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From folk ballads to film scripts, this new five-volume encyclopedia covers the entire history of British literature from the seventh century to the present, focusing on the writers and the major texts of what are now the United Kingdom and the Republic of Ireland. In five hundred substantial essays written by major scholars, the Encyclopedia of British Literature includes biographies of nearly four hundred individual authors and a hundred topical essays with detailed analyses of particular themes, movements, genres, and institutions whose impact upon the writing or the reading of literature was significant.An ideal companion to The Oxford Encyclopedia of American Literature, this set will prove invaluable for students, scholars, and general readers.For more information, including a complete table of contents and list of contributors, please visit www.oup.com/us/ebl
Investigation of the Latin poetry produced by British poets from the sixteenth century onwards affords an indispensible insight into a dominant strand in the intellectual, cultural and educational life of the British Isles during this period. At this time, the composition of Latin poetry was a regular feature of school curricula and a popular leisure-time activity of the educated elite. Such examination also sheds light on the poetic principles and practice of major British poets (such as Campion, Cowley, Herbert and Milton) who penned a large quantity of neo-Latin verse in addition to their better-known vernacular works.
Music is performed, reproduced, and heard differently today as a result of twentieth-century technology. A new consideration of these changes is a practical and cultural necessity. In Conditions of Music, Alan Durant extends Deryck Cooke's Language of Music, placing the insights of Cooke into a much wider sociological and historical framework. Conditions of Music provides a basis for detailed commentary and criticism of music. Unlike literature and painting, around which illuminating critical techniques and theories have developed, little common ground exists for music criticism. The appraisal argument adopted here implies a major revision of accepted ways of thinking about contemporary directions of music.
A comprehensive companion to 'The Collected Works of Thomas Middleton', providing detailed introductions to and full editorial apparatus for the works themselves as well as a wealth of information about Middleton's historical and literary context.