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A Lambda Literary Awards Finalist Named one of the best books of 2017 by NPR's Book Concierge A revelatory narrative of the intersecting lives and works of revered authors Virginia Woolf, T. S. Eliot, E. M. Forster and D. H. Lawrence during 1922, the birth year of modernism The World Broke in Two tells the fascinating story of the intellectual and personal journeys four legendary writers, Virginia Woolf, T. S. Eliot, E. M. Forster, and D. H. Lawrence, make over the course of one pivotal year. As 1922 begins, all four are literally at a loss for words, confronting an uncertain creative future despite success in the past. The literary ground is shifting, as Ulysses is published in February and Proust’s In Search of Lost Time begins to be published in England in the autumn. Yet, dismal as their prospects seemed in January, by the end of the year Woolf has started Mrs. Dalloway, Forster has, for the first time in nearly a decade, returned to work on the novel that will become A Passage to India, Lawrence has written Kangaroo, his unjustly neglected and most autobiographical novel, and Eliot has finished—and published to acclaim—“The Waste Land." As Willa Cather put it, “The world broke in two in 1922 or thereabouts,” and what these writers were struggling with that year was in fact the invention of modernism. Based on original research, Bill Goldstein's The World Broke in Two captures both the literary breakthroughs and the intense personal dramas of these beloved writers as they strive for greatness.
Based on exclusive access to E. M. Forster's previously restricted diaries this scrupulously researched and sensitively written biography is the first to put the fact that he was homosexual back at the heart of his story.
"The Machine Stops" is a science fiction short story (12,300 words) by E. M. Forster. After initial publication in The Oxford and Cambridge Review (November 1909), the story was republished in Forster's The Eternal Moment and Other Stories in 1928. After being voted one of the best novellas up to 1965, it was included that same year in the populist anthology Modern Short Stories.[1] In 1973 it was also included in The Science Fiction Hall of Fame, Volume Two.The story, set in a world where humanity lives underground and relies on a giant machine to provide its needs, predicted technologies such as instant messaging and the Internet.
Half a century after his demise, and over a century after the publication of his first novel Where Angels Fear to Tread in 1905, E. M. Forster still remains within the scope of interest of readers and critics. His life and his works continue to stir emotions and raise questions concerning humanity, nationality, and world culture(s). However, the opinions vary as to the continuation of the interest in the writer and his works. Some see him and his novels as old-fashioned, while others, like Zadie Smith, find Forster inspiring and the ‘muddled’ protagonists of his books fascinating. Is the interest in this writer to continue, or is it doomed to gradual oblivion? What is there in his life and his stories that can make new generations want to reach out for his works and writings? To understand the place of the writer in the present world, one must look back to the beginnings of Forster’s career, as well as to the times in which he lived, commented on, and created in. This book discusses the presence and legacy of Forster in English literature and social history. Its double title reflects the duality of its content, with the book exploring Forster’s own works as well as the position of Forster and his oeuvre and the values he stood for within British and world culture(s). The book offers, therefore, a variety of new interpretations of a selection of well-known and culturally established works of the writer viewed against the findings of contemporary perspectives. It demonstrates how Forster’s novel, short stories, and non-fictional writings interfuse, affect, and re-shape the literary pieces of other writers.
William di Canzio’s Alec, inspired by Maurice, E. M. Forster’s secret novel of a happy same-sex love affair, tells the story of Alec Scudder, the gamekeeper Maurice Hall falls in love with in Forster’s classic, published only after the author's death. Di Canzio follows their story past the end of Maurice to the front lines of battle in World War I and beyond. Forster, who tried to write an epilogue about the future of his characters, was stymied by the radical change that the Great War brought to their world. With the hindsight of a century, di Canzio imagines a future for them and a past for Alec—a young villager possessed of remarkable passion and self-knowledge. Alec continues Forster’s project of telling stories that are part of “a great unrecorded history.” Di Canzio’s debut novel is a love story of epic proportions, at once classic and boldly new.
Heiko Zimmermann presents information about the life and works of English writer Edward Morgan Forster (1879-1970). Zimmermann offers access to a biographical sketch, a bibliography, a quiz, a message board, a chat room, and more.
E. M. Forster once described The Longest Journey as the book "I am most glad to have written." An introspective novel of manners at once comic and tragic, it tells of a sensitive and intelligent young man with an intense imagination and a certain amount of literary talent. He sets out full of hope to become a writer but gives up his aspirations for those of the conventional world, gradually sinking into a life of petty conformity and bitter disappointments. Penguin Random House Canada is proud to bring you classic works of literature in e-book form, with the highest quality production values. Find more today and rediscover books you never knew you loved.
From 1924, when E. M. Forster published "A Passage to India", until his death in 1970 at the age of 91, no new novel appeared, and yet by one of the great paradoxes of twentieth-century literature, his reputation and popularity continued to grow. Francis King examines every facet of Forster's intriguing personality, sympathetically probing the conflicts in his heredity between a raffish bohemianism and a staid respectability, and in his life between the demands of his sexual nature and the dominating power of his mother. Forster was a man whose gentle, self-deprecating manner concealed a singular toughness, resilience, and resolution, who was not slow to defend liberal causes wherever they were threatened. A compelling picture of Forster and his work emerges, with fascinating glimpses of the close friends who affected his emotional life and of the many personalities he encountered. -- From publisher's description.