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Raphael was for centuries considered the greatest artist who ever lived. Much of what we know about him comes from this biography, written by Florentine painter Giorgio Vasari. The Life of Raphael is a key text not only for the appreciation of Raphael's art--whose development Vasari portrays in detail--but also for its unprecedented attention to theoretical issues. This stand-alone edition of The Life of Raphael, published to coincide with a major exhibition of the artist's paintings and drawings at England's National Gallery, illuminates the entire span of Raphael's astonishing art.
Taking into consideration many of the questions asked by children--such as, Why do people die? and What is heaven like?--this book is based upon Maria Shriver's real-life experience of dealing with her own daughter's questions about death and loss.
The selection of drawings demonstrates how Raphael created a specific mode of visual invention and persuasive communication through drawing. He used drawing both as conceptual art (including brainstorming sheets) and as a practice based on attentive observation (such as drawing from the posed model). Yet Raphael's drawings also reveal how the process of drawing in itself, with its gestural rhythms and spontaneity, can be a form of thought, generating new ideas. The Oxford exhibition will present drawings that span Raphael's entire career, encompassing many of his major projects and exploring his visual language from inventive ideas to full compositions. The extraordinary range of drawings by Raphael in the Ashmolean and the Albertina, enhanced by appropriate loans, will enable this exhibition to cast new light on this familiar artist, transforming our understanding of Raphael's art.