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Striking aerial views of war, and of the scarred landscapes of its aftermath are the focus of this unique and multidisciplinary book. For the first time, the history, significance, and technology of military aerial photography are brought together and explored by military historians, archaeologists, and anthropologists. This new approach opens the door to a modern reassessment of military aerial imagery, reveals the concepts and philosophies that guided their production and interpretation, and illustrates the complex interaction between humans and technology in creating and understanding the landscapes of conflict.
An exact reprint edition of the definitive work on stereographs originally published by the author in 1977. Intended as a survey and guide to stereographs, it considers them from four points of view: historical, geographical, topical, and by the photographers who produced them. Two checklists include: the names and locations of 3500 North American stereographers arranged alphabetically by states; and a world register of 4200 cited photographers giving the countries and approximate dates of activity, with references to the pages of the book on which they are cited. Three hundred illustrations of stereographs supplement the text.
This is a bibliography of books published in English between 1914 and 1987, on the First World War. There are approximately 6800 entries, indexed by author or title, listed under 350 subject headings. The subject headings range, in alphabetical order, from addresses and speeches to Zimmerman. Each entry gives bibliographical details where possible, any changes in title between United Kingdom and United States of America editions and cross-references to other relevant subject headings. For quick reference there is an index of authors and an index of subject headings. While this bibliography aims to be a reference work for the scholar and researcher, it is also intended to be for more general use.