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Hary's Wallace is a compelling assertion of Scottish medieval national identity, drawing on tropes of blood and faith; it is the ultimate source for Braveheart.
Today, popular imagination peoples the Middle Ages with damsels in distress and knights riding to their rescue. Of such knights, King Arthur and his companions are the most celebrated. It is certainly true that this is the time when the Arthurian story took shape and Arthurian literature flourished, and that most medieval historians included him in their histories of Britain, though some did so with a considerable degree of scepticism. But how widely was this literature known in its own day? How much credence did people generally place in this king who supposedly once ruled England? To answer these questions, Christopher Dean looks at medieval and Renaissance Arthurian literature in detail, and also examines contemporary chronicles and histories, chivalric theory and practice, popular myths and legends, folk-lore and place-names. The result is to show dramatically that Arthur was not at all as well known as popular belief today fancies. As a historical figure he was early discredited; had it not been for his artificial revival by the Tudor monarchy and the furor caused by the attack upon him by the 'foreigner' Polydore Vergil, which incensed many patriotic Englishmen, his credibility might have disappeared much sooner than it did. Except for Malory's work, medieval Arthurian literature, which often exists in no more than single manuscripts, did not have large audiences. And after 1500, only Edmund Spenser and Thomas Hughes attempted to write seriously on Arthurian themes. Among the ordinary citizens of England, Arthur was hardly known at all, any popular knowledge of him being almost entirely restricted to Wales, Devon, and Cornwall. Elsewhere in Britain the much more familiar figure was Robin Hood. For all the strength of the Arthurian legend as the ultimate medieval knight, he is essentially a modern hero.
"The Renaissance in Scotland" contains original essays on the following topics of cultural history: literature; manuscripts and printed books; libraries; law; universities; music; education; social, political and ecclesiastical history. It offers fresh interpretations of many aspects of the age of humanism and reform, as this impinged on Scotland.
James V suffered the fate of many a son of a famous father in being somewhat overshadowed not only by his father James IV but also by his internationally renowned daughter Mary Queen of Scots. But no-one would deny the importance of his reign, embracing as it did the establishment of the Court of Session, the birthpangs of religious dissent, and the growth of royal power to such a remarkable extent that this king could leave his kingdom for nine months in 1536-7 without fear of rebellion. Jamie Cameron concentrates on James V's style of government and relations with his nobility, and challenges the widely held view of a vindictive and irrational king, motivated largely by greed, who antagonised most of his leading magnates and met his just deserts when they refused to support him in 1542. This book offers a different view, and presents us with a rounded picture of a king whose approach to government, in spite of some personal defects, closely resembles that of his supposedly more popular father; and, like James IV himself, retained impressive magnate support to the end of his reign.
This text challenges the accepted view of the Reformation as taking different courses in England and Scotland. Instead Clare Kellar illuminates the dynamic religious interplay between the neighbouring realms, and shows how the processes of reform were thoroughly intertwined.
The drama of the English Middle Ages is perennially popular with students and theatre audiences alike, and this is an updated edition of a book which has established itself as a standard guide to the field. The Cambridge Companion to Medieval English Theatre, second edition continues to provide an authoritative introduction and an up-to-date, illustrated guide to the mystery cycles, morality drama and saints' plays which flourished from the late fourteenth to the mid-sixteenth centuries. The book emphasises regional diversity in the period and engages with the literary and particularly the theatrical values of the plays. Existing chapters have been revised and updated where necessary, and there are three entirely new chapters, including one on the cultural significance of early drama. A thoroughly revised reference section includes a guide to scholarship and criticism, an enlarged classified bibliography and a chronological table.