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A collection of the “best of the best” science fiction stories published in 2009 by current and emerging masters of the genre. In “Erosion,” by Ian Creasey, a man tests the limits of his exo-suit prior to leaving a dying Earth. In “As Women Fight,” by Sara Genge, a hunter, in a society of body-switchers, has no time to train for a fight to inhabit his wife’s body. In “A Story, with Beans,” by Steven Gould, the role of religion in a dystopian future plagued with metal-eating bugs is considered. In “Events Preceding the Helvetican Renaissance,” by John Kessel, a monk, in the far future, steals the only copy of a set of plays from a repressive regime and uses this loot to free his people. In “On the Human Plan,” by Jay Lake, a mysterious alien visits a far-future, dying Earth in search of the death of Death. Set in the Jackaroo sequence, “Crimes and Glory,” by Paul McAuley, a detective chases a thief to recover alien technology that both aliens and humanity are desperate to recover. Set in the Lovecraftian “Boojum” universe, “Mongoose” by Sarah Monette and Elizabeth Bear, a vermin hunter and his tentacled assistant come on board a space station to hunt toves and raths. In “Before My Last Breath,” by Robert Reed, a geologist discovers a strange fossil in a coal mine that leads to the discovery of a peculiar graveyard. In the Hugo Award winning novelette “The Island,” by Peter Watts, a woman on a spaceship must decide whether to place a stargate near an alien society that will ultimately destroy it. Finally, “This Peaceable Land; or, The Unbearable Vision of Harriet Beecher Stowe,” by Robert Charles Wilson, is an alternate American Civil War history in which the war was never fought, slavery gradually disappeared, and Uncle Tom’s Cabin was never published.
In print and on-line, science fiction and fantasy is thriving as never before. A multitude of astonishingly creative and gifted writers are boldly exploring the mythic past, the paranormal present, and the promises and perils of myriad alternate worlds and futures. There are almost too many new and intriguing stories published every year for any reader to be able to experience them all. So how to make sure you haven’t missed any future classics? Award-winning editor and anthologist Jonathan Strahan has surveyed the expanding universes of modern sf and fantasy to find the brightest stars in today’s dazzling literary firmament. From the latest masterworks by the acknowledged titans of the field to fresh visions from exciting new talents, this outstanding collection is a comprehensive showcase for the current state of the art in both science fiction and fantasy. Anyone who wants to know where the future of imaginative short fiction is going, and treat themselves to dozens of unforgettable stories, will find this year’s edition of Best Science Fiction and Fantasy to be just what they’re looking for!
An unabridged collection of the “best of the best” science fiction stories published in 2012 by current and emerging masters of the genre, edited by Allan Kaster. In “Invisible Men,” by Christopher Barzak, a maid in an inn encounters the Invisible Man who makes her an offer to be more than she is in this quasi-retelling of H.G. Wells’ famous story. In this year’s Nebula Award winner for best novelette, “Close Encounters,” by Andy Duncan, an old man is hounded by reporters about the stories he used to tell of an alien who took him into space and the dog he brought back with him. “Bricks, Sticks, Straw,” by Gwyneth Jones, follows virtual scientists forced to survive within their remotes when a young science team on Earth loses remote contact with their telepresences on Jupiter’s moons. In “Arbeitskraft,” by Nick Mamatas, Friedrich Engels strives to spread class revolution as a labor organizer for factory cyborg matchstick girls. “The Man,” by Paul McAuley, is a Jackaroo tale about a solitary woman, living in a cabin on the planet Yanos, whose life is interrupted by the sudden appearance of a naked man at her door. In “Nahiku West,” by Linda Nagata, set in the author’s Nanotech Succession sequence, officer Zeke Choy investigates an accident involving an illegal enhancement which was used to save a life. “Tyche and the Ants,” by Hannu Rajaniemi, showcases the plight of a young girl hidden on the moon by her parents, along with grags and Brain, as robotic ants have come from the Great Wrong Place to take her away. In “Katabasis,” by Robert Reed, human adventurers on a journey in an inhospitable high-gravity region of the Great Ship must use porters, evolved for massive worlds, to aid them. “The Contrary Gardener,” by Christopher Rowe, tells of the tough decisions a talented gardener in a society which genetically grows some crops for ammunition must come to when she’s recruited for the war effort. Finally, in “Scout,” by Bud Sparhawk, a reconstructed marine is deployed to a planet occupied by the Shardies to reconnoiter by making use of his “turtle” enhancements to avoid detection.
An unabridged collection of the “best of the best” science fiction stories written in 2011 by current and emerging masters of the genre, edited by Allan Kaster. In “Dying Young,” by Peter M. Ball, cyborgs, clones and post-humans collide with a dragon bent on revenge in a post-apocalptic space western. “Martian Heart,” by John Barnes, chronicles a teenage couple taken to Mars as indentured servants in a “rags to riches” tale. In “Canterbury Hollow,” by Chris Lawson, two lovers on a planet orbiting a killer sun share their few remaining weeks together before they die. “The Choice,” by Paul McAuley, set in the author’s Jackaroo universe, follows two boys who set sail to investigate a beached alien vessel on the English coast. In “After the Apocalypse,” by Maureen McHugh, a mother and daughter traverse a ravaged U.S. in a tale that takes on McCarthy’s, The Road, from a female viewpoint. “Purple,” by Robert Reed, tells of a blind and maimed young man convalescing in an off-world menagerie of wayward alien species, prior to returning to Earth. In “Laika’s Ghost,” by Karl Schroeder, a Russian and an American search the steppes of the former U.S.S.R. for metastable weapons that terrorists could use to make nuclear bombs. “Bit Rot,” by Charles Stross, follows post-humans struggling to survive after their generation ship is struck by a Magnetar ray in this clever zombies-in-space tale. In “For I Have Laid Me Down on The Stone of Loneliness and I’ll Not Be Back Again,” by Michael Swanwick, Irishmen plot to strike back against alien occupiers by enlisting an Irish American tourist to their cause. Finally, Steve Rasnic Tem, tells of a young man awakened from suspended animation, on a future Earth, with the technological know-how of plant-like aliens in “At Play in the Fields.”
An unabridged collection of the “best-of-the-best” science fiction stories published in 2010 by current and emerging masters of the genre. In “Under the Moons of Venus,” by Damien Broderick, a man, who has returned to a mostly deserted Earth from a terraformed Venus with Luna and Ganymede as moons, longs to go back to Venus. In “The Shipmaker,” the 2011 story winner of the British Science Fiction Association Award, by Aliette de Bodard, a maker of living spaceships has her career threatened by the birth of a sentient Mind that will come before the ship that will house it will be ready. In “Flower, Mercy, Needle, Chain” by Yoon Ha Lee, a construct meets with an assassin that is the keeper of a gun that erases a victim’s entire lineage to secure the destruction of another gun made by the same gunsmith. In “Re-Crossing the Styx,” by Ian R. MacLeod, an entertainer aboard a cruise ship falls in love with a zombie husband’s Minder and schemes to free her from her marriage. In the steampunk story “Eight Miles,” by Sean McMullen, an English lord hires a balloonist to take him and a nonhuman female to a great height in order to learn the secrets of another world. In “Elegy for a Young Elk” by Hannu Rajaniemi, the gods use a real human to retrieve something important from a city that has become sentient and surrounded by a firewall that protects against gods. In “Alone” by Robert Reed, set in the author’s Marrowuniverse, a traveler aboard the Great Ship has eschewed contact and remained alone for far longer than seems possible. In the winner of the 2010 Asimov’s Readers’ Award for best novelette “The Emperor of Mars,” by Allen M. Steele, a contract worker on Mars becomes enamored with the science fiction retrieved from NASA’s Phoenix lander that arrived on the red planet back in 2008. In “A Letter from the Emperor,” by Steve Rasnic Tem, an imperial envoy visits an outlying colony where a retiring colonel, whose memory is suspect for security reasons, claims to have fought alongside the emperor. Finally, the 2010 Shirley Jackson Award winner for best short story, “The Things,” by Peter Watts, is a retelling of John Carpenter’s classic movie, The Thing, from the perspective of the shape-shifting alien confronting a group of scientists in Antarctica.
An unabridged collection spotlighting the “best of the best” science fiction stories published in 2017 by current and emerging masters of the genre, edited by Allan Kaster. In “My English Name,” by R. S. Benedict, an intelligent alien, who parasitizes an English teacher in China, falls in love. After a victorious space battle, an indentured robot finds a refugee who makes an offer it can’t refuse in “Zen and the Art of Starship Maintenance” by Tobias S. Buckell. In “The Moon is Not a Battlefield,” by Indrapramit Das, an Indian soldier retires on Earth after spending most of her life on the Moon. A young woman joins the U.S. Army to fight terrorists after aliens arrive on Earth bearing tech gifts unevenly dispersed to humans in “Dear Sarah” by Nancy Kress. In “An Evening with Severyn Grimes,” by Rich Larson, a gifted hacker uses cyberspace to extract pay back on the rich businessman who put her in prison. Set in the author’s hexarchate universe, an ex-Kel super soldier is enlisted to retrieve a weapon of mass destruction stolen by a rogue general in “The Chameleon’s Gloves” by Yoon Ha Lee. In “The Martian Obelisk,” by Linda Nagata, on a dying Earth, an architect remotely building a monument to mankind on Mars receives a message from an abandoned Mars colony. A petty meat counterfeiter is blackmailed into forging T-bone steaks for an anonymous thug in “A Series of Steaks” by Vina Jie-Min Prasad. In “The Residue of Fire,” by Robert Reed, a torturer tries to cope with one of his alien victims who witnessed a pivotal moment in the lives of two immortals, in this Great Ship tale. And finally, in this Revelation Space tale, a starship captain wakes from hibernation with her ship stalled next to an alien artifact and a mutiny in progress in “Night Passage” by Alastair Reynolds.
Short novels are movie length narratives that may well be the perfect length for science fiction stories. This unabridged collection presents the best-of-the-best science fiction novellas published in 2016 by current and emerging masters of this vibrant form of story-telling. In “Wyatt Earp 2.0,” by Wil McCarthy, a rough and tumble Martian mining town reconstructs Wyatt Earp to restore order. In “The Charge and the Storm,” by An Owomoyela, an uneasy co-existence between human refugees from a crashed spaceship and the aliens who saved them is threatened by human dissidents.In “Lazy Dog Out,” by Suzanne Palmer, a spaceship pilot becomes embroiled in a sinister conspiracy that threatens a space station’s way of life and everything she holds dear.In “The Iron Tactician,” by Alastair Reynolds, Merlin hunts the galaxy for a superweapon powerful enough to destroy the berserker-like robots called Huskers. “Einstein’s Shadow,” by Allen M. Steele, is an alternate history in which an American detective becomes Albert Einstein’s bodyguard as the physicist flees the Nazis onboard an airplane the size of an ocean liner. In “The Vanishing Kind,” by Lavie Tidhar, set in post-World War II London where Nazi Germany won the war, a lovesick, former German soldier searches for an old flame hoping to rekindle a romance in this cold, stark world. Finally, in “The Metal Demimonde,” by Nick Wolven, amidst a world dominated by automation, a carney passionate about her carnival ride has a fling with a jobless boy who rages against those machines.
This collection of unabridged, spectacular steampunk speculations includes several classics of the genre. These tales will sweep you away with their amazing automata, daring dirigibles, grinding gears, and scintillating steam as days long gone are infused with tech. In “Smoke City,” by Christopher Barzak, a woman comes to terms with the loss of her family to the child labor mills of the city. A doctor tries to cope with a strange plague terrorizing the citizens of London in Jeffrey Ford’s “Dr. Lash Remembers.” In “Machine Maid,” by Margo Lanagan, a sexually repressed wife gets revenge on her husband through a robot maid. Friedrich Engels strives to spread class revolution as a labor organizer for factory cyborg matchstick girls in Arbeitskraft, by Nick Mamatas. In “Ninety Thousand Horses,” by Sean McMullen, an acclaimed mathematician, with a murky past, is forced to spy for an industrialist prior to becoming Britain’s foremost rocket expert during World War II. An orphan boy builds an automaton, in an aging scientist’s laboratory, that becomes more than an idle companion in Cherie Priest’s “Tanglefoot (A Clockwork Century Story).” In “Clockwork Fairies,” by Cat Rambo, an English aristocrat courts a woman who would rather spend her time in a laboratory than at high society balls. At Chicago’s Columbian Exposition, in 1893, an Algerian bodyguard crosses paths with a disoriented naked man in Chris Roberson’s “Edison’s Frankenstein.”. In “A Serpent in the Gears,” by Margaret Ronald, a dirigible journeys to an isolated land and discovers people and animals merged with machine parts. Radio Jones finds a way to listen in on the Naked Brains, who rule the world, while Rudy the Red fights against the oppressors in “Zeppelin City,” by Michael Swanwick& Eileen Gunn.
Short novels are movie length narratives that may well be the perfect length for science fiction stories. This unabridged collection presents the best-of-the-best science fiction novellas published in 2015 by current and emerging masters of this vibrant form of story-telling. In “The Citadel of Weeping Pearls,” by Aliette de Bodard, set in the author’s Dai Viet interstellar empire, an Empress orders her scientific Grand Master to search deepest space and track down the missing Citadel, along with its technologies, to help defend against enemies amassing on her borders. In “The New Mother,” by Eugene Fischer, a freelance journalist pursues the career-making opportunity to write a feature article for a major publication following a contagion that turns human ova diploid, capable of parthenogenesis—reproduction without the need for sperm. In “Inhuman Garbage,” by Kristine Kathryn Rusch, set in the author’s popular Retrieval Artist series, a detective investigates the murder of a body found in a recycling/composting waste disposal crate in a dome on the moon. In “Gypsy,” by Carter Scholz, a meticulously rendered, slower-than-light, starship flees a totalitarian Earth on a mission whose outcome is not a clear-cut success or failure. Finally, in “What Has Passed Shall in Kinder Light Appear,” by Bao Shu, Xie Baosheng and his lifelong love, Qiqi, are small children as the countdown to the 2008 Beijing Olympics has begun. Their lives in China are prosperous but then history starts to run backwards.
Short novels are movie length narratives that may well be the perfect length for science fiction stories. This unabridged collection presents the best-of-the-best short science fiction novels published in 2011 by current and emerging masters of this form. In "The Ice Owl," by Carolyn Ives Gilman, an adolescent, female, Waster in the iron city of Glory to God finds an enigmatic tutor who provides her with much more than academic instruction while a fundamentalist revolt is underway. In the HUGO AWARDwinner, "The Man Who Bridged the Mist," by Kij Johnson, an architect from the capital builds a bridge over a dangerous mist that will change more than just the Empire. In "Kiss Me Twice," by Mary Robinette Kowal, a detective, with the assistance of the police department's AI that takes on Mae West's persona, solves a murder with all the flair of an Asimov robot story. "The Man Who Ended History: A Documentary," by Ken Liu, is a moving chronicle of attempts to witness the history of Japanese atrocities against the Chinese in a World War II prison camp by traveling back in time using Bohm-Kirino particles. In "The Ants of Flanders," by Robert Reed, a teenage boy, incapable of fear, takes center stage in an alien invasion of Earth that pits alien foes against each other in a war that has no regard for mankind's existence. Finally, in "Angel of Europa," by Allen M. Steele, an arbiter aboard a space ship, exploring the moons of Jupiter, is resuscitated from a hibernation tank to investigate the deaths of two scientists that took place in a bathyscaphe underneath the global ocean of Europa.