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Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
What's in a shadow? Menace, seduction, or salvation? Immaterial but profound, shadows lurk everywhere in literature and the visual arts, signifying everything from the treachery of appearances to the unfathomable power of God. From Plato to Picasso, from Rembrandt to Welles and Warhol, from Lord of the Rings to the latest video game, shadows act as central players in the drama of Western culture. Yet because they work silently, artistic shadows often slip unnoticed past audiences and critics. Conceived as an accessible introduction to this elusive phenomenon, Grasping Shadows is the first book that offers a general theory of how all shadows function in texts and visual media. Arguing that shadow images take shape within a common cultural field where visual and verbal meanings overlap, William Sharpe ranges widely among classic and modern works, revealing the key motifs that link apparently disparate works such as those by Fra Angelico and James Joyce, Clementina Hawarden and Kara Walker, Charles Dickens and Kumi Yamashita. Showing how real-world shadows have shaped the meanings of shadow imagery, Grasping Shadows guides the reader through the techniques used by writers and artists to represent shadows from the Renaissance onward. The last chapter traces how shadows impact the art of the modern city, from Renoir and Zola to film noir and projection systems that capture the shadows of passers-by on streets around the globe. Extending his analysis to contemporary street art, popular songs, billboards, and shadow-theatre, Sharpe demonstrates a practical way to grasp the "dark side" that looms all around us.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Excerpt from The World in the Stereoscope: A Series of Sketches, Original and Selected This book, with the illustrative apparatus accompanying it, aims to secure a new educational advantage by introducing into the school-room the systematic use of one of our most important and popular inventions. It is not intended to displace other school studies, but to increase their interest and usefulness. The book contains a large number of geographical descriptions which increase the interest in that study, especially as they are accompanied with picturesque and accurate views of the places described. The volume includes sketches of some of the most famous scenes of history, explaining photographs which, of themselves, would be attractive; thus it can readily be used to create more vivid ideas of historical places and events; yet it is not a mere dry chronicle of names and dates. Though it is not a mere school reader, perhaps its most profitable use will be found in the reading classes. Competent teachers will appreciate the difficulty of teaching pupils to read naturally and correctly those selections which are read merely for the sake of reading. It is a great gain to have the scholar interested in what he reads. The heavy, lifeless pronunciation of each word separately, without natural inflection, emphasis or connection, can be met best by arousing a new interest in the passage, thus making it something more than a mere collection of sentences to be pronounced correctly. This interest can not be more easily and fully awakened than by putting before the eye the very scenes, the actual places described in the reading lesson. Successful teachers attempt to do this by verbal descriptions, by question and answer and remark. But it can be done much better by letting the scholar examine the actual appearance of every place described in his lesson. This is what these selections, with their accompanying stereoscopic views, afford the teacher an opportunity of doing. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
When Eddy Hall receives five cards for his stereoscope, he and his sister, Eleanor, can't wait to see what exotic places they reveal maybe Stonehenge, or a centuries-old European cathedral. But instead, when they look through the stereoscope, Eddy and Eleanor see some very strange things. An odd-looking rope hangs from the sky down into every picture. A marmalade coloured cat that looks suspiciously like Herm, the family cat, also appears. And one picture looks like the front hall of their very own house! The images seem to be almost real, not just three-dimensional illusions. All it will take is one little tug on that rope to find out for sure ....
An Annotated Tour of the 1850s series of Stereo Photographs "Scenes in our Village" by T.R. WilliamsThis book is the perfect antidote to the stress of life in the 21st Century.It portrays the idyll of life in an 1850s village, "far from the sound of the train's whistle".The identity of the village was lost to the world for 150 years, and only by a miracle does this magical set of stereoscopic views survive, brought together for the very first time by Brian May and his co-author, photohistorian Elena Vidal. Their research is amazingly in-depth, but the book is utterly readable, and the pictures leap into glorious 3-D, viewed in the new focussing stereoscope which May has designed and produced, to bring the stereos to life, and then fold neatly into the slip-case of the book.The book gives an extraordinary insight into everyday village life at the time - with a woman at her spinning wheel, the blacksmith outside his smithy, three men at the grind stone sharpening a tool, the villagers in the fields, bringing in the harvest as well as often taking time to enjoy a good gossip. In every case the original verse which accompanied the view is reproduced. In addition, May and Vidal have researched and annotated all the views, revealing another layer of meaning, by exploring the history of these real characters, this idyllic village and its links with the present day. The result is a powerfully atmospheric and touching set of photographs." A Village Lost and Found brings master pioneering stereographer T. R. Williams's passionate life-work Scenes in Our Village to a new audience - in glorious 3-D, as never before.For an Electronic Press Kit for A Village Lost and Found click here