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In a graduate student residence at Oxford University in the early 1990s, Kevin, an Irish Montrealer, meets Leon, a London Jew from a Communist family, and Alex, a Soviet defector’s son brought up in Toronto. When Alex begins to tutor a charming yet troubled upper-class English undergraduate, the dynamics in their conflicted three-way friendship culminate in Kevin and Leon playing a prank on Alex. The act’s disastrous outcome binds the three young men together emotionally even as it dispatches them on separate courses through the 1990s. Ranging from a precisely and ironically evoked Oxford, which parodies that of Evelyn Waugh’s Brideshead Revisited, to post-Referendum Montreal, war-ravaged former Yugoslavia, London, Moscow, Poland and Berlin, The World of After depicts the 1990s as an interlude of freedom and confused but enriching self-discovery between the rigidity of the Cold War and the stark divisions of the post-September 11, 2001 world. Kevin struggles to find love, recover a friendship he has betrayed and chart a world he no longer understands as Leon dodges his past and Alex descends into a criminal culture that leads to a confrontation with his own values.
The survivors of the angel apocalypse begin to scrape back together what's left of the modern world. When a group of people capture Penryn's sister Paige, thinking she's a monster, the situation ends in a massacre. Paige disappears. Humans are terrified. Mom is heartbroken. Penryn drives through the streets of San Francisco looking for Paige. Why are the streets so empty? Where is everybody? Her search leads her into the heart of the angels' secret plans, where she catches a glimpse of their motivations, and learns the horrifying extent to which the angels are willing to go.
Lola Leser was a privileged sixteen-year-old in 1939 when Germany invaded Poland. The horrors of the Holocaust overtook her almost immediately when she moved to Krakow, Poland. Today in her eighties, Lola still paints, is a successful artist, and she is the mother of three, grandmother of twelve, and the great-grandmother of thirty-six and still counting. This truly is her triumph and her final victory over Hitler and the Reich.
Technological progress has shifted scarcity for humanity. When we were foragers, food was scarce. During the agrarian age, it was land. Following the industrial revolution, capital became scarce. With digital technologies, scarcity is shifting once more. We need to figure out how to live in The World After Capital in which the only scarcity is our attention.
Cassie Forrest could almost believe life at Kingdom Come Farm is perfect, with Adrian and her friends at her side and spring on the way. The spring thaw also means millions of defrosting zombies, however, and if the past year has taught her anything, it is that life in this new world is highly imperfect. When Safe Zones throughout the country begin to disappear and the zombies at the fences grow in number, Cassie clings to the hope that if she has the people she loves most, it will be all right. But the highly imperfect world makes only one guarantee, zombies never die, never stop and are never satiated.
Weaving together science and storytelling, art and anthropology, Dewdney takes readers on a fascinating journey through the nocturnal realm. In twelve chapters corresponding to the twelve hours of night, he illuminates night's central themes, including sunsets, nocturnal animals, bedtime stories, festivals of the night, fireworks, astronomy, nightclubs, sleep and dreams, the graveyard shift, the art of darkness, and endless nights. With infectious curiosity, a lyrical, intimate tone, and an eye for nighttime beauties both natural and man-made, Christopher Dewdney paints a captivating portrait of our hours in darkness. Christopher Dewdney is the author of three books of nonfiction-Last Flesh, The Secular Grail, and The Immaculate Perception-as well as eleven books of poetry. A three-time nominee for Governor General's Awards and a first-prize winner of the CBC Literary Competition, Dewdney lives in Toronto, Ontario. "As you read these pages, your life will change, because the way you see half of it will change. The night we're all familiar with will emerge as a fresh thing, deeper, fuller, older, younger, more evocative, more intimate, larger, more spectacular and, yes, more magical, and much more thrilling."-Margaret Atwood, Globe and Mail "[A] felicitous literary gambol from dusk till dawn...Dewdney throws himself headlong into the deep pool of his subject."-Sue Halpern, Newsday "An enjoyable and instructive read."-Sven Birkerts, Boston Globe Also available: HC 1-58234-396-9 $24.95
From New York Times and USA Today bestselling author Jamie Thornton. Dessa has plans. She plans to stay out of trouble in the group home where she lives. She plans to work crazy hours at the grocery story to save for her own place. She plans to get her little brother back, soon, from his foster parents. But when a zombie apocalypse arrives, it wrecks all of Dessa’s plans. With the city falling into chaos, Dessa must use her street smarts to survive. Her only weapon against the zombies is a pillowcase of tuna cans. Her only allies are the other group home teens she doesn’t dare trust. And there’s only one plan left in the entire universe that matters. Find and save her brother before it’s too late. AFTER THE WORLD ENDS launches a new series in the same bestselling universe as ZOMBIES ARE HUMAN. New characters. New adventures. A thrilling zombie apocalypse awaits.
After the End of the World by Jonathan L. Howard brings the H.P. Lovecraft mythos into the twenty-first century. The Unfolded World is a bitter and unfriendly place for Daniel Carter and Emily Lovecraft. In this world, the Cold War never happened because the Soviet Union ceased to exist in 1941. In this world the Nazi Großdeutschland is the premier superpower, and is not merely tolerated but indulged because, in this world, the Holocaust happened behind the ruins of the Iron Curtain and consumed only Bolsheviks, Communists, and others the West was glad to see gone. In this world, there are monsters, and not all of them are human. But even in the Unfolded World, there are still bills to pay and jobs to do. Carter finds himself working for the German secret security service to uncover the truth behind a major scientific joint project that is going suspiciously well. The trail takes Lovecraft and him to a distant, abandoned island, and a conspiracy that threatens everything. To fight it, Lovecraft must walk a perilously narrow path between forbidden knowledge and soul-destroying insanity. Fortunately, she also has a shotgun.
From Simon & Schuster, The World After Oil is Bruce Nussbaum's exploration of the shifting axis of power wealth. As Bruce Nussbaum describes, in the race for the future, as the book makes clear, only those nations most capable of meeting the demands of the new age will realize its promise of wealth and power.
In April 1955, twenty-nine countries from Africa, Asia, and the Middle East came together for a diplomatic conference in Bandung, Indonesia, intending to define the direction of the postcolonial world. Representing approximately two-thirds of the world’s population, the Bandung conference occurred during a key moment of transition in the mid-twentieth century—amid the global wave of decolonization that took place after the Second World War and the nascent establishment of a new cold war world order in its wake. Participants such as Jawaharlal Nehru of India, Gamal Abdel Nasser of Egypt, Zhou Enlai of China, and Ahmed Sukarno of Indonesia seized this occasion to attempt the creation of a political alternative to the dual threats of Western neocolonialism and the cold war interventionism of the United States and the Soviet Union. The essays in this volume explore the diverse repercussions of this event, tracing the diplomatic, intellectual, and sociocultural histories that have emanated from it. Making a World after Empire consequently addresses the complex intersection of postcolonial history and cold war history and speaks to contemporary discussions of Afro-Asianism, empire, and decolonization, thus reestablishing the conference’s importance in twentieth-century global history. Contributors: Michael Adas, Laura Bier, James R. Brennan, G. Thomas Burgess, Antoinette Burton, Dipesh Chakrabarty, Julian Go, Christopher J. Lee, Jamie Monson, Jeremy Prestholdt, Denis M. Tull