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It would be easy for the modern reader to conclude that women had no place in the world of early modern espionage, with a few seventeenth-century women spies identified and then relegated to the footnotes of history. If even the espionage carried out by Susan Hyde, sister of Edward Hyde, Earl of Clarendon, during the turbulent decades of civil strife in Britain can escape the historiographer's gaze, then how many more like her lurk in the archives? Nadine Akkerman's search for an answer to this question has led to the writing of Invisible Agents, the very first study to analyse the role of early modern women spies, demonstrating that the allegedly-male world of the spy was more than merely infiltrated by women. This compelling and ground-breaking contribution to the history of espionage details a series of case studies in which women -- from playwright to postmistress, from lady-in-waiting to laundry woman -- acted as spies, sourcing and passing on confidential information on account of political and religious convictions or to obtain money or power. The struggle of the She-Intelligencers to construct credibility in their own time is mirrored in their invisibility in modern historiography. Akkerman has immersed herself in archives, libraries, and private collections, transcribing hundreds of letters, breaking cipher codes and their keys, studying invisible inks, and interpreting riddles, acting as a modern-day Spymistress to unearth plots and conspiracies that have long remained hidden by history.
This is the very first study made in depth and detail of over forty Anglican preachers in the Golden Age of the English Pulpit. There have been individual studies of the sermons of Donne and Andrewes, but none of the metaphysical preachers as a whole. It is the aim of this book to introduce to the reader some of the less familiar preachers: men such as John Hacket and Ralph Brownrig, Calvinist preachers in the metaphysical style such as the Elizabethan Henry Smith (known as silver-tongued for his oratory), or Thomas Adams, who was styled the prose Shakespeare of Puritan theologians. These men, and others, were widely admired in their day and, in many cases, their contemporary popularity challenged that even of Donne. This study provides explanations for the popularity of the metaphysical style, and incidentally proves untenable the stereotype that all the metaphysical preachers were of the Arminian persuasion, since a fair proportion of the group were Calvinists who rejected the Puritan plain style in favor of a metaphysical mode of expression. One explanation of the popularity of this style for a period of some fifty years is that practically every metaphysical divine was also a poet, and that daring imagery, wit, and arcane knowledge were the chief differentia of this style of poetry. Furthermore, James I and Charles I were great admirers of wit and learning. They chose royal chaplains for these qualities: learning made them good apologists, and their wit kept the captive congregations at court intrigued. Equal attention is given to the biographies of the preachers, the themes of their sermons, and the techniques of preaching and sermon construction, with separate chapters on learning and eloquence, wit and imagery, and the uses to which they were put. The result is a full picture of the group of seventeenth-century divines who preached like angels from a cloud.