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A study of daily life in fifteenth century England.
Examination of the role played by key figures around the monarchy in the Wars of the Roses.
An incisive study of the Yorkists, including the well-known figures of Richard III, Edward III, IV and V, that places them in both an historical and literary context.
The greatest cultural mystery in the Western World is, "Who wrote the plays and sonnets published under the pen name of William Shakespeare?" For reasons of monarchial succession, greed and power, Robert Cecil, Queen Elizabeth's chief counselor, forced Edward de Vere, 17th Earl of Oxford, to use a pseudonym for his great works. De Vere chose the pen name William Shakespeare. Because of his similar name, Cecil selected Will Shakspere of Stratford-on-Avon as the fraudulent front man. Poor choice: Shakspere was uneducated, never owned a book, never traveled abroad, knew no foreign languages and could not read or write. Because of the tenacious grip of Conventional Wisdom, professors of English still believe Cecil's hoax 400 years later, clinging futilely to their Stratford Man despite abundant evidence against their illogical theory. Soul of the Age contains 28 high-quality articles by a remarkable new generation of authorship experts who clearly establish de Vere as Shakespeare and annihilate the illiterate Will Shakspere's candidacy. Hugh Trevor-Roper, Professor of History, Oxford University, 1962: "Armies of scholars, formidably equipped, have examined all the documents which could possibly contain at least a mention of his (Shakespeare's) name. One hundredth part of this labour applied to one of his insignificant contemporaries would be sufficient to produce a substantial biography. And yet the greatest of all Englishmen, after this tremendous inquisition, still remains so close a mystery that even his identity can still be doubted . . . "During his lifetime nobody claimed to know him. Not a single tribute was paid to him at his death. As far as the records go, he was uneducated, had no literary friends, possessed at his death no books, and could not write. It is true, six of his signatures have been found, all spelt differently; but they are so ill-formed that some graphologists suppose the hand to have been guided. Except for these signatures, no syllable of writing by Shakespeare [Shakspere] has been identified . . . Such is the best the historians can do. Clearly it is not enough. It may be the shell: it is not the man."
The literature of chivalry and of courtly love has left an indelible impression on western ideas. What is less clear is how far the contemporary warrior aristocracy took this literature to heart and how far its ideals had influence in practice, especially in war. These are questions that Maurice Keen is uniquely qualified to answer. This book is a collection of Maurice Keen's articles and deals with both the ideas of chivalry and the reality of warfare. He discusses brotherhood-in-arms, courtly love, crusades, heraldry, knighthood, the law of arms, tournaments and the nature of nobility, as well as describing the actual brutality of medieval warfare and the lure of plunder. While the standards set by chivalric codes undoubtedly had a real, if intangible, influence on the behaviour of contemporaries, chivalry's idealisation of the knight errant also enhanced the attraction of war, endorsing its horrors with a veneer of acceptability.
"For fans of Hilary Mantel and The Tudors, this is the dramatic story of the concluding episode in England's War of the Roses, featuring three brothers, two of whom became kings, Edward IV and Richard III, famous from Shakespeare's great history play Richard III"--
"Brilliant, a definite page turner. They combine real historical events with fascinating fictional characters. The twenty-three volumes of the Morland Dynasty series has been completely repackaged in the most elegant style, using contemporaneous artwork for each period. This wonderful series opens with the back drop of the Wars of the Roses with the marriage between Eleanor Morland and a scion of the influential house of Beaufort. It is a union which establishes the powerful Morland dynasty and in the succeeding volumes of this rich tapestry of English life, we follow their fortunes through war and peace, political upheaval and social revolution, times of pestilence and periods of plenty, and through the vicissitudes which afflict every family - love and passion, envy and betrayal, birth and death, great fortune and miserable penury... The Morland Dynasty is entertainment of the most addictive kind.
During her short time as a ward in Queen Marguerite's Lancastrian court, fifteen-year-old Isobel has had many suitors ask for her hand, but the spirited beauty is blind to all but Yorkist Sir John Neville. It is nothing short of a miracle when the Queen allows Isobel's marriage to the enemy, albeit at a hefty price. All around Isobel and John rages a lawless war. It is only their passion that can see them through the bloody siege of London by the Duke of York, the violent madness of Queen Marguerite, and the devolution of Isobel's meek uncle into the Butcher of England. For theirs is an everlasting love that fears not the scratch of thorns, from either the Red Rose or the White.
Reading, writing and the prosecution of warfare went hand in hand in the fifteenth century, demonstrated by the wide circulation and ownership of military manuals and ordinances, and the integration of military concerns into a huge corpus of texts; but their relationship has hitherto not received the attention it deserves, a gap which this book remedies, arguing that the connections are vital to the literary culture of the time, and should be recognised on a much wider scale. Beginning with a detailed consideration of the circulation of one of the most important military manuals in the Middle Ages, Vegetius' De re militari, it highlights the importance of considering the activities of a range of fifteenth-century readers and writers in relation to the wider contemporary military culture. It shows how England's wars in France and at home, and the wider rhetoric and military thinking those wars generated, not only shaped readers' responses to their texts but also gave rise to the production of one of the most elaborate, rich and under-recognised pieces of verse of the Wars of the Roses in the form of 'Knyghthode and bataile'. It also indicates how the structure, language and meaning of canonical texts, including those by Lydgate and Malory, were determined by the military culture of the period.