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Provides period information on clothes and accessories, food, architecture, medicine, education, communications, crime, and money.
Gives an overview of life in Northwestern Europe from 500 to 1500 and provides details for writers to portray the lives and times of the Middle Ages accurately.
Provides information about many aspects of everyday life in the 1800s, covering speech and slang, transportation, household goods, clothing, occupations, money, health and medicine, food and tobacco, amusements, courtship and marriage, slavery, the Civil War, crime, and the wild west.
The portrayal of native Americans and the role they played in American history has been riddled with stereotypes and falsehoods. Moulton attempts to correct decades of misinformation with insightful scholarship on the real story. Includes maps, illustrations, chronologies and reference sources.
From soldiers and statesmen to farmers and firing lines, Everyday Life During the Civil War offers an in-depth exploration of this fascinating era. Using dozens of illustrations, timelines, and maps, Varhola illuminates the details of both Northern and Southern life.
An essential addition to the shelves of all true aficionados of the Old West. Catch the light glinting on the barrels of the Spencer rifles of the United States 7th Cavalry in 1868, as they ride out of Fort Riley on patrol in Kansas. Smell the intoxicating aroma of Chuck Wagon Stew, amidst the trail dust on the Chisholm Trail in 1870. Hear the sound of gunfire on the lawless streets of Tombstone, Arizona, 1881. The Wild West Catalog captures the essence of the greatest period of expansion within the United States, between 1866 and 1900, when the West was well and truly tamed. Fighting and riding skills gained in the Civil War were put to good use in opening up and populating the West, while more sophisticated weapons developed during the Civil War were put to both good and bad use in the sometimes-volatile environment. Illustrated with more than 250 illustrations, including archival photographs, artworks, color photography of artifacts, weapons, recipes, and historic places then and now, The Wild West Catalog portrays all the great characters of the West, including cowboys (and their favorite foodstuffs), Native Americans, the US Cavalry, outlaws, lawmen, homesteaders, and saloon girls. Western artifacts and locations are also described, including frontier weapons and towns, and the burgeoning railroads. The book also discusses the West as it was depicted in movies, television, and literature, and catalogs the many classic toys inspired by the West, which have entertained generations of imaginations worldwide. Comprehensive and fascinating, the book brings the complete Old West alive for the reader.
Examines in detail the topics of architecture, clothing, marriage, family life, economy, arts, and government for each region of colonial America.
The hybrid language of the frontier is revealed in this compilation of terms used by the cattlemen, frontiersmen, scouts, cowboys, and gamblers.
There are many ways to show our devotion to an author besides reading his or her works. Graves make for popular pilgrimage sites, but far more popular are writers' house museums. What is it we hope to accomplish by trekking to the home of a dead author? We may go in search of the point of inspiration, eager to stand on the very spot where our favorite literary characters first came to life—and find ourselves instead in the house where the author himself was conceived, or where she drew her last breath. Perhaps it is a place through which our writer passed only briefly, or maybe it really was a longtime home—now thoroughly remade as a decorator's show-house. In A Skeptic's Guide to Writers' Houses Anne Trubek takes a vexed, often funny, and always thoughtful tour of a goodly number of house museums across the nation. In Key West she visits the shamelessly ersatz shrine to a hard-living Ernest Hemingway, while meditating on his lost Cuban farm and the sterile Idaho house in which he committed suicide. In Hannibal, Missouri, she walks the fuzzy line between fact and fiction, as she visits the home of the young Samuel Clemens—and the purported haunts of Tom Sawyer, Becky Thatcher, and Injun' Joe. She hits literary pay-dirt in Concord, Massachusetts, the nineteenth-century mecca that gave home to Hawthorne, Emerson, and Thoreau—and yet could not accommodate a surprisingly complex Louisa May Alcott. She takes us along the trail of residences that Edgar Allan Poe left behind in the wake of his many failures and to the burned-out shell of a California house with which Jack London staked his claim on posterity. In Dayton, Ohio, a charismatic guide brings Paul Laurence Dunbar to compelling life for those few visitors willing to listen; in Cleveland, Trubek finds a moving remembrance of Charles Chesnutt in a house that no longer stands. Why is it that we visit writers' houses? Although admittedly skeptical about the stories these buildings tell us about their former inhabitants, Anne Trubek carries us along as she falls at least a little bit in love with each stop on her itinerary and finds in each some truth about literature, history, and contemporary America.
How do you use ‘taraddidle’ in a sentence? Is it possible to make a Gin Ricky that’s also a metaphor for the American Dream? How can you tell your Faulkner from your Franzen if you haven’t actually read either? Allow me, the @GuyInYourMFA, to expound on the most important (aka white male) writers of western literature. You’ve probably seen me around, observing the masses, or defying the wind by hand-rolling a cigarette outside a local, fair-trade coffeeshop. I’ve actually read Infinite Jest 9 1/2 times. Care to discuss? From Shakespeare's greatest mystery (how could a working-class man without access to an MFA program be so prolific?) to the true meaning of Kafkaesque (you know you've made it when you have an adjective named for you), the pages herewith are at once profound and practical. Use my ingenious Venn diagram to test your knowledge of which Jonathan—Franzen, Lethem, or Safran Foer—hates Twitter and lives in Brooklyn. (Trick question: all 3!) Sneer at chick-lit and drink Mojitos like Hemingway (not like middle-aged divorcées!). So instead of politely nodding along next time you make an acquaintance at a housewarming party in Brooklyn, you can roll up your sleeves and get to work schooling them in character arcs and the experimental form of your next great American novel. Dazzle your friends with how well you understand post-modernism. You’ll be at a literary event asking a question “that’s really more of a comment” in no time.