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The Existence of God can be a challenging topic when brought up between theists and non-theists. Even so, there is much productive discussion to be had on the subject when people of differing perspectives meet. The Xing (The Crossing) paints a portrait of six different encounters between persons of different professional backgrounds. In these chance meetings, the professionals will present their varying points of view. It seeks to highlight what most will think about, but few are willing to talk about: the question of Gods existence. This exploration occurs through a variety of scenarios. A professor, through unforeseen circumstances, meets a mechanic. A lawyer speaks to his client, who is a truck driver. A neurosurgeon talks with his IT, and so on. Throughout their exchanges, a wide range of topics will be brought up. The inspiration for this novel comes from the Book of Job, in which Job debates with his friends over Gods involvement in times of suffering, or lack thereof. This novel depicts a series of civil and friendly discussions between persons who do not agree, which is really intended to inspire readers.
For more than three thousand years, Chinese life – from the city and the imperial palace, to the temple, the market and the family home – was configured around the courtyard. So too were the accomplishments of China's artistic, philosophical and institutional classes. Confucius' Courtyard tells the story of how the courtyard – that most singular and persistent architectural form – holds the key to understanding, even today, much of Chinese society and culture. Part architectural history, and part introduction to the cultural and philosophical history of China, the book explores the Chinese view of the world, and reveals the extent to which this is inextricably intertwined with the ancient concept of the courtyard, a place and a way of life which, it appears, has been almost entirely overlooked in China since the middle of the 20th century, and in the West for centuries. Along the way, it provides an accessible introduction to the Confucian idea of zhongyong ('the Middle Way'), the Chinese moral universe and the virtuous good life in the absence of an awesome God, and shows how these can only be fully understood through the humble courtyard – a space which is grounded in the earth, yet open to the heavens. Erudite, elegant and illustrated throughout by the author's own architectural drawings and sketches, Confucius' Courtyard weaves together architecture, philosophy and cultural history to explore what lies at the very heart of Chinese civilization.
This singular work presents the most comprehensive and nuanced studies available in any Western language of Chinese aesthetic thought and practice during the Six Dynasties (A.D. 220–589). Despite a succession of dynastic and social upheavals, the literati preoccupied themselves with both the sensuous and the transcendent and strove for cultural dominance. By the end of the sixth century, their reflections would evolve into a sophisticated system of aesthetic discourse characterized by its own rhetoric and concepts. A prologue details the historical context in which Six Dynasties aesthetics arose and sketches out its major stages of development. The ten essays that follow bring fresh perspectives to bear on important writings on literature, music, painting, calligraphy, and gardening. Grounded in close readings of primary texts, they reveal the complex, dynamic interplay between life and art, the sensuous and the metaphysical, and the artistic and the philosophicaleligious that lies at the heart of the aesthetic thought and practice of the time. As a whole, the collection demonstrates that Six Dynasties achieved a sophistication in aesthetic thought comparable in many ways to that of the West: The discussion of disinterestedness in art, aesthetic judgment, and how mental images mediate between the supersensible and the sensible are reminiscent of Kant. The findings of various Chinese critics provide much food for thought in the broad fields of comparative literature and aesthetics. Chinese Aesthetics will fill a gap in Western sinological studies of the period. It will appeal to scholars and students in premodern Chinese literary studies, comparative aesthetics, and cultural studies and be a welcome reference to anyone interested in ancient Chinese culture. Contributors: Susan Bush; Zong-qi Cai; Kang-i Sun Chang; Ronald Egan; Robert E. Harrist, Jr.; Rania Huntington; Wai-yee Li; Shuen-fu Lin; Victor Mair; François Martin.
Featuring hundreds of photographs and extensive commentary, this modern architecture and design book showcases the dynamic structures of today's China. by China's booming cities are evolving at a dizzying speed, and her new wealth has created a dynamic environment for architecture and construction. New China Architecture documents the spectacular transformation modern China has undergone in recent decades as the heady push to prosperity has inspired architects from China and around the globe to produce striking new designs. Award-winning professor of architecture, Xing Ruan, covers the entire range of China's most captivating new building projects—from Shanghai skyscrapers to public buildings in Beijing and Guangzhou, and from cutting-edge private homes and gleaming new airports to theaters and universities throughout China. Over the past few decades, architects, urban planners, and design aficionados everywhere have watched China's spectacular urban transformation with awe, and New China Architecture offers them a closer look at the country's most innovative new buildings.
The words 'Tong Sing' mean 'know everything book'. No wonder the traditional Chinese almanac contains information on everything from astrology to herbal remedies, Taoist philosophy to the interpretation of dreams. Drawing his inspiration from this centuries-old work, but using his own research and adapting the contents to appeal to a modern audience, Charles Windridge has compiled a fully updated book that will answer every question the reader can ask about the ancient Chinese way of life.
The Routledge Handbook of Chinese Second Language Acquisition is the first reference work of its kind. The handbook contains twenty contributions from leading experts in the field of Chinese SLA, covering a wide range of topics such as social contexts, linguistic perspectives, skill learning, individual differences and learning settings and testing. Each chapter covers historical perspectives, core issues and key findings, research approaches, pedagogical implications, future research direction and additional references. The Routledge Handbook of Chinese Second Language Acquisition is an essential reference for Chinese language teachers and researchers in Chinese applied linguistics and second language acquisition.
This book explores how the traditional ideal of Chinese manhood – the "wen" (cultural attainment) and "wu" (martial prowess) dyad – has been transformed by the increasing integration of China in the international scene. It discusses how increased travel and contact between China and the West are having a profound impact; showing how increased interchange with Western men, for whom "wu" is a more significant ideal, has shifted the balance in the classic Chinese dichotomy; and how the huge emphasis on wealth creation in contemporary China has changed the notion of "wen" itself to include business management skills and monetary power. The book also considers the implications of Chinese "soft power" outside China for the reconfigurations in masculinity ideals in the global setting. The rising significance of Chinese culture enables Chinese cultural norms, including ideals of manhood, to be increasingly integrated in the international sphere and to become hybridised. The book also examines the impact of the Japanese and Korean waves on popular conceptions of desirable manhood in China. Overall, it demonstrates that social constructions of Chinese masculinity have changed more fundamentally and become more global in the last three decades than any other time in the last three thousand years.
The name Sun Lu Tang rings familiar to almost anyone who has studied one or more of the major "internal" styles of Chinese martial arts. Because Sun was highly skilled in Xing Yi Quan, Ba Gua Zhang, and Tai Ji Quan, he wrote five different books on these subjects and synthesized the three arts to invent Sun Style Tai Ji Quan. His name has become well known wherever Chinese martial arts are practiced. Sun Lu Tang's treatise on Xing Yi Quan, published in 1915, was his first work and it was the first book published publically in China which integrated the thories of martial arts with Chinese philosophy and Daoist Qi cultivation theories. In addition to the original text of Sun's Xing Yi Quan book, this English translation also includes a detailed biography of Sun Lu Tang and an interview with his daughter, Sun Jian Yun. Book jacket.
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