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On December 6, 1941, Ensign Kazuo Sakamaki was one of a handful of men selected to skipper midget subs on a suicide mission to breach Pearl Harbor’s defenses. When his equipment malfunctioned, he couldn’t find the entrance to the harbor. He hit several reefs, eventually splitting the sub, and swam to shore some miles from Pearl Harbor. In the early dawn of December 8, he was picked up on the beach by two Japanese American MPs on patrol. Sakamaki became Prisoner No. 1 of the Pacific War. Japan’s no-surrender policy did not permit becoming a POW. Sakamaki and his fellow soldiers and sailors had been indoctrinated to choose between victory and a heroic death. While his comrades had perished, he had survived. By becoming a prisoner of war, Sakamaki believed he had brought shame and dishonor on himself, his family, his community, and his nation, in effect relinquishing his citizenship. Sakamaki fell into despair and, like so many Japanese POWs, begged his captors to kill him. Based on the author’s interviews with dozens of former Japanese POWs along with memoirs only recently coming to light, The Anguish of Surrender tells one of the great unknown stories of World War II. Beginning with an examination of Japan’s prewar ultranationalist climate and the harsh code that precluded the possibility of capture, the author investigates the circumstances of surrender and capture of men like Sakamaki and their experiences in POW camps. Many POWs, ill and starving after days wandering in the jungles or hiding out in caves, were astonished at the superior quality of food and medical treatment they received. Contrary to expectations, most Japanese POWs, psychologically unprepared to deal with interrogations, provided information to their captors. Trained Allied linguists, especially Japanese Americans, learned how to extract intelligence by treating the POWs humanely. Allied intelligence personnel took advantage of lax Japanese security precautions to gain extensive information from captured documents. A few POWs, recognizing Japan’s certain defeat, even assisted the Allied war effort to shorten the war. Far larger numbers staged uprisings in an effort to commit suicide. Most sought to survive, suffered mental anguish, and feared what awaited them in their homeland. These deeply human stories follow Japanese prisoners through their camp experiences to their return to their welcoming families and reintegration into postwar society. These stories are told here for the first time in English.
Vicky Reicks' son, Adam Samec, committed suicide in 2001 when he was 20 years old. After his death, she discovered, through his many writings and art pieces, that he'd taken his life because of the years of abuse he suffered silently through. Although Adam never clearly named his abuser, Vicky feels certain the local parish priest was the one who violated her son. Silent Anguish: The Adam Samec Story is a tribute to Adam and all that he suffered. It is the hope that his writings and art work will foster understanding for families who have been victims of clergy-perpetrated sexual abuse and bring awareness to this horrific crime. This book shows all photos and artwork as black and white images.
The book "" Anguish Languish, has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies and hence the text is clear and readable.
The life of Taj al-Saltana, daughter of the ruler of Iran, Naser al-Din Shah Qajar, epitomized the predicaments of her changing era. Overcoming her limited edu-cation within the harem walls, Taj chronicled a thirty-year span in the life of a generation that witnessed a shift from traditional order to revolutionary flux. It is as though she had chosen this moment to recall her personal history--a tale filled with "wonder and anguish"--in order to record a cultural and political leap, symbolic of her time, from the indulgent, sheltered, and often petty world of her father's harem to the puzzling and exposed, yet emotionally and intellectually challenging world of a new Iran.Now almost one hundred years later Taj's memoirs are relevant and qualify her not only as a feminist by her society's standards but also in comparison with feminists of her generation in Europe and America. Beyond her fascination for the material glamors of the West at the turn of the twentieth century--fashion, architecture, furniture, the motorcar--she was also influenced by Western cul-ture's painting, music, history, literature and language. And yet throughout this time she kept her bond with her own literary and cultural heritage and what she calls her "Persianness."
First published in 1997, this volume explores the twenty years it has taken the United States to decide where Vietnam belongs on its mental landscape, as indicated by the establishment of official diplomatic relations between the two countries on August 5, 1995. Having won the Cold War, but lost a skirmish in Vietnam, America’s defeat can now be set in context against subsequent campaigns in Afghanistan, Angola, El Salvador, Eritrea, Nicaragua, Somalia, Sudan and elsewhere which suggest that the best any outsider can expect by intervening in Third World domestic conflicts is a hugely expensive, bloody stalemate. Tai Sung-An identifies that, despite America’s painful, deep and very expensive involvement in Vietnam for a lengthy two decades, Americans fought, failed and left while remaining ignorant of the most elementary knowledge of Vietnam, symptomatic of a cultural gap, isolationism and even intellectual complacency.
Frank Bello, bassist with the legendary New York thrash metal band Anthrax since 1984, has sold over ten million albums, travelled the globe more times than he cares to count, and enthralled audiences from the world's biggest stages. His long-awaited memoir would be a gripping read even if its pages only contained stories about his life as a recording and touring musician. While those stories are indeed included--and will blow your mind--Bello also focuses on deeper subjects in Fathers, Brothers, and Sons. Once you've heard his life story, you'll understand why. Born into a family of five, Frank grew up in difficult circumstances. His father abandoned his wife and children, and Frank's mother moved heaven and earth to keep them fed and educated. Left with no male role model, Frank found inspiration in heavy metal bass players, following their example and forging a career with Anthrax from his early teens--first as a roadie, and then as the group's bass player. International stardom came Frank's way by the mid-to-late 1980s, when he was still in his early twenties, but tragedy struck in 1996 when his brother Anthony was murdered in New York. Although the case went to trial, the suspected killer was released without charge after a witness, intimidated by violent elements, withdrew his testimony. Two decades later, Frank is a father himself to a young son. Like many men who grew up without the guidance of a dad, he asks himself important questions about the meaning of fatherhood and how to do the job well. This is the wisdom which Fathers, Brothers, and Sons offers readers. Despite the emotive nature of these topics, Fathers, Brothers, and Sons is a funny, entertaining read. A man with a keen sense of humor and the perspective to know how surreal his story has been, Frank doesn't preach or seek sympathy in his book. Instead, he simply passes on the wisdom gained from a lifetime of turbulence, paying tribute to his loved ones in a way that will resonate with us all.
Director Shion Sono's loose adaptation of the Japanese manga of the same name, follows two teenagers' attempts to survive the aftermath of Japan's 2011 tsunami. Abandoned by his mother, 14-year-old Sumida (Shota Sometani) lives in a boathouse beside a lake and dreams of living a normal life free from his father (Ken Mitsuishi)'s casual beatings. Sharing his dreams of normality is his classmate Chazawa (Fumi Nikaidô), who has a crush on Sumida, even though her feelings are not reciprocated. As the pair try to come to terms with their seemingly bleak futures, events come to a head when Sumida's father taunts him to excess, resulting in a fatally violent altercation. With his dreams now dashed, but eager to make amends to society for his actions, Sumida takes to the streets as a self-styled vigilante, dispensing 'justice' with the aid of a kitchen knife.
The career of Jay Lynch―cartoonist, satirist, and counterculture archivist―spanned more than six decades. All his signature Nard ‘n’ Pat stories from Bijou Funnies are featured in this volume. There are also samples of his trading card illustrations (for Garbage Pail Kids and other Topps Chewing Gum series) and his paintings. Lynch also narrates his life story throughout the book, from his dysfunctional childhood to the day he selected his coffin and headstone, in a half-century series of interviews and correspondence with comic historian Patrick Rosenkranz.
The definitive book on the life and music of Ludwig van Beethoven, written by the acclaimed biographer of Brahms and Ives.