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A “virtually faultless” account of the final weeks of World War II in the Pacific and the definitive history of the battle for Stalingrad together in one volume (The New York Times Book Review). Author William Craig traveled to three different continents, reviewed thousands of documents, and interviewed hundreds of survivors to write these New York Times–bestselling histories, bringing the Eastern Front and the Pacific Theater of World War II to vivid life. The Fall of Japan masterfully recounts the dramatic events that brought an end to the Pacific War and forced a once-mighty nation to surrender unconditionally. From the ferocious fighting on Okinawa to the all-but-impossible mission to drop the second atom bomb, and from Franklin D. Roosevelt’s White House to the Tokyo bunker where tearful Japanese leaders first told the emperor the war was lost, Craig draws on Japanese and American perspectives to capture the pivotal events of these climactic weeks with spellbinding authority. Enemy at the Gates chronicles the bloodiest battle of the war and the beginning of the end for the Third Reich. On August 5, 1942, giant pillars of dust rose over the Russian steppe, marking the advance of Hitler’s 6th Army. The Germans were supremely confident; in three years, they had not suffered a single defeat. The siege of Stalingrad lasted five months, one week, and three days. Nearly two million men and women died, and the 6th Army was completely destroyed. The Soviet victory foreshadowed Nazi Germany’s downfall and the rise of a communist superpower. Heralded by Cornelius Ryan, author of The Longest Day, as “the best single work on the epic battle of Stalingrad,” Enemy at the Gates was the inspiration for the 2001 film of the same name, starring Joseph Fiennes and Jude Law.
A navy admiral’s firsthand accounts of three triumphant operations in Europe and North Africa during World War II. After the attack on Pearl Harbor, naval engineering genius Edward Ellsberg came out of retirement to serve his country once again. In these three riveting histories, he recounts the incredible salvage missions and audacious battle plans he took part in during the Second World War. Under the Red Sea Sun: In 1942, Mussolini’s forces were on the run in East Africa. At Massawa, Eritrea, the fleeing Italians left the largest mass wreck in the world, turning a vital port into a tangle of shattered ships and dangerous booby traps. In order to continue the war effort and push back the Axis powers in Africa, the Allies enlisted Commander Ellsberg, who navigated the complicated American and British bureaucracies to pull off a historic feat of engineering—the largest of its kind the world had ever seen. The Far Shore: Rear Admiral Ellsberg describes in detail the meticulous preparation and efforts behind the Normandy Invasion—efforts that would keep the flow of men and materials streaming onto the beaches and into the heart of Europe. From dealing with the extremes of engineering possibilities to wrestling with the knowledge that countless lives depended on the success of his intricate planning, Ellsberg worked himself into exhaustion to do his part. Vividly described by a man who saw firsthand the horrors of war and the cost of victory, The Far Shore takes readers through the brutal surf, onto the bloody beaches, and into the mind of one of World War II’s little-known heroes. No Banners, No Bugles: In Oran, Algeria, a crucial port city, Ellsberg helped the Allies prepare for Operation Torch, the fight to reclaim North Africa from the Axis powers. As General Eisenhower’s chief of salvage in the Mediterranean, Ellsberg had to sort out the disorganized mess left by the Vichy French and find a way to open the harbor, though his flagging health proved to be a dangerous obstacle. No Banners, No Bugles is the riveting story of how Ellsberg, the miracle worker, tackled his greatest mission yet.
An overview of World War II, from the events leading up to the war, to the war crimes trials after the war, in a timeline format.
During the Vietnam War, young African Americans fought to protect the freedoms of Southeast Asians and died in disproportionate numbers compared to their white counterparts. Despite their sacrifices, black Americans were unable to secure equal rights at home, and because the importance of the war overshadowed the civil rights movement in the minds of politicians and the public, it seemed that further progress might never come. For many African Americans, the bloodshed, loss, and disappointment of war became just another chapter in the history of the civil rights movement. Lawrence Allen Eldridge explores this two-front war, showing how the African American press grappled with the Vietnam War and its impact on the struggle for civil rights. Written in a clear narrative style, Chronicles of a Two-Front War is the first book to examine coverage of the Vietnam War by black news publications, from the Gulf of Tonkin incident in August 1964 to the final withdrawal of American ground forces in the spring of 1973 and the fall of Saigon in the spring of 1975. Eldridge reveals how the black press not only reported the war but also weighed its significance in the context of the civil rights movement. The author researched seventeen African American newspapers, including the Chicago Defender, the Baltimore Afro-American, and the New Courier, and two magazines, Jet and Ebony. He augmented the study with a rich array of primary sources—including interviews with black journalists and editors, oral history collections, the personal papers of key figures in the black press, and government documents, including those from the presidential libraries of Lyndon Johnson, Richard Nixon, and Gerald Ford—to trace the ups and downs of U.S. domestic and wartime policy especially as it related to the impact of the war on civil rights. Eldridge examines not only the role of reporters during the war, but also those of editors, commentators, and cartoonists. Especially enlightening is the research drawn from extensive oral histories by prominent journalist Ethel Payne, the first African American woman to receive the title of war correspondent. She described a widespread practice in black papers of reworking material from major white papers without providing proper credit, as the demand for news swamped the small budgets and limited staffs of African American papers. The author analyzes both the strengths of the black print media and the weaknesses in their coverage. The black press ultimately viewed the Vietnam War through the lens of African American experience, blaming the war for crippling LBJ’s Great Society and the War on Poverty. Despite its waning hopes for an improved life, the black press soldiered on.
From George Lucas, creator of Star Wars(r) and Indiana Jones, and Chris Claremont, author of the bestselling X-Men adventures, comes the thrilling sequel to Shadow Moon, taking readers deeper into a stunningly original world of magic, myth, and legend. The momentous Ascension of Princess Elora Danan should have brought peace to the Thirteen Realms. Instead, an intense Shadow War rages, spearheaded by the evil Mohdri. He has dispatched his dread Black Rose commando assassins to capture Elora and her sworn protector, Thorn Drumheller. But Mohdri himself is just a facade for a more dangerous entity: the Deceiver. But who--or what--is the Deceiver? And how can Elora, Thorn, and their ragtag band defeat this unspeakable force? The answer lies in a perilous journey to a land undisturbed since the dawn of time. A journey that will end at the unbreachable citadel of the dragon, where a chilling betrayal will change the fate of Elora, Thorn, and the Thirteen Realms forever.
A new edition of this unique global account of the Second World War in all its brutal intensity Evoking the sheer, epic scale of combat and its appalling impact across the globe, this is a unique telling of the Second World War in all its brutal intensity. Digital maps and timelines cover every major campaign and phase of the war highlighting the strategic problems, critical moments, decisions and military actions that decided its outcome. Eyewitness accounts from civilians and soldiers paint a vivid picture of wartime life, covering both crucial battles and daily life under siege or aerial bombardment. This new edition includes a Second World War visitor�s guide to the hundreds of battlefields, war cemeteries, museums and memorials to the fallen in Europe, Africa, Asia and the Pacific. Ideal for all the family, this is an essential chronicle of the War that defined the modern world.
“A masterpiece” (The Guardian) from the Nobel Prize–winning writer, an oral history of children’s experiences in World War II across Russia NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her for inventing “a new kind of literary genre,” describing her work as “a history of emotions . . . a history of the soul.” Bringing together dozens of voices in her distinctive style, Last Witnesses is Alexievich’s collection of the memories of those who were children during World War II. They had sometimes been soldiers as well as witnesses, and their generation grew up with the trauma of the war deeply embedded—a trauma that would change the course of the Russian nation. Collectively, this symphony of children’s stories, filled with the everyday details of life in combat, reveals an altogether unprecedented view of the war. Alexievich gives voice to those whose memories have been lost in the official narratives, uncovering a powerful, hidden history from the personal and private experiences of individuals. Translated by the renowned Richard Pevear and Larissa Volokhonsky, Last Witnesses is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war. Praise for Last Witnesses “There is a special sort of clear-eyed humility to [Alexievich’s] reporting.”—The Guardian “A bracing reminder of the enduring power of the written word to testify to pain like no other medium. . . . Children survive, they grow up, and they do not forget. They are the first and last witnesses.”—The New Republic “A profound triumph.”—The Big Issue “[Alexievich] excavates and briefly gives prominence to demolished lives and eradicated communities. . . . It is impossible not to turn the page, impossible not to wonder whom we next might meet, impossible not to think differently about children caught in conflict.”—The Washington Post
This unique boxed set provides the complete story of World War II through the unique format of a day-by-day approach.
"Often told in the performers' own words, When the Stars Went to War is the story of Douglas Fairbanks, Jr., Jimmy Stewart, Clark Gable, Henry Fonda, and the other leading men who went into combat. It is the story of Carole Lombard, Bette Davis, Groucho Marx, Jimmy Cagney, Greer Garson, and a host of others who raised millions for the war effort by selling bonds, and of such luminaries as Marlene Dietrich, Mickey Rooney, Bob Hope, Bing Crosby, and Jack Benny, who put themselves in considerable danger entertaining troops at the front." "And, of course, it is the story of the ones who stayed behind: those who tried to enlist and were turned down, those who were given cushy home-front jobs, those who passed the time having love affairs with the spouses or lovers of fellow actors who had gone to war - the hardworking and the guilt-ridden." "Perhaps the stars' most important contribution to the war effort was the films they made, films that kept up morale and inspired America's fighting men. As one young G.I. put it, "Somehow it's better to be fighting for Lana Turner than it is to be fighting the Great Reich ... because she is all our girls rolled into one.""--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved