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This collection of literature attempts to compile many of the classic works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.
"Human flight is not a simple matter of science and technology. It is a continuing epic of dreams and obsession, of yearning and striving to harness the intellect in the service of the emotions." In Like Sex with Gods: An Unorthodox History of Flight, Bayla Singer offers a unique approach to humanity's fascination with flying. Rather than merely tracing the factual prehistory of flight up to the success of the Wright Brothers, Bayla Singer considers the interaction and influence of our dreams, fantasies, culture, and technology on the age-old quest to fly. This enlightening study begins with the deities and other denizens of the heavens that humanity has created in its religion, literature, and art. At first a monopoly of the gods, flight came to interest humanity as a way to free itself from the physical and intellectual bonds of the earth. The myth of flight eventually gives way to the pursuit of actual flight. Singer shows in compelling detail the many flying machines that have been created, including balloons, gliders, and kites. The accomplishment of the Wright Brothers and our successful trips into space are merely stops on a continuing journey, as our ancient dream of flight continues to push us to new and loftier places. Filled with compelling stories and detailed illustrations, this book provides absorbing reading for aviation experts, those fascinated with the intimate relationship between technology and culture, and all of us who have even a passing interest in flying.
Miguel de Cervantes’s experimentation with theatricality is frequently tied to the notion of revelation and disclosure of hidden truths. Drawing the Curtain showcases the elements of theatricality that characterize Cervantes’s prose and analyses the ways in which he uses theatricality in his own literary production. Bringing together the works of well-known scholars, who draw from a variety of disciplines and theoretical approaches, this collection demonstrates how Cervantes exploits revelation and disclosure to create dynamic dramatic moments that surprise and engage observers and readers. Hewing closely to Peter Brook’s notion of the bare or empty stage, Esther Fernández and Adrienne L. Martín argue that Cervantes’s omnipresent concern with theatricality manifests not only in his drama but also in the myriad metatheatrical instances dispersed throughout his prose works. In doing so, Drawing the Curtain sheds light on the ways in which Cervantes forces his readers to engage with themes that are central to his life and works, including love, freedom, truth, confinement, and otherness.