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Musical Theatre: A History is a new revised edition of a proven core text for college and secondary school students – and an insightful and accessible celebration of twenty-five centuries of great theatrical entertainment. As an educator with extensive experience in professional theatre production, author John Kenrick approaches the subject with a unique appreciation of musicals as both an art form and a business. Using anecdotes, biographical profiles, clear definitions, sample scenes and select illustrations, Kenrick focuses on landmark musicals, and on the extraordinary talents and business innovators who have helped musical theatre evolve from its roots in the dramas of ancient Athens all the way to the latest hits on Broadway and London's West End. Key improvements to the second edition: · A new foreword by Oscar Hammerstein III, a critically acclaimed historian and member of a family with deep ties to the musical theatre, is included · The 28 chapters are reformatted for the typical 14 week, 28 session academic course, as well as for a two semester, once-weekly format, making it easy for educators to plan a syllabus and reading assignments. · To make the book more interactive, each chapter includes suggested listening and reading lists, designed to help readers step beyond the printed page to experience great musicals and performers for themselves. A comprehensive guide to musical theatre as an international phenomenon, Musical Theatre: A History is an ideal textbook for university and secondary school students.
Language "Appealing As Sunlight After a Storm." A sentence should read as if its author, had he held a plough instead of a pen, could have drawn a furrow deep and straight to the end. —Henry David Thoreau Prose consists of ... phrases tacked together like the sections of a prefabricated hen-house. —George Orwell Whether it invokes hard work or merely a hen-house, a good simile is like a good picture—it's worth a thousand words. Packed with more than 16,000 imaginative, colorful phrases—from “abandoned as a used Kleenex” to “quiet as an eel swimming in oil”—the Similes Dictionary will help any politician, writer, or lover of language find just the right saying, be it original or banal, verbose or succinct. Your thoughts will never be "as tedious as a twice-told tale" or "dry as the Congressional Record." Choose from elegant turns of phrases “as useful as a Swiss army knife” and “varied as expressions of the human face”. Citing more than 2,000 sources—from the Bible, Socrates, Shakespeare, Mark Twain, and H. L. Mencken to popular movies, music, and television shows—the Similes Dictionary covers hundreds of subjects broken into thematic categories that include topics such as virtue, anger, age, ambition, importance, and youth, helping you find the fitting phrase quickly and easily. Perfect for setting the atmosphere, making a point, or helping spin a tale with economy, intelligence, and ingenuity, the vivid comparisons found in this collection will inspire anyone. Love comforteth like sunshine after rain. —William Shakespeare A face like a bucket —Raymond Chandler A man with little learning is like the frog who thinks its puddle a great sea. —Burmese proverb Peace, like charity, begins at home —Franklin Delano Roosevelt You know a dream is like a river ever changing as it flows. —Garth Brooks Fit as a fiddle —John Ray’s Proverbs He's not to be allowed to fall into his grave like an old dog. —Arthur Miller Ring true, like good china. —Sylvia Plath Music yearning like a God in pain —John Keats Busy as a one-legged man in an ass-kicking contest. —Pat Conroy Enduring as mother love —Anonymous
Who is Mr. Sammler? A Jewish intellectual educated in Western philosophy, a one-eyed Holocaust survivor, the future author of the greatest biography ever written of H.G. Wells ... or merely the trusted confidant of countless eccentric New Yorkers, a "registrar of follies"? Through the chaotic streets of the Upper West Side old Artur Sammler paces, meditating on the human condition; attentive to everything and appalled by nothing; haunted by his past, present, and future. His world seems on the brink of apocalypse; both the recent moon landing and the death of his beloved benefactor have him furiously speculating on the end. With his inimitable tragicomic mastery Saul Bellow delves once again, and the reader with him, into a contemporary and chaotic universe in which the most profound reflections on the meaning of life mingle with the absurd, histrionic, endless minutiae of the every day.
"Life was good, and promising to get ever better for the recently married Dreifuss couple and their young daughter, Alice, living in rural southwest Germany. Then HItler came to power, and their world turned upside down. This vivid biography deals with one of the transforming events of the twentieth century. As happened throughout Germany during the eight years that served as a prelude to the Holocaust, the Nazis turned the Dreifuss family members from valued friends and colleagues of their fellow villagers into an isolated, demonized minority. Even as a small child, Alice felt the impact of Nazi anti-semitism. More importantly, this story shows how strength of spirit and faith enabled the family to remain optimistic and resilient during their struggle to leave Germany and to make new lives for themselves in America"--Page 4 of cover
Spring Awakening is an extraordinary new rock musical with book and lyrics by Steven Sater and music by Grammy Award-nominated recording artist Duncan Sheik. Inspired by Frank Wedekind's controversial 1891 play about teenage sexuality and society's efforts to control it, the piece seamlessly merges past and present, underscoring the timelessness of adolescent angst and the universality of human passion.
When he visited Israel in 1975, Saul Bellow kept an account of his experiences and impressions. It grew into an impassioned and thoughtful book. As he wryly notes, "If you want everyone to love you, don't discuss Israeli politics." But discuss them is very much what he does. Through quick sketches and vignettes, Bellow evokes places, ideas, and people, reaching a sharp picture of contemporary Israel. The reader is offered a wonderful panorama of an ancient and modern world city. Like every other visitor to Israel, Bellow tumbles into "a gale of conversation." He loves it and he makes the reader feel at home. Bellow delights in the liveliness, the gallantry of Israeli life: people on the edge of history, an inch from disaster, yet brimming with argument and words. He delights not in tourist delusions but with a tough critical spirit: his Israel is pocked with scars and creases, and all the more attractive for it. Simply as a travel book, the reader finds remarkable descriptions, such as one in which Bellow finds "the melting air" of Jerusalem pressing upon him "with an almost human weight" Something intelligible is communicated by the earthlike colors of this most beautiful of cities. The impression that Bellow offers is that living in Israel must be as exhausting as it is exciting: a murderous barrage on the nerves. Israel, he writes, "is both a garrison state and a cultivated society, both Spartan and Athenian. It tries to do everything, to make provisions for everything. All resources, all faculties are strained. Unremitting thought about the world situation parallels the defense effort." Jerusalem's people are actively and individually involved in universal history. Bellow makes you share in the experience.
The author of the award-winning The Man in the White Sharkskin Suit—hailed by the New York Times book review as a “crushing, brilliant book”—returns with this, the extraordinary follow-up memoir In The Man in the White Sharkskin Suit, Lucette Lagnado offered a heartbreaking portrait of her father, Leon, a successful Cairo boulevardier who was forced to take flight with his family during the rise of the Nasser dictatorship, and of her family’s struggle to rebuild a new life in a new land. In this much-anticipated new memoir, Lagnado tells the story of her mother, Edith, coming of age in a magical old Cairo of dusty alleyways and grand villas inhabited by pashas and their wives. Then Lagnado revisits her own early years in America—first, as a schoolgirl in Brooklyn’s immigrant enclaves, where she dreams of becoming the fearless Mrs. Emma Peel of The Avengers, and later, as an “avenging” reporter for some of America’s most prestigious newspapers. A stranger growing up in a strange land, when she turns sixteen Lagnado’s adolescence is further complicated by cancer. Its devastating consequences would rob her of her “arrogant years”—the years defined by an overwhelming sense of possibility, invincibility, and confidence. Lagnado looks to the women sequestered behind the wooden screen at her childhood synagogue, to the young coeds at Vassar and Columbia in the 1970s, to her own mother and the women of their past in Cairo, and reflects on their stories as she struggles to make sense of her own choices.
The human eye is only capable of detecting a miniscule percentage of the electromagnetic spectrum; we call this visible light. It is this limited perception that has defined our very reality as a species. Second Sight is the story of a brilliant young scientist who develops the nano-technology to cure blindness. He could never have prepared for the betrayal and intrigue that befell him, nor could he have foreseen the hidden agendas that lay waiting in the shadows. Michael Rose's synchronistic journey into the realms of possibility would not only leave him questioning his own sanity, but the very nature of existence itself. Neither he nor his nefarious benefactors stopped to ask: if this nano-technology could enhance the function of the human eye, what else would it see?