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The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. This third edition of Julius Caesar retains the text prepared by Marvin Spevak for the 1988 first edition and features a completely new introduction by Jeremy Lopez. Discussing in detail the play's strange and innovative form, Lopez explores the interpretive challenges Julius Caesar has presented to audiences, scholars and theatre companies from Shakespeare's time to our own. The textual commentary has been revised and updated with an eye, and ear, to the contemporary student reader, and the list of further readings has been updated to reflect the latest developments in scholarly criticism. The edition concludes with an Appendix containing relevant excerpts from Shakespeare's main source in Plutarch.
The emphasis of this book is that each of Shakespeare's tragedies demanded its own individual form and that although certain themes run through most of the tragedies, nearly all critics refrain from the attempt to apply external rules to them.
Argument was the basis of Renaissance education; both rhetoric and dialectic permeated early modern humanist culture, including drama. This study approaches Shakespeare's history plays by analyzing the use of argument in the plays and examining the importance of argument in Renaissance culture. Knowles shows how analysis of arguments of speech and action take us to the core of the plays, in which Shakespeare interrogates the nature of political morality and truth as grounded in the history of what men do and say.