political and social world around her. The poems are remarkable both for their acute observation of the physical and emotional world and for their powerful prophetic and visionary elements.
Since 2000, the online anthology Best New Zealand Poems has showcased the most exciting and memorable poetry produced in this country. Here, for the first time, is a selection of this work in book form. Edited by founding publisher Bill Manhire, and writer Damien Wilkins, this anthology is an indispensable guide to the richness, strangeness, and liveliness of contemporary poetry. With over sixty poets appearing, there's classic work by some of the best-known figures in our writing, including Sam Hunt, Allen Curnow, Jenny Bornholdt, Cilla McQueen, Elizabeth Smither, and Ian Wedde; there are also compelling poems from new writers. Each poet's own note on the selection illuminates the work and takes us inside the writer’s personal workshop. The first decade of the new century comes into view as a vibrant, argumentative, restless period, with our poets unafraid of either political engagement or strong personal feeling.
'Moving and hopeful ... will stay with me for a long time' Daisy Buchanan 'A fearless, young new voice' Carol Ann Duffy 'One of the most exciting debuts I've read in ages' Kaveh Akbar 'One of the most startling and original poets of her generation' Joy Harjo The voice of Tayi Tibble is one of most exciting in poetry today. In Poukahangatus (pronounced 'Pocahontas'), her debut volume, Tibble challenges a dazzling array of mythologies - Greek, Maori, feminist, kiwi - peeling them apart and respinning them in modern terms. Her poems move from rhythmic discussions of the Kardashians, sugar daddies and Twilight to exquisite renderings of precise emotions and the natural world alike. Tibble is also a master narrator of teenage womanhood, its exhilarating highs and devastating lows; her high-camp aesthetics chart the overflowing beauty, irony and ruination of her surroundings. Poem by poem, Tibble carves out a bold new way of engaging history without merely telling it, of straddling modernity and ancestry, desire and exploitation. These are warm, provocative and profoundly original poems, written from a world in which the effects of colonization, land, work and gender are intimately and insidiously connected. Along the way, Tibble scrutinizes perception and asks how she as a Maori woman fits into trends, stereotypes and popular culture. With language that is at once colourful, passionate and laugh-out-loud funny, Poukahangatus announces the presence of a surpassingly daring new poet.
This book explores the ways and means by which English threatens the vitality and diversity of other languages and cultures in the modern world. Using the metaphor of the Hydra monster from ancient Greek mythology, it explores the use and misuse of English in a wide range of contexts, revealing how the dominance of English is being confronted and counteracted around the globe. The authors explore the language policy challenges for governments and education systems at all levels, and show how changing the role of English can lead to greater success in education for a larger proportion of children. Through personal accounts, poems, essays and case studies, the book calls for greater efforts to ensure the maintenance of the world’s linguistic and cultural diversity.
"Poems by all the big names in both children's and adult writing, from Margaret Mahy and Hone Tuwhare to Denis Glover as well as some fresh new poets"--Publisher's information.
Brings together thirty years of work from the "outstanding poet of his generation".
The second volume of the remarkable, Sunday Times bestselling diaries of Chips Channon. This second volume of the bestselling diaries of Henry 'Chips' Channon takes us from the heady aftermath of the Munich agreement, when the Prime Minister so admired by Chips was credited with having averted a general European conflagration, through the rapid unravelling of appeasement, and on to the tribulations of the early years of the Second World War. It closes with a moment of hope, as Channon, in recording the fall of Mussolini in July 1943, reflects: 'The war must be more than half over.' For much of this period, Channon is genuinely an eye-witness to unfolding events. He reassures Neville Chamberlain as he fights for his political life in May 1940. He chats to Winston Churchill while the two men inspect the bombed-out chamber of the House of Commons a few months later. From his desk at the Foreign Office he charts the progress of the war. But with the departure of his boss 'Rab' Butler to the Ministry of Education, and Channon's subsequent exclusion from the corridors of power, his life changes - and with it the preoccupations and tone of the diaries. The conduct of the war remains a constant theme, but more personal preoccupations come increasingly to the fore. As he throws himself back into the pleasures of society, he records his encounters with the likes of Noël Coward, Prince Philip, General de Gaulle and Oscar Wilde's erstwhile lover Lord Alfred Douglas. He describes dinners with members of European royal dynasties, and recounts gossip and scandal about the great, the good and the less good. And he charts the implosion of his marriage and his burgeoning, passionate friendship with a young officer on Wavell's staff. These are diaries that bring a whole epoch vividly to life.