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"Edwardian childhoods looks into the distant, vivid and often magical world of children before the great war. Thea Thompson presents, in their own words, the memories of nine Edwardian children whose early lives spanned the whole range of a British society, from some of the poorest families in the slums of London or in the poverty of the English countryside to the daughter of a leading society hostess. We see the adult world, of The Edwardian ladies and Gentlemen through the sharp eyes of a child. This book is authentic voice of their experience and reveals many qualities of childhood now reminiscent of a vanished world. It is fully illustrated with their own photographs and presents a refreshing and unexpected view of the Edwardian world."--Jacket
The first book-length look at childhood in Edwardian fiction, this book challenges assumptions that the Edwardian period was simply a continuation of the Victorian or the start of the Modern. Exploring both classics and popular fiction, the authors provide a a compelling picture of the Edwardian fictional cult of childhood.
Visits the carefree days of childhood during the "golden age" of the Edwardian period
Challenges conventional views of the Edwardian period as either a hangover of Victorianism or a bystander to literary modernism In this ground-breaking study, Jonathan Wild investigates the literary history of the Edwardian decade. This period, long overlooked by critics, is revealed as avibrant cultural era whose writers were determined to break away from the stifling influence of preceding Victorianism. In the hands of this generation, which included writers such as Arnold Bennett, Joseph Conrad, E. M. Forster, Beatrix Potter, and H. G. Wells, the new century presented a uniqueopportunity to fashion innovative books for fresh audiences. Wild traces this literary innovation by conceptualising the focal points of his study as branches of one of the new department stores that epitomized Edwardian modernity. These "departments" - war and imperialism, the rise of the lowermiddle class, children's literature, technology and decadence, and the condition of England - offer both discrete and interconnected ways in which to understand the distinctiveness and importance of the Edwardian literary scene.Overall, The Great Edwardian Emporium offers a long-overdue investigation into a decade of literature that provided the cultural foundation for the coming century.
From the renowned author of Possession, The Children’s Book is the absorbing story of the close of what has been called the Edwardian summer: the deceptively languid, blissful period that ended with the cataclysmic destruction of World War I. In this compelling novel, A.S. Byatt summons up a whole era, revealing that beneath its golden surface lay tensions that would explode into war, revolution and unbelievable change — for the generation that came of age before 1914 and, most of all, for their children. The novel centres around Olive Wellwood, a fairy tale writer, and her circle, which includes the brilliant, erratic craftsman Benedict Fludd and his apprentice Phillip Warren, a runaway from the poverty of the Potteries; Prosper Cain, the soldier who directs what will become the Victoria and Albert Museum; Olive’s brother-in-law Basil Wellwood, an officer of the Bank of England; and many others from every layer of society. A.S. Byatt traces their lives in intimate detail and moves between generations, following the children who must choose whether to follow the roles expected of them or stand up to their parents’ “porcelain socialism.” Olive’s daughter Dorothy wishes to become a doctor, while her other daughter, Hedda, wants to fight for votes for women. Her son Tom, sent to an upper-class school, wants nothing more than to spend time in the woods, tracking birds and foxes. Her nephew Charles becomes embroiled with German-influenced revolutionaries. Their portraits connect the political issues at the heart of nascent feminism and socialism with grave personal dilemmas, interlacing until The Children’s Book becomes a perfect depiction of an entire world. Olive is a fairy tale writer in the era of Peter Pan and Kenneth Grahame’s The Wind In the Willows, not long after Alice’s Adventures in Wonderland. At a time when children in England suffered deprivation by the millions, the concept of childhood was being refined and elaborated in ways that still influence us today. For each of her children, Olive writes a special, private book, bound in a different colour and placed on a shelf; when these same children are ferried off into the unremitting destruction of the Great War, the reader is left to wonder who the real children in this novel are. The Children’s Book is an astonishing novel. It is an historical feat that brings to life an era that helped shape our own as well as a gripping, personal novel about parents and children, life’s most painful struggles and its richest pleasures. No other writer could have imagined it or created it.
Childhood in Edwardian Fiction: Worlds Enough and Time is the first book-length treatment of childhood in Edwardian fiction (1901-1914). Challenging common assumptions that the Edwardian period was simply a continuation of the Victorian or the start of the Modern, the collection reveals Edwardian fiction as fascinatingly distinctive, especially in its portrayal of childhood. Conceptions of childhood underwent a cultural seachange in the Edwardian period, seeing the child become central to 'childhood' and childhood central to the Zeitgeist in a way that had not been seen previously and would not endure in the same way after the outbreak of World War I. Gathering international expertise, the volume interweaves studies of single authors with analysis of themes, genres and trends across the period. Innovatively exploring both children's literature and literature for adults, both classics and popular fiction, the collection provides a comprehensive and compelling picture of the Edwardian fictional cult of childhood.
This book is a collection of Edwardian childhood memories, including unique paintings, drawings and poems. All created by author Cerita Stanley-Little over her lifetime: Inherited, collected and edited by her daughter Clarissa Lablache Cheer: In a series of recollections, her story vividly portrays in detail, the fears and actions of a small child, and how she rebelled against the oppressive middle class family upbringing in England, before World War I began and tore apart their orderly lives. The author looks back into reflections of memory, of the human condition in her family upbringing, and plunges us deep into the heart of an Edwardian child, and life where children were still brought up under strict Victorian discipline. Later in life when nostalgia engulfed her, she liked to remember the softer familiar Edwardian world she knew, where time stood still, and her imagination ran wild creating fantasy stories and pictures.