Download Free The World Of Earl Hines Book in PDF and EPUB Free Download. You can read online The World Of Earl Hines and write the review.

In this richly detailed and prodigiously researched book, jazz scholar and musician Ricky Riccardi reveals for the first time the genius and remarkable achievements of the last 25 years of Louis Armstrong’s life, providing along the way a comprehensive study of one of the best-known and most accomplished jazz stars of our time. Much has been written about Armstrong, but the majority of it focuses on the early and middle stages of his career. During the last third of his career, Armstrong was often dismissed as a buffoonish if popular entertainer. Riccardi shows us instead the inventiveness and depth of his music during this time. These are the years of his highest-charting hits, including “Mack the Knife” and “Hello, Dolly"; the famed collaborations with Ella Fitzgerald and Duke Ellington; and his legendary recordings with the All Stars. An eminently readable and insightful book, What a Wonderful World completes and enlarges our understanding of one of America’s greatest and most beloved musical icons.
Presents profiles of eighty-eight jazz pianists, from Jelly Roll Morton, born in New Orleans in 1890, to Wisconsin's Geoff Keezer, born in 1970, with interviews and critiques, photographs, and a sampler CD.
A collection of essays originally appearing principally in the New Yorker.
The richest place in America's musical landscape is that fertile ground occupied by jazz. Scott DeVeaux takes a central chapter in the history of jazz—the birth of bebop—and shows how our contemporary ideas of this uniquely American art form flow from that pivotal moment. At the same time, he provides an extraordinary view of the United States in the decades just prior to the civil rights movement. DeVeaux begins with an examination of the Swing Era, focusing particularly on the position of African American musicians. He highlights the role played by tenor saxophonist Coleman Hawkins, a "progressive" committed to a vision in which black jazz musicians would find a place in the world commensurate with their skills. He then looks at the young musicians of the early 1940s, including Charlie Parker, Dizzy Gillespie, and Thelonious Monk, and links issues within the jazz world to other developments on the American scene, including the turmoil during World War II and the pervasive racism of the period. Throughout, DeVeaux places musicians within the context of their professional world, paying close attention to the challenges of making a living as well as of making good music. He shows that bebop was simultaneously an artistic movement, an ideological statement, and a commercial phenomenon. In drawing from the rich oral histories that a living tradition provides, DeVeaux's book resonates with the narratives of individual lives. While The Birth of Bebop is a study in American cultural history and a critical musical inquiry, it is also a fitting homage to bebop and to those who made it possible.
“The early years of Sarah Vaughan’s career coincided with the waning of the swing era, and this biography shows how the change both fuelled and limited her career.” — The New Yorker “Queen of Bebop explores the hard choices of many a jazz singer when rock ‘n roll began stealing audience focus, relying on a variety of performers to shed light on Vaughan’s mindset. A welcome and well-researched accounting of Vaughan’s life story. ” — NPR.org “Necessary and exciting. . . . Queen of Bebop models a way of understanding the lives and artistry of jazz musicians — one that establishes their importance and centrality in creating the best that America has offered the world.” — Washington Post “Elaine Hayes’ vivid portrait of Sarah Vaughan’s life, times, and indelible musical legacy reveals why she was indeed called The Divine One.” — New York Journal of Books “As a biographer, Hayes strikes a difficult balance between discussing Vaughan’s art and illuminating the tumultuous relationships of which Vaughan rarely spoke.” — Women’s Review of Books “A lively and moving portrait of the passionate and tenacious jazz singer. Hayes gracefully narrates Vaughan’s life… a detailed look at a fearless singer who constantly moved into new musical territories and left a legacy for younger musicians.” — Publishers Weekly, Starred Review “Hayes’ interviews with musicians, meticulous jazz history, incisive coverage of the ridiculous publicity campaigns the performer endured, and frank coverage of Vaughan’s emotionally and financially disastrous marriages and her repeated rising from the ashes cohere in a deeply illuminating and unforgettable biography of a true American master.” — Booklist, Starred Review “ an informative, meticulously researched biography. . . . a fine homage.” — emissourian.com “Inspiring. . . . traces Vaughan’s life and its intersection of music with race and gender.” — Library Journal “You may think you know Sarah Vaughan, but this book reveals how much you don’t. Queen of Bebop is a much-needed addition to music scholarship.” — Tammy Kernodle, author of Soul on Soul: The Life and Music of Mary Lou Williams “A richly contextualized and beautifully researched listening guide for the career of Sarah Vaughn. In respectfully treating Vaughn’s unflagging artistry, drive, and the social justice stakes involved in working within and against the new kinds of hit-making strategies and technologies, Hayes’ treatment lifts us beyond the bop/pop divide.” — Sherrie Tucker, author of Dance Floor Democracy “With an eye for detail and an ear for nuance, Elaine M. Hayes takes us on Vaughan’s journey from shy church girl to the sassy, masterful “musician’s singer” she became. This book is a must read for fans and scholars of the ‘Divine One’s’ singular contribution to American music.” — Guthrie P. Ramsey, author of The Amazing Bud Powell: Black Genius, Jazz History and the Challenge of Bebop and African American Music “Hayes brings to life the story of one of America’s most musically gifted, creative, intelligent, and productive women. An enticing and essential read for anyone drawn to the sounds of the inimitable Sarah Vaughan and what it meant to be strong, talented, beautiful, and black in 20th century America.” — Carol Ann Muller, author of Musical Echoes: South African Women Thinking in Jazz