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This collection opens with a wry elegy for three fellow Scots poets, it remembers other teachers and precursors and revisits scenes of Dunn's earliest poems. Dunn focuses on conundrums of solitude, and the solidarity of the dreaming man in a wider world.
'A touching exploration of passion untested by domesticity' Mail on Sunday Before Isabelle I knew nothing of sex. Before Isabelle I knew nothing of freedom. Before Isabelle I knew nothing of life. Paris in the early Seventies. Sam, an American student, meets a woman in a bookshop. Isabelle is enigmatic, beautiful, older and, unlike Sam, experienced in love's many contradictions. Sam is instantly smitten - but wary of the wedding ring on her finger. What begins as a regular arrangement in Isabelle’s tiny Parisian apartment transforms into a true affair of the heart, and one which lasts for decades to come. Isabelle in the Afternoon is a novel that questions what we seek, what we find, what we settle for - and shows how love, when not lived day in, day out, can become the passion of a lifetime. Praise for Douglas Kennedy ‘The absolute master of love stories with heart-stopping twists’ THE TIMES ‘Kennedy is skilled at zigzag plotting, blending domestic twists with turns created by global affairs’ OBSERVER
During its more than four decades in the ABC daytime lineup, "One Life to Live" told countless stories, from sensational adventures to thoughtful social commentary. But the tales that went untold -- the experiences of the writers, producers, cast and crew behind the scenes -- are just as fascinating as any kidnapping, baby switch, or courtroom confession. Today, network soaps are struggling for survival against cheaper-to-produce talk shows and reality series, but their cultural impact resonates more strongly than ever -- and a tribute to the work that goes into producing them is long overdue. To that end, "Llanview in the Afternoon: An Oral History of One Life to Live" focuses on some of the most unique aspects of working on a five-day-a-week television series -- from the actors, who had to deal with the daytime stigma and the psychology of living so intimately with their characters for extended periods of time, to the crew, who produced scripts and episodes at a blistering pace while working with a dwindling pool of network resources. Featuring interviews with more than 50 "One Life to Live" veterans, including Erika Slezak, Robin Strasser, Robert S. Woods, Hilary B. Smith, Ilene Kristen, Kassie DePaiva, Michael Storm, Judith Light, and Nathan Fillion -- plus many more -- "Llanview in the Afternoon: An Oral History of One Life to Live" offers readers a one-of-a-kind perspective on one of television's longest-running shows.
However, these contemporary accounts are frequently amplified and put into modern perspective, particularly at crucial moments such as a major production, a final production, or a death. The authors have particularly done so with writers of some importance such as Edward Martyn, William Boyle, or T.C. Murray. Since the theater of these years was especially influenced by the state of the country, the authors give considerable space to the disruptive political events of the times. Always, however, this is done from the particular vantage point of the theater and its workers, for the Irish theater vigorously reacted to and quickly assimilated the turbulent political events of the day: the raids, the reprisals, the burnings, and the murders. These 1,800 days really break into two periods. The first comprises the violence of the Black and Tan War, the exhaustion that led to the treaty, and the bitterness occasioned by the treaty that led to the culminating ferocity of the civil war.