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A scatter’d race — a wild, unfetter’d tribe, That in the forests dwelt — that send no ships For commerce on the waters — rear no walls To shelter from the storm, or shield from strife And leave behind, in memory of their name, No monument, save in the dim, deep woods, That daily perish as their lords have done Beneath the keen stroke of the pioneer. Let us look back upon their forest homes, As, in that earlier time, when first their foes, The pale-faced, from the distant nations came, They dotted the green banks of winding streams THERE IS a small section of country now comprised within the limits of Beaufort District, in the State of South Carolina, which, to this day, goes by the name of Indian Land. The authorities are numerous which show this district, running along, as it does, and on its southern side bounded by, the Atlantic Ocean, to have been the very first in North America, distinguished by an European settlement. The design is attributed to the celebrated Coligni, Admiral of France, who, in the reign of Charles IX., conceived the project with the ulterior view of securing a sanctuary for the Huguenots when they should be compelled, as he foresaw they soon would, by the anti-religious persecutions of the time, to fly from their native into foreign regions. This settlement, however, proved unsuccessful; and the events which history records of the subsequent efforts of the French to establish colonies in the same neighbourhood, while of unquestionable authority, have all the air and appearance of the most delightful romance. Dr. Melligan, one of the historians of South Carolina, says farther, that a French settlement, under the same auspices, was actually made at Charleston, and that the country received the name of La Caroline, in honour of Charles IX. This is not so plausible, however, for as the settlement- was made by Huguenots, and under the auspices of Coligni, it savours of extravagant courtesy to suppose that they would pay so high a compliment to one of the most bitter enemies of that religious toleration, in pursuit of which they deserted their country. Charleston took its name from Charles II., the reigning English monarch at the time. Its earliest designation was Oyster Point town from the marine formation of its soil. Dr. Hewatt — another of the early historians of Carolina, who possessed many advantages in his work not common to other writers, having been a careful gatherer of local and miscellaneous history — places the first settlement of Jasper de Coligni, under the conduct of Jean Ribaud, at the mouth of a river called Albemarle, which, strangely enough, the narration finds in Florida. Here Ribaud is said to have built a fort, and by him the country was called Carolina. May river, another alleged place of original location for this colony, has been sometimes identified with the St. John’s and other waters of Florida or Virginia; but opinion in Carolina settles down in favour of a stream still bearing that name, and in Beaufort District, not far from the subsequent permanent settlement. Old ruins, evidently French in their origin, still exist in the neighborhood. It was not till an hundred years after, that the same spot was temporarily settled by the English under Sayle, who became the first governor, as he was the first permanent founder of the settlement. The situation was exposed, however, to the incursions of the Spaniards, who, in the meanwhile, had possessed themselves of Florida, and who, for a long time after, continued to harass and prevent colonization in this quarter. But perseverance at length triumphed over all these difficulties, and though Sayle, for farther security in the infancy of his settlement, had removed to the banks of the Ashley, other adventurers, by little and little, contrived to occupy the ground he had left, and in the year 1700, the birth of a white native child is recorded.
"[F]ictional story based on historical events that occurred near his [the author's] home in South Carolina"--From the cover.
2019 William L. Proctor Award from the Historic St. Augustine Research Institute The Yamasee Indians are best known for their involvement in the Indian slave trade and the eighteenth-century war (1715–54) that took their name. Yet, their significance in colonial history is far larger than that. Denise I. Bossy brings together archaeologists of South Carolina and Florida with historians of the Native South, Spanish Florida, and British Carolina for the first time to answer elusive questions about the Yamasees’ identity, history, and fate. Until now scholarly works have rarely focused on the Yamasees themselves. In southern history, the Yamasees appear only sporadically outside of slave raiding or the Yamasee War. Their culture and political structures, the complexities of their many migrations, their kinship networks, and their survival remain largely uninvestigated. The Yamasees’ relative obscurity in scholarship is partly a result of their geographic mobility. Reconstructing their past has posed a real challenge in light of their many, often overlapping, migrations. In addition, the campaigns waged by the British (and the Americans after them) in order to erase the Yamasees from the South forced Yamasee survivors to camouflage bit by bit their identities. The Yamasee Indians recovers the complex history of these peoples. In this critically important new volume, historians and archaeologists weave together the fractured narratives of the Yamasees through probing questions about their mobility, identity, and networks.
Myths have been formed through the centuries about the forgotten Yemassee Indian War fought in South Carolina 1715 - 1728. A 1961 Tulane history major now presents a factual and complete history.
Viewed from today's perspective, The Yemasee dramatically and unflinchingly bares the manipulation, exploitation, and eventual genocide of a proud indigenous nation that preferred extinction to the surrender of its land and the subjugation of its people.
"Guy Rivers" by William Gilmore Simms is a captivating example of Southern Gothic literature that delves into the intricacies of morality and justice in the antebellum South. Set against the backdrop of the American frontier, Simms weaves a tale of intrigue, betrayal, and redemption. The novel follows the eponymous protagonist, Guy Rivers, a complex character who grapples with his own moral compass as he navigates through a world rife with corruption and violence. As Rivers confronts the consequences of his actions and struggles with his inner demons, Simms offers readers a poignant exploration of the human condition. Through vivid descriptions and rich character development, Simms creates a hauntingly atmospheric narrative that transports readers to a bygone era of Southern society. Themes of guilt, redemption, and the search for meaning permeate the story, leaving a lasting impression on readers long after they have turned the final page. "Guy Rivers" stands as a testament to Simms' literary talent and remains a timeless classic in the canon of Southern literature, showcasing the author's keen insight into the complexities of human nature.
A revised and updated edition of this comprehensive volume dedicated to Wright's only plantation design. Although Frank Lloyd Wright designed more than 1,000 projects during his long and prolific career, Auldbrass Plantation, in Yemassee, South Carolina, is the only plantation he ever designed. It is also one of the largest and most complex projects he ever undertook. Wright had an unusually intense commitment to Auldbrass, and worked on it, off and on, for more than twenty years, from 1938 until his death in 1959. Because Auldbrass was private and because it fell into disrepair in the 1960s after the owners' death, it was rarely photographed or studied, and as a consequence little has been known about this major work. With a recently completed restoration and new photography, this book affords a rare opportunity to see one of Wright's greatest works, as the master himself originally envisioned it. Through photos, plans, and drawings, we see what Wright planned, and how it has finally all been either restored or realized for the first time. In 1986, film producer Joel Silver (Die Hard, Lethal Weapon, 48 Hours, Predator, Romeo Must Die, The Matrix, and over forty other films) bought Auldbrass. He had earlier bought and meticulously restored Wright's famous 1923 Storer House in Hollywood. Now he has again collaborated with Wright's grandson, architect Eric Lloyd Wright, who restored the Storer House, to restore the Auldbrass Plantation.