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The first comprehensive examination of the nineteenth-century Ku Klux Klan since the 1970s, Ku-Klux pinpoints the group's rise with startling acuity. Historians have traced the origins of the Klan to Pulaski, Tennessee, in 1866, but the details behind the group's emergence have long remained shadowy. By parsing the earliest descriptions of the Klan, Elaine Frantz Parsons reveals that it was only as reports of the Tennessee Klan's mysterious and menacing activities began circulating in northern newspapers that whites enthusiastically formed their own Klan groups throughout the South. The spread of the Klan was thus intimately connected with the politics and mass media of the North. Shedding new light on the ideas that motivated the Klan, Parsons explores Klansmen's appropriation of images and language from northern urban forms such as minstrelsy, burlesque, and business culture. While the Klan sought to retain the prewar racial order, the figure of the Ku-Klux became a joint creation of northern popular cultural entrepreneurs and southern whites seeking, perversely and violently, to modernize the South. Innovative and packed with fresh insight, Parsons' book offers the definitive account of the rise of the Ku Klux Klan during Reconstruction.
Many biographical and genealogical sketches of Giles County ancestors have been collected and presented here. They derive from a great variety of sources, such as books, periodicals, vital records, war records, etc. Combined, these sketches reveal the history of Giles County, Tennessee. This edition has been revised with new content added. I hope this publication is valuable to all of those with roots connected to Giles County.
The rugged character and indomitable spirit of the early pioneers of Stephen F. Austins Texas colony had their roots in a turbulent, distant past. From the early 1600s, their courageous ancestors had pushed westward, leaving the European shores to carve out a new nation from the wilderness. They fled religious and political oppression in search of a better life in which freedom was of supreme importance. Many came with tales of their former struggles in Londonderry, Ireland during the great siege, of terrible massacres and clan rivalries in the times of William Wallace and Robert the Bruce, King of Scotland. They vividly remembered the tribulations of Martin Luther and the deadly religious split with the Catholic Church. More recently, memories of their parents participation in the American Revolution, of dramatic, true life scenes such as depicted in the movie The Patriot filled their minds, their fathers having ridden along side of the wily Swamp Fox, Francis Marion. These pioneers associated themselves with men like Travis, Crockett, Houston and Andrew Jackson. Many of these early trailblazers were Scots-Irish and German immigrants. They were on a westward trek to grasp a special prize, to seal Americas Manifest Destiny. And that prize they sought was Texas. From Jamestown to Texas is the story of these intrepid pioneers and their ancestors who cleared and farmed the land, who fought the Indians, battled the elements, and carved out this wonderful country that we have today.
The bibliographic holdings of family histories at the Library of Congress. Entries are arranged alphabetically of the works of those involved in Genealogy and also items available through the Library of Congress.
First published in 1930, the essays in this manifesto constitute one of the outstanding cultural documents in the history of the South. In it, twelve southerners-Donald Davidson, John Gould Fletcher, Henry Blue Kline, Lyle H. Lanier, Stark Young, Allen Tate, Andrew Nelson Lytle, Herman Clarence Nixon, Frank Lawrence Owsley, John Crowe Ransom, John Donald Wade, and Robert Penn Warren-defended individualism against the trend of baseless conformity in an increasingly mechanized and dehumanized society.
The electrifying sounds of groovin' jump blues, Southern-fried rock 'n' roll, fervent black gospel, and the simmering sounds of the Louisiana swamp came bursting out of Nashville, Tennessee in the early 1950s courtesy of Excello Records and its sister Nashboro label. Operating out of Ernie's Record Mart (“the Record Center of the South!”), Excello forged a partnership with 50,000-watt clear-channel radio station WLAC. The influential station's dusk-to-dawn broadcasts of rhythm & blues boomed through the stratosphere, captivating millions of teenagers and crossing racial boundary lines. The unusual partnership paid huge dividends as Ernie Young transformed his shop into one of the largest mail-order record retailers in the world. With his built-in distribution network, Ernie's own label releases by Slim Harpo, Arthur Gunter, Lightnin' Slim, Lazy Lester, and more landed in record collections across the US. By the early 1960s, Excello releases were reaching the shores of the UK, where they inspired young Brits such as Mick Jagger, Keith Richards, and Eric Clapton to launch their own R&B combos. Through extensive research and interviews, Shake Your Hips: The Excello Records Story chronicles the tale of one of the most unusual labels to emerge from the 1950s. Shedding new light on Nashville's rich history as much more than a country music town, author Randy Fox takes readers deep behind the scenes of the rise and fall of an inimitable label whose contributions to blues and R&B continue to reverberate today.
William Worsham was probably born in England before 1619. Before 1640 he came to Virginia. He probably had married his wife Elizabeth by 1646. Their children: William Jr., Elizabeth, John, Mary, Charles. William Sr. died about 1660 in Henrico Co., Virginia. After William died, Elizabeth married Col. Francis Eppes II of Henrico Co., Virginia. Elizabeth's will was proved in Oct. 1678.