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Reprint of the original, first published in 1888.
Bringing Montessori to America tells the little known story of the collaboration and clash between the indomitable educator Maria Montessori and the American publisher S. S. McClure over the launch of Montessori education in the United States.
Describes the mathematics behind the design of famous buildings, including the Parthenon, the Sydney Opera House, and the Bilbao Guggenheim.
Catalog of an exhibtion held at the Tate Modern, London, Mar. 9-June 4, 2006, the Kunsthalle Bielefeld, June 25-Oct. 1, 2006, and the Whitney Museum of American Art, New York, Nov. 2, 2006-Jan. 21, 2007.
This is the first full-length study in any language of the writings of a remarkable figure in French literary and cultural history, author of nine prose fiction works between 1958 and 1988. Despite establishment recognition and a popular mass-market following, Christiane Rochefort has hitherto received surprisingly little critical attention. Her fiction forms an easily approachable learning tool for all students of post-war French politics and culture; the bestseller, Les Petits Enfants du siècle, is a set text in schools and universities in the UK and USA. This novel of growing up in the working class high-rises of Paris, written in the language of the streets, provides a vivid, child-centred view of a young's girl's social, political and sexual awakening. The Novels of Christiane Rochefort looks at each novel in turn and applies close attention to the narrative sophistication and political subversion of the books. Certain contemporary themes run through her work: the status of children, language as instrument of oppression and subversion, homosexuality, incest, child abuse. Each chapter of this book provides in-depth cultural and socio-political background material, and delivers a study that will be of great interest and value to students across a wide range of literary and cultural disciplines.
Suzanne Churchill's well-researched and superbly crafted study is the first book-length treatment of Others, an important and neglected little magazine that served as a laboratory for modernist poetic experimentation. In discussions of influential poets such as Mina Loy, Marianne Moore, and William Carlos Williams, whose careers Others helped launch, Churchill counters the notion of Modernism as aesthetically self-isolating and socially disengaged. Rather, she traces a correspondence between formal innovation and social change in American modernist poetry and argues that this dimension of modernist formalism is lost when poems are studied in isolation. Others provides a framework for reassessing the scope and significance of modernist formalism. The little magazine not only anchors modernist poetry in a social context but also leads to new insight into major modernist texts. Churchill's commitment to her subject's broad cultural contexts makes her book important for students and teachers of Modernism as well as for those working in the fields of American poetry and poetics, gender studies, queer theory, periodical studies, and cultural studies.
Framing Marilynne Robinson's fiction within the dynamics of everyday life, this study highlights the tensions of form and content that haunt moments of transcendence in her work. Robinson's novels, it argues, construct a world that is mimetic as well as symbolic and revelatory. Although the heightened apprehension of the quotidian in Robinson's novels often registers powerfully and beautifully in representational terms, its aesthetic intensity is enacted at the expense of characters who patrol the margins of the ordinary with unceasing vigilance. Inhabiting the everyday self-consciously, her protagonists perform a forced relationship to the ordinary that seldom relaxes into the natural or the familiar; scarred by grief, illness, aging, and trauma, they inhabit a world of transcendent beauty suffused with the terrifying threat of loss. Stiffly perched on the edge of un-cushioned furniture or propped awkwardly in the midst of someone else's conversation, Robinson's characters hover in the margins of a lived experience they are often forced to observe self-consciously and vigilantly. The signature acts of transfiguration that punctuate Robinson's narratives originate from and anticipate the inevitability of absence: the death of loved ones (Housekeeping), the impending death of the self (Gilead), the fracture of family (Home), the repetition of trauma and abandonment (Lila), the prohibition of everyday intimacy in interracial romance (Jack). Highlighting the tensions of the uncomfortable ordinary that disrupt a trajectory of transcendence in her fiction, this book situates Robinson's novels within sociological, psychological, and phenomenological studies of trauma, grief, aging, race, and gender, as well as narrative theory and everyday life studies. Focusing on the experiential dynamics of the lived worlds her novels invoke, The Elusive Everyday argues for the complexity, relevance, and contemporaneity of Robinson's fiction.
The Victorian Era saw a revolution in communication technology. Millions of texts emerged from a complex network of writers, editors, publishers and reviewers, to shape and be shaped by the dynamics of a rapidly industrializing society. Many of these works offer fundamental, often surprising insights into Victorian society. Why, for example, did the innocuously titled Essays and Reviews (1860) trigger public outrage? How did Eliza Lynn Linton become the first salaried woman journalist in England? What is "table-talk"? Critical approaches to Victorian prose have long focused on a few canonical writers. Recent scholarship has recognized a wide diversity of practitioners, forms and modes of dissemination. Presented in accessible A-Z format, this literary companion reinstates nonfiction as a principal vehicle of knowledge and debate in Victorian Britain.
Gathers 14 of Gordon S. Haight's essays on the life and work of Victorian authors and artists, among them George Eliot, George Henry Lewes, Thomas Carlyle, Charles Dickens, George Meredith, Lord Tennyson, Robert Browning, and G.F. Watts.