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In English for the first time: The pioneering Dadaist’s insights and remembrances of a lifetime working side-by-side with the leading modern artists of the twentieth century. Painter, filmmaker, writer, and teacher Hans Richter (1888–1976) was at the center of some of the most important movements in modernism, including Expressionism, Dadaism, Constructivism, and Surrealism. In contrast to the image of the lone artist creating in isolation, Richter’s long and prolific career was fueled by his encounters with others. With appearances by Calder, Cocteau, Duchamp, Eisenstein, Fellini, Höch, Kaprow, Malevich, Mondrian, Man Ray, and Tzara (to name just a few), Encounters from Dada till Today documents the collaborative aspirations of a generation of modern artists, as well as testifies to a lifetime of friendships forged in creativity. In Richter’s words, “the form, the content, and the occasion of each encounter commemorate the unrepeatable particular person, and give him the small eternity to which everyone is entitled.”
"Weinstein explores the attitudes and organizations of artists and architects in Berlin, Munich, and Dresden in response to the tumultuous events associated with the end of WWI and the (failed) Revolution. She traces the initial excitement and zeal and then the disillusionment as utopian dreams were dimmed by social, political, and military realities as well as by inherent contradiction within the arts movements itself. The accompanying b&w illustrations, fascinating in themselves, directly depict textual themes."—Booknews
Although Max Liebermann (1847–1935) began his career as a realist painter depicting scenes of rural labor, Dutch village life, and the countryside, by the turn of the century, his paintings had evolved into colorful images of bourgeois life and leisure that critics associated with French impressionism. During a time of increasing German nationalism, his paintings and cultural politics sparked numerous aesthetic and political controversies. His eminent career and his reputation intersected with the dramatic and violent events of modern German history from the Empire to the Third Reich. The Nazis’ persecution of modern and Jewish artists led to the obliteration of Liebermann from the narratives of modern art, but this volume contributes to the recent wave of scholarly literature that works to recover his role and his oeuvre from an international perspective.