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In the midst of a Victorian culture ingrained with strict social etiquette and societal norms, Wilkie Collins composed novels that contained asocial, even anarchic, impulses. A contemporary of Dickens, Collins creates a world more Kafkaesque than Dickensian, a world populated by doppelgangers, secret selves, oddballs, and grotesques. The essays of Reality's Dark Light: The Sensational Wilkie Collins purposefully work to expand Collins's legacy beyond The Woman in White and The Moonstone; they move well past the simplistic view of Collins's works as "sensation novels," "detective novels," or even "popular fiction," all labels that carry with them pejorative connotations. This collection represents the range of Collins's aesthetic project from various critical perspectives. New methodological and theoretical approaches are applied both to him most popular and to his lesser-known works, giving the reader a broader picture of this multifaceted and undervalued writer The Editors: Maria K. Bachman in an assistant professor of English at Coastal Carolina University. Her articles have appeared in Victorian Newsletter, Literature and Psychology, The Dickensian, and Dickens Studies Annual. Don Richard Cox is a professor of English and associate dean at the University of Tennessee. His books include Sexuality andVictorian Literature (Tennessee), Arthur Conan Doyle, and Charles Dickens's The Mystery of Edwin Drood: An Annotated Bibliography. He is the coeditor, with Maria Bachman, of an edition of Wilkie Collins's final novel, Blind Love
William Wilkie Collins (1824 - 1889) was an English novelist, playwright, and author of short stories. His best-known works are The Woman in White, The Moonstone, Armadale, and No Name. Collins was born into the family of painter William Collins in London. He received his early education at home from his mother. He then attended an academy and a private boarding school. He also traveled with his family to Italy and France, and learned the French and Italian languages. He served as a clerk in the firm of the tea merchants Antrobus & Co. His first novel Iolani, or Tahiti as It Was; a Romance, was rejected by publishers in 1845. His next novel, Antonina, was published in 1850. In 1851 he met Charles Dickens, and the two became close friends. A number of Collins's works were first published in Dickens's journals In this book: The Moonstone The woman in white After dark
The editors have transcribed 2,500 of Wilkie Collins's letters, around 700 of them previously unidentified, and have given them all a full scholarly annotation and context. The letters shed light on the personal life and business activities of this creative Victorian personality.