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"In The World of Franz Kafka, Professor J.P. Stern, the internationally respected critic and historian of modern German literature, brings together a number of writings on widely varying aspects of Kafka's life, work and milieu, most of them specially commissioned for this volume. The book is divided into three parts: the first is biographical, covering such topics as the social and cultural environment of Prague in the last years of the Habsburg Empire; Kafka's own Jewish background and problematic family life; his mysterious unfulfilled relationships with women; and it includes reminiscences, some never before published in English. In the second section of the book Martin Walser, Frank Kermode, Erich Heller, Walter Sokel, Anthony Thorlby, and others deal with the literary problems of interpreting Kafka's work, while the concluding part of the book contains fictional or semi-fictional pieces by writers like Roy Fuller, Philip Roth, and D.J. Enright that were inspired by Kafka and in their turn shed fresh light on him"--Jacket.
A comprehensive and interpretative biography of Franz Kafka that is both a monumental work of scholarship and a vivid, lively evocation of Kafka's world.
DIV Franz Kafka was the poet of his own disorder. Throughout his life he struggled with a pervasive sense of shame and guilt that left traces in his daily existence—in his many letters, in his extensive diaries, and especially in his fiction. This stimulating book investigates some of the sources of Kafka’s personal anguish and its complex reflections in his imaginary world. In his query, Saul Friedländer probes major aspects of Kafka’s life (family, Judaism, love and sex, writing, illness, and despair) that until now have been skewed by posthumous censorship. Contrary to Kafka’s dying request that all his papers be burned, Max Brod, Kafka’s closest friend and literary executor, edited and published the author’s novels and other works soon after his death in 1924. Friedländer shows that, when reinserted in Kafka’s letters and diaries, deleted segments lift the mask of “sainthood� frequently attached to the writer and thus restore previously hidden aspects of his individuality. /div
"Brings together, for the first time in English, Kafka's most interesting professional writings, composed during his years as a high-ranking lawyer with the largest Workmen's Accident Insurance Institute in the Czech Lands of the Austro-Hungarian Empire"--Publisher marketing.
In this, his seventh poetry collection, Emery George pays homage to one of the storytellers who has most urgently addressed our age. Arranged in three parts, the poems celebrate Prague (Oh City, City ), Kafka and his circle (Frantiek), and selected stories (Tales of the Frightened Imagination). The Prague of Kafka's day was one of Europe's most beautiful cities. For Kafka it was a place to try to escape from. He felt claustrophobic there, and yearned for the open spaces of travel. He seems to have felt that the ancient and ornate buildings were like people: forbidding, staring, incommunicado.
“Refreshingly factual. . . . Here prophet Kafka and quotidian Kafka are not in conflict.” —Zadie Smith, New York Review of Books Franz Kafka is the voice of the outsider at once defined by its affiliations and completely, utterly alone. He was a Jew among Christians, a nonobservant Jew among believers. Louis Begley, himself a multilingual exile and, like Kafka, a lawyer and writer, renders Kafka’s life with sensitivity and insight.
A new selection of Franz Kafka’s shorter fiction and nonfiction work, selected and with a preface by Book of Numbers author Joshua Cohen. “Being asked to write about Kafka is like being asked to describe the Great Wall of China by someone who’s standing just next to it. The only honest thing to do is point.” —Joshua Cohen, from his foreword to He: Shorter Writings of Franz Kafka This is a Kafka emergency kit, a congregation of the brief, the minor works that are actually major. Joshua Cohen has produced a frame that refuses distinctions between what is a story, a letter, a workplace memo, and a diary entry, also including popular favorites like The Bucket Rider, The Penal Colony, and The Burrow. Here we see Kafka’s preoccupations in writing about animals, messiah variations, food, and exercise, each in his signature style. Cohen’s selection emphasizes the stately structure of utterly coherent logic within an utterly incoherent and illogical world, showing how Kafka harnessed the humblest grammar to metamorphic power, until the predominant effect ceases to be the presence of an unreliable narrator but the absence of the universe’s only reliable narrator—God.
Accessible essays place Kafka in historical, political and cultural context, providing new and often unexpected perspectives on his works.
Franz Kafka, the author has very nicely narrated the story of Gregou Samsa who wakes up one day to discover that he has metamorphosed into a bug. The book concerns itself with the themes of alienation and existentialism. The author has written many important stories, including ‘The Judgement’, and much of his novels ‘Amerika’, ‘The Castle’, ‘The Hunger Artist’. Many of his stories were published during his lifetime but many were not. Over the course of the 1920s and 30s Kafka’s works were published and translated instantly becoming landmarks of twentieth-century literature. Ironically, the story ends on an optimistic note, as the family puts itself back together. The style of the book epitomizes Kafka’s writing. Kafka very interestingly, used to present an impossible situation, such as a man’s transformation into an insect, and develop the story from there with perfect realism and intense attention to detail. The Metamorphosis is an autobiographical piece of writing, and we find that parts of the story reflect Kafka’s own life.