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A collection of writings by the 2nd century satirist who ridiculed tyrants, philosophers, and even the gods, in his mock dialogues and prose narratives.
The study of the Second Sophistic is a relative newcomer to the Anglophone field of classics, and much of what characterizes it temporally and culturally remains a matter of legitimate contestation. This Handbook offers a diversity of scholarly voices that attempt to define the state of this developing field. Included are chapters that offer practical guidance on the wide range of valuable textual materials that survive, many of which are useful or even core to inquiries of particularly current interest (e.g., gender studies, cultural history of the body, sociology of literary culture, history of education and intellectualism, history of religion, political theory, history of medicine, cultural linguistics, intersection of the classical traditions and early Christianity).
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Building the Canon through the Classics. Imitation and Variation in Renaissance Italy (1350-1580) provides a comprehensive reappraisal of the construction of a literary canon in Renaissance Italy by exploring the multiple reuses of classical authorities. The volume reshapes current debate on the notion of canon by intertwining two perspectives: analyzing when and in what form a canon emerged, and determining the ways in which an ancient literary canon interacts with the urge to bestow a similar authority on some later and contemporaneous authors. Each chapter makes an original contribution to its selected topic, but the collective strength of the volume relies on its simultaneous appeal to readers in Italian Studies, intellectual history, comparative studies and classical reception studies.
Lucian of Samosata, the prolific Greek-speaking satirist of the 2nd century AD, left us a wide range of works ranging from harsh invective against cult-leaders and philosophers to playful pastiche of Herodotus' Histories. Art and artists, teachers of rhetoric, inconsistent myths, parasites in rich households, authors seeking imperial patronage and the rich and powerful themselves all provide rich material for his wit and humour. In this volume the focus is not on the literary values of Lucian's works, but rather on what they show us about the intellectual, political, religious and everyday life of the Imperial period. The articles address themes such as the importance of Latin in the Greek-speaking eastern Empire, rituals of death and mourning, attitudes towards the lands beyond the empire and the role of politics in comedy and satire, both in Lucian's own time and in the 5th and 4th centuries BC. While Lucian's own distinctive personality is impossible to ignore, the picture that emerges is one of both the high intellectual life and everyday behaviour in this vibrant period in the history of the Mediterranean region.
Aphra Behn (1640-1689) is renowned as the first professional woman of literature and drama in English. Her career in the Restoration theatre extended over two decades, encompassing remarkable generic range and diversity. Her last five plays, written and performed between 1682 and 1696, include city comedies (The City-Heiress, The Luckey Chance), a farce (The Emperor of the Moon), a tragicomedy (The Widdow Ranter), and a comedy of family inheritance (The Younger Brother). These plays exemplify Behn's skills in writing for individual performers, and exhibit the topical political engagement for which she is renowned. They witness to Behn's popularity with theatre audiences during the politically and financially difficult years of the 1680s and even after her death. Informed by the most up-to-date research in computational attribution, this fully annotated edition draws on recent scholarship to provide a comprehensive guide to Behn's work, and the literary, theatrical and political history of the Restoration.
"Trips to the Moon" by Of Samosata Lucian was originally written in the 2nd century, though it was later translated in the late 1800s. A satire about society through the lens of the ancient Greeks, the book is just as fun and insightful to read now as it was nearly two thousand years ago when it was first penned.