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Stories in the realistic tradition of lives overlooked, voices unheard, and characters trying to overcome and transcend confining circumstances. In The World of a Few Minutes Ago, award-winning author Jack Driscoll renders ten stories from the point of view of characters aged fourteen to seventy-seven with a consistently deep understanding of each character's internal world and emotional struggles. All of the stories are set against the quiet, powerful northern Michigan landscape and share a sense of longing, amplified by the beautiful but often unforgiving surroundings. With keen attention to the nuances of his characters and their lives, Driscoll explores both their attachments to the past and their as-yet-unseen futures as he considers relationships between loves, old friends, and parents and their children. A twelve-year-old boy accompanies his father on a secret run to the slaughterhouse where he recently lost his job. A middle-aged divorcé waits to witness the execution of the man who murdered his daughter decades earlier. A seventy-seven-year-old man reassesses both his fifty-year marriage and his career as an AP war photographer. A sixteen-year-old girl drives through a snowstorm in a clandestine meeting with her driver's education instructor. A twentysomething couple breaks into houses to ignite the passion in their relationship. Each story is carefully crafted and lovingly delivered, as characters weigh their own feelings against their complicated perceptions of other people and the action swirling around them. Driscoll's Michigan shapes these people as surely as their grief and joy, as the setting often becomes a physical touchstone to which characters turn to navigate the immensity of the unknown universe. Few authors have the flexibility of voice and the emotional range and depth of Driscoll, who is at his best in this collection. Readers of fiction will enjoy The World of A Few Minutes Ago.
Being a celebrity publicist at a Los Angeles PR firm isn’t the glamour job Alex Davidson thought it would be. Her love life is zilch, her newest client—an actor fresh out of rehab—keeps hitting on her, and all she has in her refrigerator is a half-empty bottle of Pinot Grigio. But her wisecracking gay assistant and her spark plug of a best friend give her reasons for crawling out of bed in the morning (well, most of the time). Everything changes the day her firm is bought out by a rival agency and Alex finds her once secure job of wanly ministering to a roster of B-list celebrities suddenly at stake. It looks like Suzanne, Alex’s old boss and mentor, is being shown the door. And G, her new boss, wants bigger clients and more exposure. But certain things just don’t add up: Why did G refuse to help Suzanne when a big client—a hot Latina singer/actress hell-bent on world domination—decided to bolt from the firm? And why is he being so nice to Alex all of a sudden? Knowing that in Hollywood there are always strings attached, Alex does a little digging and uncovers a dirty scheme that, if brought to light, will rock the entertainment industry. Will the temptation to betray Suzanne and accept a lucrative offer from G be too powerful for Alex to ignore? Or can she save her job, keep her soul, and score a victory for women in Hollywood? So 5 Minutes Ago is a laugh-out-loud novel about one young woman’s attempt to make it in the shark-infested waters of Hollywood. Set in the sun-drenched L.A. of celebrity-magazine photo shoots, velvet-roped VIP parties, and red-carpet events, Hilary de Vries’s debut novel takes us on a wildly entertaining romp with enough juicy behind-the-scenes action to satisfy even the most insatiable celebraholic.
The debate between divine action, or faith, and natural selection, or science, is garnering tremendous interest. This book ventures well beyond the usual, contrasting American Protestant and atheistic points of view, and also includes the perspectives of Jews, Muslims, and Roman Catholics. It contains arguments from the various proponents of intelligent design, creationism, and Darwinism, and also covers the sensitive issue of how to incorporate evolution into the secondary school biology curriculum. Comprising contributions from prominent, award-winning authors, the book also contains dialogs following each chapter to provide extra stimulus to the readers and a full picture of this OC hotOCO topic, which delves into the fundamentals of science and religion."
Pyonghwa translates to English as peace and tranquility. The 12 Principles bring new understandings and enlightenments to ease lifes journey and to serve as a powerful yet comforting guide for every day and every moment of your experiences going forward. A fun, entertaining and easy read, each Principle is presented with memorable combinations of humor, insight, personal narratives and the collected wisdom of the ages. There are over 250 quotations of valuable perspectives, including everyone from Einstein, Disney, Gandhi, Shakespeare, Franklin, Lincoln, Kennedy and Mother Teresa, to Nin, Dyer, Forbes, Emerson, Aristophanes, Maher, and many more. Plus Zen, Buddhist, and Scottish proverbs, biblical citations, and original creations, including a direct quote from the Almighty, Here you go: Life! Lets see what you do with it. There are cultural references spanning the generations, with more than sixty movie associations, including the memorable lines of Eastwood, Elvis, Sinatra, Marx, Chaplin, Buehler, Master Oogway, Forrest Gump, Captain James T. Kirk, and more. Plus apt quotations from celebrities of all sorts, including Michael Jordan, Robin Williams, Carly Simon, Will Rogers, Bill Cosby, George Burns, Doris Day, Rod Stewart, Gary Larson, Peter Ustinov, Yogi Berra, and many more. In an increasingly complex, fast-changing and emotionally challenging world, pathways and perspectives for more peace and tranquility are needed more than ever. This book will guide you along a path that will bring you to the yin of greater optimism, inner calm, appreciation and understanding, while providing the yang of new opportunity to create and realize your own joyful being!
Over a longer period than I sometimes care to contemplate I have worked on possible-worlds semantics. The earliest work was in modal logic, to which I keep returning, but a sabbatical in 1970 took me to UCLA, there to discover the work of Richard Montague in applying possible-worlds semantics to natural lan guage. My own version of this appeared in Cresswell (1973) and was followed up in a number of articles, most of which were collected in Cresswell (1985b). A central problem for possible worlds semantics is how to accommodate propositional attitudes. This problem was addressed in Cresswell (1985a), and the three books mentioned so far represent a reasonably complete picture of my positive views on formal semantics. I have regarded the presentation of a positive view as more important than the criticism of alternatives, although the works referred to do contain many passages in which I have tried to defend my own views against those of others. But such criticism is important in that a crucial element in establishing the content of a theory is that we be able to evaluate it in relation to its com petitors. It is for that reason that I have collected in this volume a number of articles in which I attempt to defend the positive semantical picture I favour against objections and competing theories.
Since its publication in 1989, David Sanford's If P Then Q has become one of the most widely respected works in the field of conditionals. This new edition includes three new chapters, thus updating the book to take into account developments in the
Formal methods are changing how epistemology is being studied and understood. A Critical Introduction to Formal Epistemology introduces the types of formal theories being used and explains how they are shaping the subject. Beginning with the basics of probability and Bayesianism, it shows how representing degrees of belief using probabilities informs central debates in epistemology. As well as discussing induction, the paradox of confirmation and the main challenges to Bayesianism, this comprehensive overview covers objective chance, peer disagreement, the concept of full belief, and the traditional problems of justification and knowledge. Subjecting each position to a critical analysis, it explains the main issues in formal epistemology, and the motivations and drawbacks of each position. Written in an accessible language and supported study questions, guides to further reading and a glossary, positions are placed in an historic context to give a sense of the development of the field. As the first introductory textbook on formal epistemology, A Critical Introduction to Formal Epistemology is an invaluable resource for students and scholars of contemporary epistemology.
Melody has an answer, now, but to a question she never asked—a question she never imagined asking. And the whole world has seen what she has seen. Uncovering the truth is not the same as victory, though. She and her boyfriend remain on the run, in hiding from assassins and government conspirators, while the world comes to terms with its new reality. People and governments pick sides, and war begins to spread. Meanwhile, the mystery of the great AI remains. Melody and her allies refocus their efforts and restart the project to uncover the AI’s secrets. They try their best to keep the new operation hidden as the world crumbles, but their enemy is too powerful, its resources too great. When the attack comes, Melody learns the true cost of her convictions. Then she learns that she is able to pay it, and keep fighting. She is changing, now, becoming something new, a person she does not recognize. The few relationships she still has are fragmenting as she gives everything to the mission. Gone are her old comforts, replaced by the comfort of a gun, and the need to be stronger—physically stronger than she has ever been, especially when she finds herself trapped behind enemy lines. Nor is Melody the only one paying a price for conviction. Casualties are beginning to mount, the enemy is strong, and a key ally may be dying. Despite all the loss, though, the attacks and setbacks, Melody’s team is making progress, with the aid of the world’s coders and hackers. What is the purpose of the mysterious AI embedded in the global Internet? What is it doing? What is it looking for? Just a little more time is all they need, to deploy their new software on the most powerful supercomputers around the world, in hopes that they will be able to unlock the secrets of the AI. Their last hope is that if they can learn about the AI, they may learn something that will help them in the fight against an otherwise invincible enemy, before it’s too late.
Modal realism says that non-actual possible worlds and individuals are as real as the actual world and individuals. Takashi Yagisawa defends modal realism of a variety different from David Lewis's theory. The notion of reality is left primitive and sharply distinguished from that of existence, which is proposed as a relation between a thing and a domain. Worlds are postulated as modal indices for truth on a par with times, which are temporal indices for truth. Ordinary individual objects are conceived as being extended in spatial, temporal, and modal dimensions, and their transworld identity is explicated by the closest-continuer theory. Impossible worlds and individuals are postulated and used to provide accounts of propositions, belief sentences, and fictional discourse.