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Soren Kierkegaard was a Danish philosopher, theologian, literary stylist and social critic. Born in 1813 in Copenhagen, his philosophical work addressed living as a single individual and the importance of personal choice. A famously fierce critic of the idealist thinkers of his time, including Hegel, Goethe, and Hans Christian Anderson, he is regarded as the first existentialist philosopher, and his Fear and Trembling is one of the classics of modern philosophy. Here you will find insights from his greatest works, in the "Great Thinkers on Modern Life" series, which highlights ideas most relevant to ordinary, everyday dilemmas.
The wooden holiday cabin, or hytte, is a staple of Norwegian life. Robert Ferguson, author of Scandinavians, explores the significance of a national icon in this charming, affectionate history. Turf-roofed and wooden-built, offering fresh air, breathtaking views and peaceful isolation, the wooden cabin home – or hytte – is a crucial part of Norwegian national identity. In 2016, Robert Ferguson and his wife bought a piece of land high up in the Hardangervidda, and on it they built a cabin. As the cabin takes shape, Ferguson learns how native Norwegians have married a new-found urban affluence to their past as a tight-knit rural community-nation, and confronts his own ideas about the dream-tradition of the hytte, drawing an affectionate but unsentimental portrait of Norwegian culture, society and landscape. 'Singular and captivating: the pursuit of a dream' Professor John Carey 'Illuminating' TLS 'An uncompromising journey into the dark cold north, to reveal the warmth that comes from deep community bonds' Tim Ecott
If Robert Fergusson were to tell you a story, whether from a church platform or in the confines of the seat next to you on an airplane, you would undoubtedly listen - and undeniably be changed. Stories pass on gathered wisdom, they reveal much about a person's identity, convey responsibility, instil values and uncover truth. Â There is an art to storytelling, and priceless significance gained when you discern and absorb this age-old practise. In 'Are You Getting This?', discover the story telling method that has made Robert Fergusson a sought-after teacher, memorable preacher and incessant disciple of Jesus Christ. Rediscover a love for learning and teaching, the importance of impartation and the eternal truths found in the greatest story ever told.
The role of religion in early American literature has been endlessly studied; the role of the law has been virtually ignored. Robert A. Ferguson's book seeks to correct this imbalance. With the Revolution, Ferguson demonstrates, the lawyer replaced the clergyman as the dominant intellectual force in the new nation. Lawyers wrote the first important plays, novels, and poems; as gentlemen of letters they controlled many of the journals and literary societies; and their education in the law led to a controlling aesthetic that shaped both the civic and the imaginative literature of the early republic. An awareness of this aesthetic enables us to see works as diverse as Jefferson's Notes on the State of Virginia and Irving's burlesque History of New York as unified texts, products of the legal mind of the time. The Declaration of Independence, the Constitution, and the great political orations were written by lawyers, and so too were the literary works of Trumbull, Tyler, Brackenridge, Charles Brockden Brown, William Cullen Bryant, Richard Henry Dana, Jr., and a dozen other important writers. To recover the original meaning and context of these writings is to gain new understanding of a whole era of American culture. The nexus of law and letters persisted for more than a half-century. Ferguson explores a range of factors that contributed to its gradual dissolution: the yielding of neoclassicism to romanticism; the changing role of the writer; the shift in the lawyer's stance from generalist to specialist and from ideological spokesman to tactician of compromise; the onslaught of Jacksonian democracy and the problems of a country torn by sectional strife. At the same time, he demonstrates continuities with the American Renaissance. And in Abraham Lincoln he sees a memorable late flowering of the earlier tradition.
“An engaging, layered look into a culture complex enough both to produce stylish rain gear and to embrace the foul weather that necessitates it.” —The New York Times Book Review We fill our homes with Nordic furniture; we envy their humane social welfare system and healthy outdoor lifestyle; we devour their crime fiction. Even their strangely attractive melancholia seems to express a stoic, commonsensical acceptance of life’s vicissitudes. But how valid is this outsider’s view of Scandinavia, and how accurate is our picture of life in Scandinavia today? Scandinavians follows a chronological progression across the Northern centuries: the Vendel era of Swedish prehistory; the age of the Vikings; the Christian conversions of Denmark, Norway, Sweden and Iceland; the unified Scandinavian state of the late Middle Ages; the sea-change of the Reformation; the kingdom of Denmark-Norway; King Gustav Adolphus and the age of Sweden’s greatness; the cultural golden age of Ibsen, Strindberg, and Munch; the impact of the Second World War; Scandinavia’s postwar social democratic nirvana; and the terror attack of Anders Behring Breivik. Scandinavians is also a personal investigation, with award-winning author Robert Ferguson as the ideal companion as he explores not only the region’s society, politics, culture, and temperament, but also wide-ranging topics such as the power and mystique of Scandinavian women, from the Valkyries to the Vikings; from Nora and Hedda to Garbo and Bergman. “A delightful history in which the author truly captures ‘the soul of the North.’ ”—Kirkus Reviews
This concise literary history of the American Enlightenment captures the varied and conflicting voices of religious and political conviction in the decades when the new nation was formed. Robert Ferguson's trenchant interpretation yields new understanding of this pivotal period for American culture.
Robert A. Ferguson investigates the nature of loneliness in American fiction, from its mythological beginnings in Rip Van Winkle to the postmodern terrors of 9/11. At issue is the dark side of a trumpeted American individualism. The theme is a vital one because a greater percentage of people live alone today than at any other time in U.S. history. The many isolated characters in American fiction, Ferguson says, appeal to us through inward claims of identity when pitted against the social priorities of a consensual culture. They indicate how we might talk to ourselves when the same pressures come our way. In fiction, more visibly than in life, defining moments turn on the clarity of an inner conversation. Alone in America tests the inner conversations that work and sometimes fail. It examines the typical elements and moments that force us toward a solitary state—failure, betrayal, change, defeat, breakdown, fear, difference, age, and loss—in their ascending power over us. It underlines the evolving answers that famous figures in literature have given in response. Figures like Mark Twain’s Huck Finn and Toni Morrison’s Sethe and Paul D., or Louisa May Alcott’s Jo March and Marilynne Robinson’s John Ames, carve out their own possibilities against ruthless situations that hold them in place. Instead of trusting to often superficial social remedies, or taking thin sustenance from the philosophy of self-reliance, Ferguson says we can learn from our fiction how to live alone.
“An excellent workbook-like guide” to the nuts and bolts of professional conflict and the strategies you need to make conflict work for you (Booklist, starred review). Every workplace is a minefield of conflict, and all office tension is shaped by power. Making Conflict Work teaches you to identify the nature of a conflict, determine your power position relative to anyone opposing you, and use the best strategy for achieving your goals. These strategies are equally effective for executives, managers and their direct reports, consultants, and attorneys—anyone who has ever had a disagreement with someone in their organization. Packed with helpful self-assessment exercises and action plans, this book gives you the tools you need to achieve greater satisfaction and success. “A genuine winner.” —Robert B. Cialdini, author of Influence “This book is a necessity . . . Read it.” —Leymah Gbowee, 2011 Nobel Peace Prize laureate and Liberian peace activist “Innovative and practical.” —Lawrence Susskind, Program on Negotiation cofounder “Navigating conflict effectively is an essential component of leadership. Making Conflict Work illustrates when to compromise and when to continue driving forward.” —Hon. David N. Dinkins, 106th mayor of the City of New York “An excellent workbook-like guide.” —Booklist, starred review
Reading the Early Republic focuses attention on the forgotten dynamism of thought in the founding era. In every case, the documents, novels, pamphlets, sermons, journals, and slave narratives of the early American nation are richer and more intricate than modern readers have perceived. Rebellion, slavery, and treason--the mingled stories of the Revolution--still haunt national thought. Robert Ferguson shows that the legacy that made the country remains the idea of what it is still trying to become. He cuts through the pervading nostalgia about national beginnings to recapture the manic-depressive tones of its first expression. He also has much to say about the reconfiguration of charity in American life, the vital role of the classical ideal in projecting an unthinkable continental republic, the first manipulations of the independent American woman, and the troubled integration of civic and commercial understandings in the original claims of prosperity as national virtue. Reading the Early Republic uses the living textual tradition against history to prove its case. The first formative writings are more than sacred artifacts. They remain the touchstones of the durable promise and the problems in republican thought