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Synopsis:What would you do if the person you loved suddenly vanished into thin air? Catherine's cosy life as a housewife and mum-of-three is quickly thrown into disarray when husband Simon disappears without explanation. She is convinced he hasn't left by choice as confusion and spiraling debts threaten to tear her family apart. Meanwhile Simon has begun a carefree new life travelling the world. And he's determined not to disclose his past to all he meets, even if it means resorting to extreme and violent measures. But why did he leave? Catherine only gets her answer 25 years later when Simon suddenly reappears on her doorstep. During their furious final confrontation, they discover the secrets, lies and misunderstandings that tore them apart, then brought them face-to-face one last time.
From the acclaimed author of The One and The Marriage Act, The Family Experiment is a dark and brilliant speculative thriller about families: real and virtual. Some families are virtually perfect… The world's population is soaring, creating overcrowded cities and an economic crisis. And in the UK, the breaking point has arrived. A growing number of people can no longer afford to start families, let alone raise them. But for those desperate to experience parenthood, there is an alternative. For a monthly subscription fee, clients can create a virtual child from scratch who they can access via the metaverse and a VR headset. To launch this new initiative, the company behind Virtual Children has created a reality TV show called The Substitute. It will follow ten couples as they raise a virtual child from birth to the age of eighteen but in a condensed nine-month time period. The prize: the right to keep their virtual child, or risk it all for the chance of a real baby… Set in the same universe as John Marrs's bestselling novel The One and The Marriage Act, The Family Experiment is a dark and twisted thriller about the ultimate Tamagotchi—a virtual baby.
Shakespeare in Children’s Literature looks at the genre of Shakespeare-for-children, considering both adaptations of his plays and children’s novels in which he appears as a character. Drawing on feminist theory and sociology, Hateley demonstrates how Shakespeare for children utilizes the ongoing cultural capital of "Shakespeare," and the pedagogical aspects of children’s literature, to perpetuate anachronistic forms of identity and authority.