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The works of Henry Fielding, though written nearly three hundred years ago, retain their sense of comedy and innovation in the face of tradition, and they easily engage the twenty-first-century student with many aspects of eighteenth-century life: travel, inns, masquerades, political and religious factions, the '45, prisons and the legal system, gender ideals and realities, social class. Part 1 of this volume, "Materials," discusses the available editions of Joseph Andrews, Tom Jones, Shamela, Jonathan Wild, and Amelia; suggests useful critical and contextual works for teaching them; and recommends helpful audiovisual and electronic resources. The essays of part 2, "Approaches," demonstrate that many of the methods and models used for one novel-- the romance tradition, Fielding's legal and journalistic writing, his techniques as a playwright, the ideas of Machiavelli-- can be adapted to others.
First published in 1986, Laurence Sterne follows Sterne’s life and career from the moment of recognition brought by the successful publication of the first two volumes of Tristram Shandy, to the publication in 1768 of A Sentimental Journey and its author’s death three weeks later. Sterne, a consumptive who knew that he would meet an early death, was determined to pack into his life all the writing, adventure and play he could, believing implicitly ‘that every time a man smiles, -- but much more so, when he laughs, that it adds something to this Fragment of Life.’ We see him in his study at Shandy Hall, among the philosophes in Paris, with his family at Toulouse and Montpellier, preaching before the villagers of Coxworld or before the duke of York, and entertaining the bluestockings, the intellectuals, the wits and rakes of 18th century London. We witness Sterne’s struggle, after sailing through the early volumes of Tristram Shandy, to find ways to continue or complete the novel. We watch the disintegration of any meaningful relationship with his wife, his secret amours, his public sentimental flirtations and his hopeless passion for Eliza Draper. This book will be of interest to students of literature, literary history as well as to any casual reader of Sterne’s novels.