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From the New York Times bestselling author, an exciting psychological thriller about a woman whose attempt to shake up her life may cost her everything. Bold and adventurous in her work as owner of one of Manhattan's boutique interior design firms, Kit Finn couldn't be tamer in her personal life. While on vacation in the Florida Keys, Kit resolves to do something risky for once. When she literally bumps into a charming stranger at her hotel, she decides to make good on her promise and act on her attraction. But back in New York, when Kit arrives at his apartment ready to pick up where they left off in the Keys, she doesn't recognize the man standing on the other side of the door. Was this a cruel joke, or something truly sinister happening? Kit soon realizes that she's been thrown into a treacherous plot, which is both deeper and deadlier than she could have ever imagined. Now the only way to protect herself, her business, and the people she loves is to find out the true identity of the man who has turned her life upside down. Adrenaline-charged and filled with harrowing twists at every turn, The Wrong Man will keep readers riveted until the final page.
A fascinating, meticulously researched deep dive into one of Alfred Hitchcock's most underappreciated films, The Wrong Man, and America's shameful history of wrongful convictions leading up to the real-life event upon which the film is based. “Thanks to Jason Isralowitz for finally writing a book about Hitchcock’s most under-appreciated movie. Isralowitz brilliantly contextualizes the movie and the true-life story of Manny Balestrero, preceded by an eye-opening prologue detailing the justice system’s long history of indicting ‘the wrong man’ (and, in a few cases, ‘the wrong woman’). A must for both cinephiles and true crime buffs.” Bruce Goldstein, Repertory Artistic Director, Film Forum, New York. “Nothing to Fear is a fascinating history, not only for fans of Hitchcock but for anyone interested in how our justice system works (and sometimes doesn't). The story of ‘the wrong man' continues to resonate well into the twenty-first century, and will make you question your assumptions about innocence and guilt.” Dawn Raffel, author of The Strange Case of Dr. Couney, named by NPR as one of 2018’s Great Reads and winner of a 2019 Christopher Award. Alfred Hitchcock is not often associated with a social justice movement. But in 1956, the world’s most famous director focused his lens on an issue that cuts to the heart of our criminal justice system: the risk of wrongful conviction. The result was The Wrong Man, a wrenching and largely overlooked drama based on the real-life arrest of Queens musician Christopher “Manny” Balestrero for two robberies he did not commit. With documentary-like authenticity, Hitchcock and his team meticulously re-created Manny’s journey through the corridors of justice and the devastating effect of the arrest on his wife, Rose. In so doing, the director cast a damning light on New York’s history of mistaken identity cases. The Balestreros fell victim to the same rush to judgment and suggestive eyewitness identification procedures that had doomed innocent defendants in earlier cases. Their ordeal is part of a larger story of the state’s failure to reckon with its role in other wrongful prosecutions in the first half of the twentieth century. Attorney Jason Isralowitz tells this story in a revelatory book that situates both the Balestrero case and its cinematic counterpart in their historical context. Drawing from archival records, Isralowitz delivers a gripping account of Manny’s trial and new insights into an errant prosecution. He then examines how Hitchcock fused striking visual motifs with social realism to create a timeless work of art. The film bears witness to issues that animate the contemporary innocence movement, including the unreliability of eyewitness testimony, the need for police lineup reforms, and the dangers of investigative “tunnel vision.” Given the hundreds of exonerations of the wrongfully convicted in recent years, The Wrong Man remains as timely as ever.
This Edgar Award finalist—one of Ann Rule’s top five true-crime picks—is a “gripping” definitive account of the Dr. Sam Sheppard murder case (The New York Times Book Review). “My God . . . I think they’ve killed Marilyn!” At 5:40 a.m. on July 4, 1954, the mayor of Bay Village, a small suburb of Cleveland, Ohio, received a frantic phone call from his neighbor Dr. Sam Sheppard. The news was too terrible to comprehend: Marilyn, Sam’s lovely wife, was dead, her face and torso beaten beyond recognition by an unknown assailant who had knocked Sam unconscious and escaped just before dawn. In the adjacent bedroom, Chip, the Sheppards’ seven-year-old son, had slept through the entire ordeal. Almost immediately, the police began to suspect Sam Sheppard. The local press rushed to cast judgment on the handsome, prosperous doctor. After a misguided investigation, Sheppard was arrested and charged with murder. Sentenced to life in prison, he served for nearly a decade before he was acquitted in a retrial. Until his death, he maintained his innocence. Culled from DNA evidence, testimony that was never heard in court, prison diaries, and interviews with the Sheppard family and other key players, The Wrong Man makes a convincing case for Sheppard’s innocence and reveals the identity of the real killer. This ebook contains ten photographs not included in previous editions.
Scott Freeman is a man of reason–a college professor grounded in the rational and practical. But he becomes uneasy after finding an anonymous love letter hidden in his daughter’s room: “No one could ever love you like I do. No one ever will. We will be together forever. One way or another.” But the reality of Ashley’s plight far exceeds Scott’s worst suspicions. One drink too many had led Ashley, a beautiful, bright art student, into what she thought was just a fling with a blue-collar bad boy. But now, no amount of pleading or reasoning can discourage his phone calls, ardent e-mails, and constant, watchful gaze. Michael O’Connell is but a malignant shadow of a man. His brash, handsome features conceal a black and empty soul. Control is his religion. Cunning and criminal skill are his stock-in-trade. Rage is his language. The harder Ashley tries to break free, the deeper Michael burrows into every aspect of her life, so she turns in desperation to her divorced parents and her mother’s new partner–three people still locked in a coldly civilized triangle of resentment. But their fierce devotion to Ashley is the common bond that will draw them together to face down a predator. For Ashley’s family, it is a test of primal love that will drive them to the extreme edge–and beyond–in a battle of wills that escalates into a life-or-death war to protect their own. From the bestselling master of suspense, John Katzenbach, The Wrong Man is an elegantly crafted and breathtakingly intense read that asks the question, “How far would you go to save the child you love?”
Macy isn't looking for trouble. She just wants to help an old family friend find out who's blackmailing him over something that happened decades ago - without getting wrapped up in her own ancient history. But the mysterious (and far too handsome) Thomas keeps turning up wherever she goes, and Macy thinks he might know more than he's letting on. When people around her start dying, Macy realizes she's running out of time to find the killer, stop the blackmailer, and protect the family she ran away from - while never getting too close to the wrong man. Blending mystery, history, true crime and a sassy splash of romance, The Wrong Man is Christine D. LeBlanc's first novel.
Running away with her fianceÌ1's brother after he convinces her that her future husband has been unfaithful, Ashley Barton takes a job at a bridal shop when the ensuing relationship also fails, a situation that leads to an explosive confrontation seventeen years later.
This book treats six beloved films of Hitchcock: The 39 Steps, Saboteur, and North by Northwest, plus Dial M for Murder, Rear Window, and To Catch a Thief. Padilla reviews their production histories with an eye to classical influences, and then analyzes their links with Greek art, poetry, and philosophy.
"After finding out Que's shocking secret, Jazmine she decides to go against her better judgment and follow her heart. She is willing to stay by his side and hold him down. Yet when Que's haunting past reappears and threatens the both of them, Jazmine finds herself on the run. Now she is at the crossroads, is their love worth losing everything she worked so hard for?Find out what happens in part two of Loving The Wrong Man!"--Back cover.
Waking up to a text asking why you stood up your blind date is not the best way to start the day, especially when the man in question is standing half dressed in your kitchen. Maybe Dakota Newton shouldn't have assumed the gorgeous man with a devastating smile standing outside the coffee shop was her date. She probably-- Okay, she definitely shouldn't have slept with him, regardless of how hot the chemistry between them was. But how could she know Mr. Right was actually Mr. Wrong? Braxton Adams has been called a few things in his life, but a liar was never one of them. That all changes when he's approached by a beautiful woman who thinks he's there to meet her for a date. As a businessman, Brax knows to trust his gut and never let an opportunity pass him by, so he pretends to be someone he's not. Maybe he shouldn't have lied. Maybe he should have come clean. But in the end, it doesn't matter, because now he has to prove he's not the wrong man but the right one. So what if he's not the man she's expecting? She's the one he's been waiting for.