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In The Yellow-Lighted Bookshop, Buzbee, a former bookseller and sales representative, celebrates the unique experience of the bookstore - the smell and touch of books, the joy of getting lost in the deep canyons of shelves, and the silent community of readers. He shares his passion for books, which began with ordering through the Weekly Reader i...
It's been two months since Travis's family moved to a development so new that it seems totally unreal. His parents are working harder now, to pay for it all, and Travis is left to fend for himself. There's one place, though, where Travis can still connect with his old life: the Salinas library. Travis and his family used to go there together every Saturday, but now he bikes to it alone, re-reading his favorite books. It's only natural that Travis likes the work of author John Steinbeck—after all, Salinas is Steinbeck's hometown. But that can't explain why Travis is suddenly seeing Steinbeck's characters spring to life. There's the homeless man in the alley behind the library, the line of figures at the top of a nearby ridge, the boy who writes by night in an attic bedroom. Travis has met them all before—as a reader. But why are they here now? And how? As Travis struggles to solve this mystery, budget cuts threaten his library. And so, he embarks on a journey through Steinbeck's beautiful California landscape, looking for a way to save his safe haven. It's only then that he begins to sort out fact from fiction, discovering the many ways a story can come alive—and stumbling into a story Steinbeck might have started, and Travis needs to complete. Here is a mystery that delves deeply into the ways that books take us, one at a time, out into the vast world.
'Tender, evocative' TLS 'Richly engaging' Spectator A Radio 4 Serial Fiction Book of the Week 'A characteristically tender novel about a young man growing up in the shadow of one war and the whispers of the next' Observer 'A wonderful novel about relationships, particularly between a mother and son. A compelling read, beautifully crafted and sensitively written' Irish Examiner _______ Laura, a laundress, meets her young husband when they are both placed in service in Teignmouth in 1914. They have a baby, Charles, but his father returns home from the trenches a damaged man, already ill with the tuberculosis that will soon leave Laura a widow. As a new war looms, Charles signs up for the navy as a coder. His escape from the tight, gossipy confines of Launceston to a more colourful life in action sees him blossom, as he experiences the possibility of death, and the excitement - even terror - of a love that is as clandestine as his work. _______ 'Stands with the best queer literary fiction of a historical bent, illuminated as it is by Gale's devilish wit and talent for both social observation and intricacies of character' Sydney Morning Herald 'A wonderful novel - a touching, utterly convincing portrait of the nascent artist' Mail on Sunday 'A deeply moving novel. The portrait of a complex relationship that constricted as much as it sustained is brilliantly done' The Tablet
Jean-Luc Nancy's On the Commerce of Thinking concerns the particular communication of thoughts that takes place by means of the business of writing, producing, and selling books. His reflection is born out of his relation to the bookstore, in the first place his neighborhood one, but beyond that any such "perfumery, rotisserie, patisserie," as he calls them, dispensaries "of scents and flavors through which something like a fragrance or bouquet of the book is divined, presumed, sensed." On the Commerce of Thinking is thus not only something of a semiology of the specific cultural practice that begins with the unique character of the writer's voice and culminates in a customer crossing the bookstore threshold, package under arm, on the way home to a comfortable chair, but also an understated yet persuasive plea in favor of an endangered species. In evoking the peddler who, in times past, plied the streets with books and pamphlets literally hanging off him, Nancy emphasizes the sensuality of this commerce and reminds us that this form of consumerism is like no other, one that ends in an experience-reading-that is the beginning of a limitless dispersion, metamorphosis, and dissemination of ideas. Making, selling, and buying books has all the elements of the exchange economy that Marx analyzed--from commodification to fetishism--yet each book retains throughout an absolute and unique value, that of its subject. With reading, it gets repeatedly reprinted and rebound. For Nancy, the book thus functions only if it remains at the same time open and shut, like some Moebius strip. Closed, it represents the Idea and takes its place in a canon by means of its monumental form and the title and author's name displayed on its spine. But it also opens itself to us, indeed consents to being shaken to its core, in being read each time anew.
Bookshop Tours of Britain is a slow-travel guide to Britain, navigating bookshop to bookshop. Across 18 bookshop tours, the reader journeys from the Jurassic Coast of southwest England, over the mountains of Wales, through England's industrial heartland, up to the Scottish Highlands, and back via Whitby, the Norfolk Broads, central London, the South Downs, and Hardy's Wessex. On their way, the tours visit beaches, castles, head down coal mines, go to whiskey distilleries, bird watching, hiking, canoeing, to stately homes, and the houses of some of Britain's best-loved historic writers—and, last but not least, a host of fantastic bookshops.
Every bookshop has a story We're not talking about rooms that are just full of books. We're talking about bookshops in barns, disused factories, converted churches and underground car parks. Bookshops on boats, on buses, and in old run-down train stations. Fold-out bookshops, undercover bookshops, this-is-the-best-place-I've-ever-been-to-bookshops. Meet Sarah and her Book Barge sailing across the sea to France; meet Sebastien, in Mongolia, who sells books to herders of the Altai mountains; meet the bookshop in Canada that's invented the world's first antiquarian book vending machine. And that's just the beginning. From the oldest bookshop in the world, to the smallest you could imagine, The Bookshop Book examines the history of books, talks to authors about their favourite places, and looks at over three hundred weirdly wonderful bookshops across six continents (sadly, we've yet to build a bookshop down in the South Pole). The Bookshop Book is a love letter to bookshops all around the world. 'A good bookshop is not just about selling books from shelves, but reaching out into the world and making a difference' David Almond (The Bookshop Book includes interviews and quotes from David Almond, Ian Rankin, Tracy Chevalier, Audrey Niffenegger, Jacqueline Wilson, Jeanette Winterson and many, many others.)
'Can books conduct electricity?' 'My children are just climbing your bookshelves: that's ok... isn't it?' A John Cleese Twitter question ['What is your pet peeve?'], first sparked the "Weird Things Customers Say in Bookshops" blog, which grew over three years into one bookseller's collection of ridiculous conversations on the shop floor. From 'Did Beatrix Potter ever write a book about dinosaurs?' to the hunt for a paperback which could forecast the next year's weather; and from 'I've forgotten my glasses, please read me the first chapter' to 'Excuse me... is this book edible?' This full-length collection illustrated by the Brothers McLeod also includes top 'Weird Things' from bookshops around the world.
Authors: do you want to see your self-published books in physical bookstores, locally and internationally? While selling print books through brick-and-mortar stores can be challenging, it enables you to reach readers who prefer to browse and shop for books offline. And many authors dream of seeing their print books in bookstores. New technologies, tools and distribution methods make it easier than ever. In this #AskALLi Guidebook: Everything you need to know to get your books on physical bookshelves and, more importantly, moving off them and into the hands of new readers.
The unique lives of bookstores across America are captured in words and original oil paintings in this loving tribute to booksellers and bibliophiles. For decades, publisher Gibbs M. Smith visited bookstores across the United States. Inspired by the unique personality and ambiance of these community cultural hubs, he made oil paintings of these bookstores to feature on the covers of his publishing company’s catalogue each season. The Art of the Bookstore collects sixty-eight of these paintings, pairing them with quotes, essays and remembrances about bookselling—a pursuit that is often more art than science—from Smith as well as other industry veterans. This volume captures the unique atmosphere of iconic bookshops including New York City’s Strand Bookstore, Washington, D.C.’s Politics & Prose, and L.A.’s Book Soup.
This Element surveys the place of the bookstore in the creative imagination (the fantasies of the bookstore) through a study of novels in which bookstores play a prominent role in the setting or plot. Nearly 500 'bookstore novels' published since the first in 1917 have been identified. The study borrows the concept of 'meaningful locations' from the field of human geography to assess fictional bookstores as narrative events rather than static backgrounds. As a meaningful location, the bookstore creates the potential for events that can occur both within the place of the store and in the wider space within which it functions. Elements of the narrative space include its spatio-temporal location, its locale or composition, and the events which these elements generate to define the bookstore's sense of place.